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4 najbolj znanih slik umetnika Sōtarō Yasui, vsaka popolnoma edinstvena
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 4 del v našem katalogu avtorja Sōtarō Yasui
Kratek opis
Portrait of a F. (1939) je slika umetnika Sōtarō Yasui, ki pritegne največ pogledov. Nato se pogled smeri k Lama Shrine at Chengteh (1938) in Flowers (1927). Med 4 dela umetnika Sōtarō Yasui v našem katalogu so ta 4 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
1888 – 1955, Nakagyō Ward
Največ del: Aichi Prefectural Museum of Art
10 najboljjših slik umetnika Sōtarō Yasui skozi oči galerije
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Lama Shrine at Chengteh
In the vast, sweeping landscapes of northern China, there exists a place where history and spirituality converge under the watchful eye of the heavens. Lama Shrine at Chengteh, a masterpiece by the esteemed Japanese painter Yasui Sōtarō, captures this ethereal moment with breathtaking clarity. Created in 1938, the painting transports the viewer to the Hebei province, specifically to the city of Chengteh—a location once cherished as a summer retreat by…
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Flowers
安井曾太郎は京都出身。1903年京都市立商業学校を中退。翌年浅井忠主宰の聖護院洋画研究所に入る。1907年に渡仏し、アカデミー・ジュリアンに入学してデッサン力を磨くかたわら、ミレー、ピサロ、セザンヌらの画法を研究する。帰国した翌年の1915年、二科展に滞欧作44点を特別陳列し話題を呼んだ。その後、日本の風土に合った油絵を求め続け、やがて大胆な構図、伸びやかな筆致、鮮やかな色彩のコントラスト、簡素で落ち着いた独自の画風を開拓した。また、実物に勝る芸術を生み出すためには、感動によってデフォルメされた形態や、強調された色彩や明暗が必要なことも示した。1935年帝国美術院会員となり、二科会会員を辞し、翌年一水会の創立に参加。1944年に帝室技芸員となり、東京美術学校教授に就任。1949年に日本美術家連盟初代会長に就任し、1952年に文化勲章を受賞。
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Muzeji, ki hranijo originala umetnika Sōtarō Yasui
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Sōtarō Yasui | Slike iz tega seznama |
|---|---|---|---|
 Aichi Prefectural Museum of Art |
Nagoya | 1 | Lama Shrine at Chengteh |
 Marubeni Gallery |
Tokyo | 1 | Flowers |
Sōtarō Yasui skozi leta: edinstvena originala vsakega dela
13 let razprave med prvim in zadnjim datiranim originalom umetnika Sōtarō Yasui, ki so prikazani tukaj, 1927 in 1939: vsako leto ima svoje mesto spodaj.
Delo po letih
Izberite leto in oglej originale.
1927
Flowers
Starost 39 let
1 del v letu
安井曾太郎は京都出身。1903年京都市立商業学校を中退。翌年浅井忠主宰の聖護院洋画研究所に入る。1907年に渡仏し、アカデミー・ジュリアンに入学してデッサン力を磨くかたわら、ミレー、ピサロ、セザンヌらの画法を研究する。帰国した翌年の1915年、二科展に滞欧作44点を特別陳列し話題を呼んだ。その後、日本の風土に合った油絵を求め続け、やがて大胆な構図、伸びやかな筆致、鮮やかな色彩のコントラスト、簡素で落ち着いた独自の画風を開拓した。また、実物に勝る芸術を生み出すためには、感動によってデフォルメされた形態や、強調された色彩や明暗が必要なことも示した。1935年帝国美術院会員となり、二科会会員を辞し、翌年一水会の創立に参加。1944年に帝室技芸員となり、東京美術学校教授に就任。1949年に日本美術家連盟初代会長に就任し、1952年に文化勲章を受賞。
1938
Lama Shrine at Chengteh
Starost 50 let
1 del v letu
In the vast, sweeping landscapes of northern China, there exists a place where history and spirituality converge under the watchful eye of the heavens. Lama Shrine at Chengteh, a masterpiece by the esteemed Japanese painter Yasui Sōtarō, captures this ethereal moment with breathtaking clarity. Created in 1938, the painting transports the viewer to the Hebei province, specifically to the city of Chengteh—a location once cherished as a summer retreat by…
Slike umetnika Sōtarō Yasui: vprašanja za galerijo
Katero je najbolj znano delo umetnika Sōtarō Yasui?Razkriti odgovor
Portrait of a F. (1939). Zatem sledeta Lama Shrine at Chengteh (1938) in Flowers (1927).
Pri kateri dobe je Sōtarō Yasui ustvaril Portrait of a F.?Razkriti odgovor
51 let: delo Portrait of a F. iz leta 1939, Sōtarō Yasui pa je bil/a rojen/a leta 1888.
Koliko je znanih del avtorja Sōtarō Yasui?Razkriti odgovor
Naš katalog vsebuje 4 del avtorja Sōtarō Yasui, datiranih od 1927 do 1939.
Kje si lahko ogledate najslavnejše originale umetnika Sōtarō Yasui?Razkriti odgovor
Večini v Aichi Prefectural Museum of Art (Nagoya) in Marubeni Gallery (Tokyo). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Katero znano sliko je naslikal Sōtarō Yasui najprej in katero najpozdneje?Razkriti odgovor
Na tej strani je najstarejše delo iz Flowers (1927) in najstarejše iz Portrait of a F. (1939).
Sōtarō Yasui: portret umetnika
Yasui Sōtarō: A Pioneer of Modern Japanese Painting
Early Life and Training
Yasui Sōtarō, born on May 17, 1888, in Kyoto, Japan, was a pivotal figure in the development of modern Japanese painting. He initially defied his family’s expectations by abandoning commercial studies to pursue art. His formal training began at the Shōgoin Institute of Western Art (later known as Kansai Bijutsuin) under the guidance of Asai Chū. This foundation in Western painting techniques proved crucial for his future artistic explorations, alongside fellow student Ryuzaburo Umehara.Years in France and Artistic Influences
In 1907, at the age of nineteen, Yasui Sōtarō embarked on a transformative journey to Paris, where he studied at the Académie Julian under Jean-Paul Laurens. For seven years (until 1914), he immersed himself in the European art scene. He was profoundly influenced by Realist masters like Jean-François Millet and Pierre-Auguste Renoir, but it was Paul Cézanne’s emphasis on form and structure that left a lasting impression, shaping his unique artistic vision.Artistic Style and Development
Returning to Japan in 1915 with the outbreak of World War I, Yasui Sōtarō began to forge his distinctive style – often referred to as the “Yasui style.” This approach masterfully blended Western painting techniques with Japanese aesthetic sensibilities. His work is characterized by bold deformations, deliberate omissions, and a striking use of color. He sought to move beyond mere imitation of Western styles, aiming for an authentically modern Japanese expression. A period of health challenges followed his return, but he persevered in refining his unique approach.Notable Works and Achievements
Some of Yasui Sōtarō’s most celebrated works include:- Artist and His Model (1934): A prime example of his mastery of Western-style portraiture.
- View of the Boso Peninsula (1932): Demonstrates his ability to capture Japanese landscapes through a distinctly modern lens.
- Black-haired Woman (1924)
- Portrait of a Woman (1930)
- Chin-Jung (1934)