Kratek opis
Za oči galerije je najbolj znano sliko umetnika Stefan Buban delo Near Spišská Nová Ves (1970), katere original visi v muzeju Tatra Gallery, Poprad. Native Zemplín (1981) in Zemplín Fields (1981) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 10 del avtorja Stefan Buban v našem katalogu galerija spodaj predstavlja 7 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
Top 10 slik umetnika Stefan Buban v galeriji
Near Spišská Nová Ves
In the evocative landscape of Near Spišská Nová Ves, the viewer is immediately transported to a realm where the rugged majesty of the Slovakian mountains meets a profound sense of tranquility. The painting presents a breathtaking vista of a mountainous expanse, characterized by a striking red hue that bathes the peaks in a warm, ethereal glow. This chromatic choice does more than merely depict terrain; it imbues the entire scene…
Muzeji, ki hranijo originala umetnika Stefan Buban
3 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Stefan Buban | Slike iz tega seznama |
|---|---|---|---|
| Košice | 4 | Native Zemplín, Zemplín Fields, Peaceful Landscape | |
| Poprad | 2 | Near Spišská Nová Ves, Near Spišská Nová Ves | |
| Spišská Nová Ves | 1 | Winter in Podlince |
Stefan Buban, značilna dela vsakega leta
18 let umetnosti umetnika Stefan Buban, od 1970 do 1987: galerija jih spremlja leto za letom, skozi njihova najboljša originalna dela.
Delo po letih
Izberite leto in oglej originale.
Slike umetnika Stefan Buban: odgovori galerije
Katero sliko avtorja Stefan Buban je najbolj znana med vsemi?Razkriti odgovor
Near Spišská Nová Ves (1970), Tatra Gallery, Poprad. Zatem sledeta Native Zemplín (1981) in Zemplín Fields (1981).
Koliko je bil Stefan Buban let, ko je dokončal Near Spišská Nová Ves?Razkriti odgovor
38 let: delo Near Spišská Nová Ves iz leta 1970, Stefan Buban pa je bil/a rojen/a leta 1932.
Koliko dzieł stworzył Stefan Buban?Razkriti odgovor
Naš katalog vsebuje 10 del avtorja Stefan Buban, datiranih od 1970 do 1987.
Kje so razpostavljena najbolj znana originala umetnika Stefan Buban?Razkriti odgovor
Večini v Vychodoslovenské Galéria (Košice), Tatra Gallery (Poprad) in Galerija umetnosti Spiš (Spišská Nová Ves). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Kdaj je Stefan Buban ustvaril svoja najbolj znana slika?Razkriti odgovor
V obdobju 1981: 3 od 7 del na tej strani je bilo izdelovanih takrat, med njimi pa Native Zemplín.
Kateri so najstarejši in najmlajši znanii dela umetnika Stefan Buban?Razkriti odgovor
Na tej strani je najstarejše delo iz Near Spišská Nová Ves (1970) in najstarejše iz Let Us Not Allow! (1987).
Katera originalna dela umetnika Stefan Buban ima v svoji zbirki Vychodoslovenské Galéria?Razkriti odgovor
Native Zemplín, Zemplín Fields in Peaceful Landscape: v muzeju Vychodoslovenské Galéria, Košice se nahaja 4 del z te strani.
Stefan Buban: umetnik
A Life Shaped by Color and Landscape
Born on July 29, 1932, in Pavlovce nad Uhom, Slovakia, Štefan Bubán spent his life translating the textures of his homeland onto canvas. His early years were rooted in the traditions of the region, leading him to study at the art department of the Higher Pedagogical School in Prešov, which he completed in 1955. He later continued his formal education at the Faculty of Education of Comenius University in Bratislava between 1959 and 1964. This academic foundation provided the technical skill that would support a career spanning decades of experimentation.
His professional path was closely tied to Trebišov, where he worked from 1956. The landscapes of the East Slovak Lowland became a central part of his visual language. In his early works, he focused on figurative compositions that captured the essence of this region through distinct color effects. As time passed, his focus shifted toward the natural world, moving into landscape painting that explored the light and earth of the Slovakian terrain.
Evolution of Style and Technique
The progression of Bubán’s work shows a clear movement from representational forms to more complex, abstract visions. He began with figures and landscapes but eventually embraced a modernist style characterized by geometric-abstract-informal fantasies. This transition saw him moving toward what some describe as transavantgarde, where his paintings became structured through geometric-abstract visions. His technique was not limited to the brush; he worked with oil painting, sculpture, printmaking, woodcuts, and drawings.
His approach to color was deeply personal. In works such as Near Spišská Nová Ves, he used striking red hues to bathe mountain peaks in a warm glow, creating an atmosphere of a permanent sunset. He utilized color for psychological impact rather than mere accuracy. His later compositions often relied on an instinctive creative passion, using color and imaginative arrangements to build space within his paintings.
Recognition and Global Reach
Though deeply connected to Slovakian soil, Bubán’s presence was felt far beyond its borders. He exhibited his work in numerous countries, including Germany, Italy, France, Japan, and Egypt. His art found homes in prestigious venues such as the Salon d'Automne in Paris and the Kunsthalle Bratislava. For a period between 2008 and 2016, his paintings were even displayed at the Permanent Representation of Slovakia to the European Union in Brussels.
Throughout his career, he received several notable honors that reflected his standing in the international art community:
- The Gold Plaque at the VII International Festival of Contemporary Painting in San Remo, Italy, in 1999.
- The European Commission's Prize for Culture at the il Nittis Biennial in Barletta, Italy, in 2003.
- A silver medal from the Salon in Cannes in 2006.
- The Price za celoživotné dielo at Intersalón AJV in České Budějovice in 2008.
His memberships in various societies, such as the Slovak Art Society and the Association of Visual Arts Japan, further solidified his role as a bridge between local tradition and global modernism. He left behind a significant body of work that includes seventy solo exhibitions and nearly three hundred group exhibitions, ensuring his vision of the Slovak landscape remains part of the broader history of 20th-century art.