Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 201 del v našem katalogu avtorja Émile Bernard
Kratek opis
Med vsemi originali, ki jih je pustil Émile Bernard, je najbolj znan Iron Bridges at Asnières (1887), ki se nahaja v kolekciji MoMA - Muzej moderne umetnosti, New York City. Takoj za njima sta Portrait of Marie Lemasson (1892) in Self-Portrait 1918 (1919). Naš katalog vsebuje 201 del umetnika Émile Bernard; galerija je ohranila 100 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
Portrait du père Tanguy1887 · Kunstmuseum Basel
12
Victorine Lelopin1891 · Ackland Art Museum
13
The Wave1892 · Ackland Art Museum
14
The Salon1890 · Dallas Museum of Art
15
Confirmand's Procession1891 · Davis Museum and Cultural Center
16
The Breton wrestlers1889
17
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
18
Breton Girl with a Red Umbrella1888 · Museum of Fine Arts
19
Self-Portrait as a Troubadour1892 · Narodni muzej zahodne umetnosti
20
The Annunciation1890 · Thyssen-Bornemisza Museum
21
Inside a Shop in Pont-Aven1887 · Thyssen-Bornemisza Museum
22
The Artist's Grandmother1887 · Muzej fine arts
23
Woman Sitting in a Field: Brittany1890 · Van Goghov muzej
24
Symbolic Self-Portrait1891 · Musée d'Orsay
25
Portrait of my sister Madeleine1888 · Musée Toulouse-Lautrec
26
Gaulish apple pickers1892
27
Portrait de Madame Lemasson1891
28
Death of the Knight (La Mort du cavalier)1892
29
Woman in Profile1895
30
Three Women on the Banks of a River1895
31
Fellah Women at the Bath1900 · Musée des Beaux-Arts
32
Bathing Men1904 · Musée d'Unterlinden
33
Breton Women in a Ferry Boat1900 · Museum of Art
34
Toilet of Venus1911 · Musée des Beaux-Arts
35
Woman's Head1920 · Harvard Art Museums
36
Melancholy1935 · Musée d’Art Moderne de la Ville de Paris
37
Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · Van Goghov muzej
38
Breton Women1940 · Musée d’Art Moderne de la Ville de Paris
39
Self-Portrait1888 · Barnes Foundation
40
Board decorated with tendrils and flowers1906 · Van Goghov muzej
41
Landscape at Pont-Aven with Poplars1888 · Musée de Pont-Aven
42
Still life with flowers in a jug1904 · Van Goghov muzej
43
The Adoration of the Shepherds1889 · Musée de Pont-Aven
44
Study for The Buckwheat Harvesters1888 · Musée de Pont-Aven
45
Breton Women with SeaweedIndianapolis Museum of Art
46
Funeral palls 11885 · Musée des Beaux-Arts de Quimper
47
Funeral palls 21885 · Musée des Beaux-Arts de Quimper
48
Houses in Pont-Aven1890 · Wallraf-Richartz-Museum
49
Landscape, Saint-Briac1888 · Kelvingrove Art Gallery and Museum
50
Still Life with Fruit, Cup and Pitcher1888 · Des Moines Art Center
51
Two Breton women in a meadow1886 · Van Goghov muzej
52
Boy sitting in the grass1886 · Van Goghov muzej
53
Woman Walking on the Banks of the Aven1890 · Museum of Fine Arts
54
The Cliffs at Le Pouldu1887 · Thyssen-Bornemisza Museum
55
Still Life with Fruit1890 · Art Institute of Chicago
56
House Among Trees: Pont-Aven1888 · Van Goghov muzej
57
Vase with Flowers and Cup1887 · Van Goghov muzej
58
Landscape at Pont-Aven1889 · Van Goghov muzej
59
Still Life with Flowers1887 · Norton Simon Museum
60
Brittany Landscape1888 · Norton Simon Museum
61
Still Life with Jug1890 · Gothenburg Museum of Art
62
Still Life with Teapot, Apples and Dishes1892
63
Still Life with Pears on a White Tablecloth1891
64
Catalogue for the Van Gogh Exhibition at Le Barc de Boutteville and Lottery Ticket1891
65
Springtime1892
66
Woman at Saint-Briac1886
67
Landscape, Saint Briac1889
68
Orchard at Pont Aven1886 · Musée des Beaux-Arts de Quimper
69
Still Life with Fruit and Pitcher1896
70
Still Life with Grapes1893
71
Spanish street musician and his family1897
72
Landscape, Aix-les-Bains1904 · Hood Museum of Art
73
View of Castle in Semur1905 · Tokyo Fuji Art Museum
74
Jeune Fille Sur La Colline1904 · Fine Arts Museums of San Francisco
75
Parisian WomanNarodni muzej zahodne umetnosti
76
2 men .... sitting in a cellar
77
Woman standing
78
On the boulevard
79
Working bretones
80
Mercury and Two Women
81
Apple picking
82
Bretons with umbrellas
83
Annunciation
84
Woman Sewing
85
Bearing apple
86
Death
87
Banquet Scene
88
Breton Peasant Women in a field
89
Street Scene
90
La Dame au Manchon (Woman with a Muff)
91
Sleep
92
Madeleine at the tree of lovePortland Museum of Art
93
Study of bretons
94
Au bord de la Marne
95
Portrait of Paul Sérusier
96
The Archer
97
Christ Carrying the Cross with Saint Veronica near him
98
Bridge at Pont-AvenDallas Museum of Art
99
Portrait of a painter in a red robe
100
Nude with a plate of cherries
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Émile Bernard | Slike iz tega seznama |
|---|---|---|---|
 Van Goghov muzej |
Amsterdam | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Hastenparck | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Thyssen-Bornemisza Museum |
Madrid | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartz-Museum |
Köln | 3 | Loving Couple, Houses in Pont-Aven |
 Dallas Museum of Art |
Dallas | 3 | The Salon, Bridge at Pont-Aven |
 Musée des Beaux-Arts |
Reims | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Iron Bridges at Asnières (1887), MoMA - Muzej moderne umetnosti, New York City. Zatem sledeta Portrait of Marie Lemasson (1892) in Self-Portrait 1918 (1919).
19 let: delo Iron Bridges at Asnières iz leta 1887, Émile Bernard pa je bil/a rojen/a leta 1868.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple in The Harvest at Saint-Briac. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 201 del avtorja Émile Bernard, datiranih od 1885 do 1940.
Večini v Van Goghov muzej (Amsterdam), Musée de Pont-Aven (Hastenparck) in Thyssen-Bornemisza Museum (Madrid). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1880s: 29 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Iron Bridges at Asnières.
Na tej strani je najstarejše delo iz Funeral palls 1 (1885) in najstarejše iz Breton Women (1940).
Women (10), People (6) in Woman (4), na 100 delih na tej strani.
Oil On Canvas, za 6 od 100 del na tej strani.
Post-impressionist synthetism, glede na originala na tej strani.
Self-Portrait 1918, Woman Sitting in a Field: Brittany in Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941): v muzeju Van Goghov muzej, Amsterdam se nahaja 10 del z te strani.
Da, kot reprodukcija: original ostane v muzeju, vendar lahko je katero od slik na tej strani za vas naslikano ročno, po naročilu, ena po drugi, neposredno s strani same slike.
Émile Henri Bernard, rojen 28. aprila 1868 v Lilleju, Francija, je bil izjemno pomemben slikar in teoretik umetnosti, ki je pustil globok pečat na razvoju postimpresionizma. Njegovo življenje in delo sta tesno povezana s ključnimi liki moderne umetnosti, kot sta Vincent van Gogh in Paul Gauguin, ter z nastankom revolucionarnih stilov, kot sta cloisonnizem in sintetizem. Bernardova zgodba je zgodba o iskanju novega vizualnega jezika, ki bi presegel objektivno upodabljanje narave in se osredotočil na subjektivni izraz in simboliko.
