Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 89 del v našem katalogu avtorja Bernardo Daddi
Kratek opis
Med vsemi originali, ki jih je pustil Bernardo Daddi, je najbolj znan Saint Gregory the Great (in pinnacle: a Prophet) (1334), ki se nahaja v kolekciji Harvard Art Museums, Cambridge. Takoj za njima sta Saint Reparata Being Prepared for Execution (1300) in Saint Reparata before the Emperor Decius (1338). Naš katalog vsebuje 89 del umetnika Bernardo Daddi; galerija je ohranila 89 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
A single figure occupies the center of this vertical wooden panel, suspended against a flat, luminous gold ground. Saint Gregory the Great faces the viewer with a solemn, steady gaze. He is an elderly man, his face etched with the gravity of his station. He wears a white mitre, its surface adorned with a jeweled crown-like band that catches the light. Over his shoulders, a heavy red cope falls in…
The painted panel titled Saint Reparata Being Prepared for Execution is a work by the Florentine artist Bernardo Daddi. This piece dates to approximately 1338–1340. It is a tempera on panel composition that originated as part of a larger series from a high altarpiece. Specifically, the panel functioned as part of a predella, which is a two-tiered base, illustrating eight distinct scenes from the life of the saint.
Saint Reparata before the Emperor Decius is a work by the Florentine painter Bernardo Daddi, executed about 1338. The composition portrays the saint in a confrontation with Emperor Decius. As a patron saint of Florence, Reparata’s life was a central subject of local devotion.
A vertical silhouette emerges from a field of textured gold. St. Catherine of Alexandria is caught in a moment of quietude, her head tilted slightly toward the left. She wears a crown of gold, heavy with dark jewels, resting upon hair that meets the sharp point of a Gothic arch. Her tunic is the color of deep teal, draped in folds that catch the light, while an orange mantle wraps…
To stand before this panel is to encounter the structured devotion of mid-14th century Florence. The composition is governed by a strict verticality, drawing the eye upward toward Christ, who is seated in an upper lobed section. He holds a red book and offers a gesture of blessing, his presence anchored by the formal symmetry of the throne. Below this central figure, the arrangement shifts into a circular medallion, flanked…
We are looking at Arrival of Saint Ursula at Cologne, a work by the Florentine painter Bernardo Daddi. Created about 1333, this piece originates from a period when Daddi was a central figure in the artistic life of Florence. He was an Italian artist who lived from about 1280 to 1348, working through the transition of styles in the early fourteenth century.
To gaze upon this depiction of Saint Dominic receiving divine guidance is to witness art at its most profound—a captured breath from the intersection of earthly devotion and celestial revelation. The scene, rendered with exquisite care, transports the viewer into an intimate architectural space, suggesting a moment so sacred that time itself seems to pause. It is not merely a portrait of a saint; it is an embodiment of spiritual…
In the heart of fourteenth-century Florence, a period defined by the delicate transition from the stylized elegance of the Gothic era to the burgeoning humanism of the Renaissance, Bernardo Daddi emerged as a master of light and devotion. His masterpiece, The Assumption of the Virgin, serves as a breathtaking window into a world where the earthly and the divine intersect. This tempera panel on wood, executed with a meticulous hand…
![Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The (1338) avtorja Bernardo Daddi](/media/artworks/images-full/37/58/375831847b7950d4d8b4b167786d6c9f.jpg)
This Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The is a work by Bernardo Daddi. The artist, born in Florence, Italy, in 1290, crafted this composition in 1338. His hand guided the brush through the transition of eras…
The air within this architectural space feels heavy with the scent of fruit and the quiet murmur of a communal meal. Sunlight does not strike the scene from a single source; instead, a soft, diffused glow bathes the figures, casting no harsh shadows and creating a sense of eternal, suspended time. We find ourselves looking into a shallow, stage-like room where the boundaries of space are defined by elegant vertical…
Virgin and Child with Saints John the Baptist and Giles, Two Prophets, and Christ the Redeemer1334 · Philadelphia Museum of Art
12
The Nativity and the Annunciation to the Shepherds1336 · Muzej fine arts
13
Saint Paul and a Group of Worshippers1333 · National Gallery of Art
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Saint Reparata Tortured with Red-Hot Irons1337 · Metropolitanski muzej umetnosti
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The Virgin and Child Enthroned with Saints (triptych, closed)1338 · Courtauld Gallery
16
Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso)1338 · Courtauld Gallery
17
Four Musical Angels1340 · Christ Church Picture Gallery
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Saint Peter1330 · Courtauld Gallery
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Two Magi and Bishop (triptych, left wing) (verso)1338 · Courtauld Gallery
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The Group of saints.1330 · Muzej Czartoryskich
21
Birth of Christ1338 · Scottish National Gallery
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Triptych: the Nativity, the Coronation of the Virgin, and the Crucifixion1339 · Gemäldegalerie
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The Virgin and Child, with Christ Blessing1340 · Harvard Art Museums
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Virgin and Child1345 · Yale University Art Gallery
25
Holy bishop wit a goldfinch1350 · Bavarske državne slikopisne zbirke
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The Crucifixion (polyptych, panel 3 of 5)1348 · Courtauld Gallery
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Saints Peter and Paul (polyptych, panel 4 of 5)1348 · Courtauld Gallery
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Saints Bartholomew and George (polyptych, panel 2 of 5)1348 · Courtauld Gallery
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Virgin and Child1346 · Isabella Stewart Gardner Museum
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Saint Margret and Saint Agnes1507 · Musée des Beaux-Arts de Strasbourg
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Christ on the Cross between the Virgin and Saints Mary Magdalene and John the Evangelist; left panel: The Agony in the Garden and Saints Peter and Paul; right panel: Saints Catherine of Alexandria and1334 · Harvard Art Museums
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The Crucifixion1325 · Metropolitanski muzej umetnosti
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The Virgin Mary with Saints Thomas Aquinas and Paul1335 · J. Paul Getty Museum
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Madonna and Child Enthroned with Saints1339 · Minneapolis Institute of Art
35
Madonna and Child1335 · Pinakota Vatikana
36
Portable, Double Sided Cross (recto)1340 · Museo Poldi Pezzoli
37
Triptych1333 · Loggia del Bigallo
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Virgin and Child with Saint Peter and Saint Paul1340 · Courtauld Gallery
39
Coronation of the Virgin1340 · Lindenau-Museum
40
The Coronation of the Virgin1340 · National Gallery
41
St Catherine of Alexandria with Donor and Christ Blessing (detail)1340 · Museo dell'Opera del Duomo
42
Crucifixion1345 · Lindenau-Museum
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Crucifixion1320 · Worcester Art Museum
44
Madonna and Child with Saints1320 · Worcester Art Museum
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The Nativity1340 · Metropolitanski muzej umetnosti
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Triptych1335 · Lindenau-Museum
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The Vocation of Saint Dominic1338 · Yale University Art Gallery
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The Crucifixion1325 · National Gallery of Art
49
Triptych (detail)1335 · Lindenau-Museum
50
The Martyrdom of St Stephen1324 · Santa Croce
51
St Catherine of Alexandria with Donor and Christ Blessing1340 · Museo dell'Opera del Duomo
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Crucifixion (detail)1345 · Lindenau-Museum
53
Virgin and Child1340 · Thyssen-Bornemisza Museum
54
Madonna and Child with Sts Matthew and Nicholas1328 · Galleria degli Uffizi
55
The Annunciation1335 · Louvre
56
Madonna and Child with Saints and Angels d8
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Madonna and Child with Saints1340 · New Orleans Museum of Art
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Orsanmichele Madonna and Child with Angels1346 · Orsanmichele
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Virgin and Child Enthroned with Saints1343 · Museo Horne
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Virgin and Child with Saints1338 · Courtauld Gallery
61
Portable, Double Sided Cross (verso)1340 · Museo Poldi Pezzoli
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Triptych1338 · Staatliche Museen zu Berlin
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The CrucifixionMuzej fine arts
64
The NativityWallace Collection
65
Madonna and Child Enthroned with Saints
66
Madonna and Child Enthroned with Saints
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Madonna and Child with Saints and Angels1345 · National Gallery of Art
68
Crucifixion1340 · Collezione Vittorio Cini
69
Polyptych of San Pancrazio: Predella panelGalleria degli Uffizi
70
Triptych of the Betrothal of St. Catherine Flanked with St. Bartholomew and St. Benedict?Narodna galerija v Pragi
71
Madonna and Child with Saints and Angels d0
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Madonna and Child with Saints and Angels d6
73
Madonna and Child with Saints and Angels d2
74
Madonna and Child with Saints and Angels d1
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Madonna and Child with Saints and Angels d3
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Madonna and Child with Saints and Angels d5
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Madonna and Child with Saints and Angels d9
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Madonna and Child with Saints and Angels d7
79
Madonna and Child with Saints and Angels d4
80
Polyptych of San Pancrazio: Predella panelKraljeva zbirka
81
Polyptych of San Pancrazio: Predella panelGalleria degli Uffizi
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Polyptych of San PancrazioGalleria degli Uffizi
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Saint Pancras Polyptych1338
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Madonna and Child with Sts Matthew and Nicholas1328
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Saint Lawrence1340 · Pinacoteca di Brera
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Polyptych of the Madonna and four saints1332 · Museo Civico
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Crucifix1340 · Museo Bardini
88
Story of the true Belt1337 · Museo Civico
89
Madonna and Child Enthroned with Angels and Saints1334 · Galleria degli Uffizi
#1 Saint Gregory the Great (in pinnacle: a Prophet)
#3 Saint Reparata before the Emperor Decius
#4 A Crowned Virgin Martyr (St. Catherine of Alexandria)
#5 Christ Enthroned with Saints
![Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The (1338), Bernardo Daddi](/media/artworks/images-thumb/f5/2d/f52d86206b7bcf980b56ec8430260132.jpg)
#9 Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Bernardo Daddi | Slike iz tega seznama |
|---|---|---|---|
 Courtauld Gallery |
London | 9 | The Virgin and Child Enthroned with Saints (triptych, closed), Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso), Saint Peter |
 Metropolitanski muzej umetnosti |
New York | 7 | Saint Reparata Being Prepared for Execution, Saint Reparata before the Emperor Decius, Christ Enthroned with Saints |
 Lindenau-Museum |
Altengau | 5 | Coronation of the Virgin, Crucifixion, Triptych |
 Galleria degli Uffizi |
Firene | 5 | Madonna and Child with Sts Matthew and Nicholas, Polyptych of San Pancrazio: Predella panel, Polyptych of San Pancrazio: Predella panel |
 Harvard Art Museums |
Cambridge | 3 | Saint Gregory the Great (in pinnacle: a Prophet), The Virgin and Child, with Christ Blessing, Christ on the Cross between the Virgin and Saints Mary Magdalene and John the Evangelist; left panel: The Agony in the Garden and Saints Peter and Paul; right panel: Saints Catherine of Alexandria and |
 National Gallery of Art |
Washington | 3 | Saint Paul and a Group of Worshippers, The Crucifixion, Madonna and Child with Saints and Angels |
 J. Paul Getty Museum |
Los Angeles | 2 | Arrival of Saint Ursula at Cologne, The Virgin Mary with Saints Thomas Aquinas and Paul |
 Staatliche Museen zu Berlin |
Berlin | 2 | The Temptation of St Thomas Aquinas, Triptych |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The painted panel titled Saint Reparata Being Prepared for Execution is a work by the Florentine artist Bernardo Daddi. This piece dates to approximately 1338–1340. It is a tempera on panel composition that originated as part of a larger series from a high altarpiece. Specifically, the panel functioned as part of a predella, which is a two-tiered base, illustrating eight distinct scenes from the life of the saint.
The Crucifixion by Bernardo Daddi is a religious work dating to 1345. The composition focuses on the Crucifixion of Jesus Christ, a central subject in Christian iconography. This piece belongs to the Gothic Renaissance tradition, reflecting the stylistic developments of the mid-fourteenth century.
A single figure occupies the center of this vertical wooden panel, suspended against a flat, luminous gold ground. Saint Gregory the Great faces the viewer with a solemn, steady gaze. He is an elderly man, his face etched with the gravity of his station. He wears a white mitre, its surface adorned with a jeweled crown-like band that catches the light. Over his shoulders, a heavy red cope falls in…
A vertical silhouette emerges from a field of textured gold. St. Catherine of Alexandria is caught in a moment of quietude, her head tilted slightly toward the left. She wears a crown of gold, heavy with dark jewels, resting upon hair that meets the sharp point of a Gothic arch. Her tunic is the color of deep teal, draped in folds that catch the light, while an orange mantle wraps…
Saint Gregory the Great (in pinnacle: a Prophet) (1334), Harvard Art Museums, Cambridge. Zatem sledeta Saint Reparata Being Prepared for Execution (1300) in Saint Reparata before the Emperor Decius (1338).
44 let: delo Saint Gregory the Great (in pinnacle: a Prophet) iz leta 1334, Bernardo Daddi pa je bil/a rojen/a leta 1290.
Saint Gregory the Great (in pinnacle: a Prophet), Saint Reparata Being Prepared for Execution, Saint Reparata before the Emperor Decius, A Crowned Virgin Martyr (St. Catherine of Alexandria), Christ Enthroned with Saints, Arrival of Saint Ursula at Cologne, The Temptation of St Thomas Aquinas, The Assumption of the Virgin, Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The in The Wedding Feast of St Cecilia. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 89 del avtorja Bernardo Daddi, datiranih od 1300 do 1348.
Večini v Courtauld Gallery (London), Metropolitanski muzej umetnosti (New York) in Lindenau-Museum (Altengau). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1330s: 33 od 89 del na tej strani je bilo izdelovanih takrat, med njimi pa Saint Gregory the Great (in pinnacle: a Prophet).
Na tej strani je najstarejše delo iz Saint Reparata Being Prepared for Execution (1300) in najstarejše iz The Crucifixion (polyptych, panel 3 of 5) (1348).
Saints (27), Gold background (23) in Angels (23), na 89 delih na tej strani.
Tempera On Panel, za 45 od 89 del na tej strani.
Gothic in Proto-renaissance, glede na originala na tej strani.
The Virgin and Child Enthroned with Saints (triptych, closed), Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso) in Saint Peter: v muzeju Courtauld Gallery, London se nahaja 9 del z te strani.
