Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 59 del v našem katalogu avtorja Achille Laugé
Kratek opis
Med vsem originalom, ki ga je Achille Laugé pustil, je najbolj znan Les meules. Takoj za njima sta Almond Trees in Blossom near Cailhau, Aude (1934) in The Road of Cailhau (1909). Naš katalog vsebuje 59 del umetnika Achille Laugé; galerija je ohranila 57 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
The scene depicts a sunlit field where several hay bales are scattered across the terrain. In the background, a hill rises against the horizon, suggesting a clear, bright day. Figures are positioned throughout the landscape, engaged in the manual task of tending to the hay. Some individuals appear in the foreground, while others are smaller in the distance, creating a sense of depth within the rural setting. The light falls…
This painting, titled Almond Trees in Blossom near Cailhau, Aude, was created in 1934. It is a work by Achille Laugé, a French artist who lived from 1861 to 1944. Through this piece, we encounter the specific atmosphere of the southern French landscape during the spring season.
The air feels crisp as the eye follows the empty path winding through the landscape. It is 1909, and the world of Cailhau is caught in a moment of seasonal transition. Trees line the road, their branches heavy with leaves that have turned to deep reds, signaling the arrival of autumn. A solitary house sits nestled near the center of the scene, providing a sense of place and human presence…
In this 1892 portrait, we encounter Madame Astre in a moment of profound stillness. She is presented in a full-length composition, her figure occupying the center of the frame with a poised, upright grace. The silhouette is defined by the structured tailoring of a high-collared, long-sleeved gown, a garment that speaks to a certain social standing and a preference for formal elegance. There is a quietude here that feels almost…
A woman sits in profile, her gaze fixed on something just beyond the right edge of the frame. She is caught in a moment of stillness, her dark hair pulled back into a neat bun that reveals the soft curve of her neck and ear. The light, arriving from the front-left, brushes against her skin in a gentle wash, casting subtle shadows that define the contours of her face. There…
Portrait of Albert Sarraut by Achille Laugé presents a profile portrait of a man in a close-up bust view. The subject is positioned slightly off-center and faces toward the left of the frame. This composition focuses the viewer's attention on the contours of the face and the structure of the head. The depth of the piece is shallow, which keeps the focus strictly on the figure without any environmental distractions.
In this 1896 oil on canvas, we encounter a young woman captured in a moment of profound stillness. She is positioned in a bust-length view, her body turned slightly toward the right while her gaze remains fixed forward, meeting the viewer with a serene, steady composure. The composition is classical, favoring a sense of dignity over dramatic movement. A dark garment provides a heavy, grounding contrast to the delicate white…
The scene unfolds in La Route au Lieu-Dit l`Hort, Montpellier, a work by the French Neo-Impressionist painter Achille Laugé. This piece captures a specific slice of the southern French landscape, a world where the light of the region seems to settle deeply into every corner of the canvas. Laugé, who lived from 1861 until 1944, brings a particular sensitivity to the way the sun interacts with the rural paths of…
The painting titled View of the Port of Collioure from the Point of Saint-Vincent, (1928) captures a quiet moment in a French harbor. Achille Laugé, the artist behind this work, was born in 1861. He spent much of his life immersed in the light of the southern French countryside, seeking to translate the atmosphere of the landscape onto canvas. This specific piece was created in 1928.
A Road in Champagne near Cailhau, (1908) is a work by the French artist Achille Laugé. This painting captures a specific corner of the Aude department, a place where the artist spent much of his life. Born in 1861 in Arzens, Laugé eventually settled near Carcassonne, finding his rhythm in the quietude of Cailhau. He remained a presence in this landscape until his death in 1944.
Alrededores cailhau
12
The Atellier at Alet-les-Bains
13
La route (The Road)1893 · Museum of Fine Arts
14
The willow alley1896 · Musée des Beaux-Arts
15
Away with Broom1900 · Wallraf-Richartz-Museum
16
Vase with Roses1909 · Wallraf-Richartz-Museum
17
Route de Cailhavel, Almond Trees in Bloom1911 · musée Petiet de Limoux
18
Cailhau1909 · Musée des Beaux-Arts
19
Le relais1909 · Musée des Beaux-Arts
20
Fleurs et poires1909 · Musée des Beaux-Arts
21
Fleurs et fruits 1910 - Achille Laugé1910 · Musée des Beaux-Arts
22
The road to Cailhau1910 · Musée des Beaux-Arts
23
Le moulin de Gatimel1932 · musée Petiet de Limoux
24
Fruitsmusée Petiet de Limoux
25
Notre-Dame de Parismusée Petiet de Limoux
26
The Garonne In Toulouse
27
Flowers, (1938)
28
Collioure, (1927)
29
The port
30
Almond Trees Blooming near Cailhau
31
Bouquet of Flowers, (1907)
32
Vase of Roses
33
Amendiers en Fleursmusée Petiet de Limoux
34
Vase with Roses, (1919)
35
View of Ginoles-les-Bains, (1936)
36
The artist`s orchard
37
Bouquet of Roses in the Glass
38
On the Bank of the Lake
39
Vase of Roses, (1924)
40
Au Bord du Lac
41
Bouquet of Roses, (1918)
42
View of the Port of Collioure from the Point of Saint-Vincent (diptych), (1928)
43
The Road Boarding by Almond-Trees in Bloom, (1934)
44
Vase with Flowers
45
The Road Entering to Cailhau, (1922)
46
The Road from Limoux to Alete-Les-Bains
47
Vase with Roses, (1921)
48
The Road in the Outskirts of Cailhau, (1921)
49
Road in Champagne, (1898)
50
The Road near Cailhau
51
The Road with Almond Trees in Autumn, (1921)
52
Bouquet of Roses, (1922)
53
The Road near Genets
54
Bouquet of Roses, (1905)
55
Etude de Chrysanthemes
56
Study of Chrysanthemums
57
The Road of Belveze near Revesible Station, (1918)
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
4 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Achille Laugé | Slike iz tega seznama |
|---|---|---|---|
 Musée des Beaux-Arts |
Carcasona | 10 | Portrait de Madame Astre, Portrait of a Woman, Portrait of Albert Sarraut |
 musée Petiet de Limoux |
Limoux | 5 | Route de Cailhavel, Almond Trees in Bloom, Le moulin de Gatimel, Fruits |
 Wallraf-Richartz-Museum |
Köln | 2 | Away with Broom, Vase with Roses |
 Museum of Fine Arts |
Houston | 1 | La route (The Road) |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In this 1892 portrait, we encounter Madame Astre in a moment of profound stillness. She is presented in a full-length composition, her figure occupying the center of the frame with a poised, upright grace. The silhouette is defined by the structured tailoring of a high-collared, long-sleeved gown, a garment that speaks to a certain social standing and a preference for formal elegance. There is a quietude here that feels almost…
The air feels crisp as the eye follows the empty path winding through the landscape. It is 1909, and the world of Cailhau is caught in a moment of seasonal transition. Trees line the road, their branches heavy with leaves that have turned to deep reds, signaling the arrival of autumn. A solitary house sits nestled near the center of the scene, providing a sense of place and human presence…
This painting, titled Almond Trees in Blossom near Cailhau, Aude, was created in 1934. It is a work by Achille Laugé, a French artist who lived from 1861 to 1944. Through this piece, we encounter the specific atmosphere of the southern French landscape during the spring season.
Les meules. Zatem sledeta Almond Trees in Blossom near Cailhau, Aude (1934) in The Road of Cailhau (1909).
Les meules, Almond Trees in Blossom near Cailhau, Aude, The Road of Cailhau, Portrait de Madame Astre, Portrait of a Woman, Portrait of Albert Sarraut, Portrait of a Woman, La Route au Lieu-Dit l`Hort, Montpellier, View of the Port of Collioure from the Point of Saint-Vincent, (1928) in A Road in Champagne near Cailhau, (1908). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 59 del avtorja Achille Laugé, datiranih od 1892 do 1934.
Večini v Musée des Beaux-Arts (Carcasona), musée Petiet de Limoux (Limoux) in Wallraf-Richartz-Museum (Köln). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1900s: 7 od 57 del na tej strani je bilo izdelovanih takrat, med njimi pa The Road of Cailhau.
Na tej strani je najstarejše delo iz Portrait de Madame Astre (1892) in najstarejše iz Almond Trees in Blossom near Cailhau, Aude (1934).
Flowers (13), Roads (7) in Vase (5), na 57 delih na tej strani.
Oil On Canvas, za 11 od 57 del na tej strani.
Impressionism, glede na originala na tej strani.
Portrait de Madame Astre, Portrait of a Woman in Portrait of Albert Sarraut: v muzeju Musée des Beaux-Arts, Carcasona se nahaja 10 del z te strani.
Prona, ki je postala ne le Laugéjevo domovilo, temveč tudi njegova neizvedna muza. Njegove slike so skoraj izključno osredotočene na naravne dele, vasi in podeške prizore te regije na jugu Francije. Posebej ga je privlačilo cvetenje mandljev, ki vsako pomlad prekrije podeželje in spremeni sadovnjake v morje belkic in rožic. To cvetje se v njegovem celotnem delu pojavlja ponovoma in postaja simbol ponovnega življenja, upanja ter prehodne lepote narave. Poleg mandljev je Laugé pogosto prikazoval winding roads, ki vodijo skozi polja zalivana s soncem, rustikalne kmetije, skrite med grobimi grmičmi, in pitovite vasi, ki so navlažene v zlatem svetu. To niso grandiozni, dramatični razgledi, temveč bolj intimni pogledi v vsakdanji život – kmet, ki skrbi za svoja polja, otroci, ki se igrajo ob cesti, ali voz, poln sadja, ki se odpravlja na trg. Likar je slikal tudi prizore ob morju, kjer je zajel neukotožno lepoto mediteranske obale in živahne barve morja. Njegovo del nudi dragocen zapis podeželskega življenja v Provensi v obdobju velikih sprememb, hkrati ohranjajoč občutek avtentičnosti in miru, ki ga pogosto ni več v bolj ambicioznih ali stiliziranih prikazih te regije.
