Portret Simon Goser

3 najbolj znanih slik umetnika Simon Goser, vsaka popolnoma edinstvena

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 3 del v našem katalogu avtorja Simon Goser

Kratek opis

The Supper in the House of Simon (1772) je slika avtorja Simon Goser, ki pritegne največ pogledov; original se nahaja v muzeju Augustiner Museum, Freiburg. Nato se pogled smeri k Veneration of the Sacred Heart by two Jesuits (1780) in Saint Maurice. Med 3 dela umetnika Simon Goser v našem katalogu so ta 3 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.

1735 – 1816, Bad Wurzach Največ del: Augustiner Museum

10 najboljjših slik umetnika Simon Goser skozi oči galerije

Muzeji, ki hranijo originala umetnika Simon Goser

1 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Simon Goser Slike iz tega seznama
Augustiner Museum, FreiburgAugustiner Museum Freiburg 2 The Supper in the House of Simon, Veneration of the Sacred Heart by two Jesuits

Simon Goser skozi leta: edinstvena originala vsakega dela

Originalna dela umetnika Simon Goser, prikazana tukaj, pokrivajo obdobje približno deset let, od 1772 do 1780: oko jih sledi leto za letom.

Delo po letih

Izberite leto in oglej originale.

Slike umetnika Simon Goser: vprašanja za galerijo

Katero je najbolj znano delo umetnika Simon Goser?Razkriti odgovor

The Supper in the House of Simon (1772), Augustiner Museum, Freiburg. Zatem sledeta Veneration of the Sacred Heart by two Jesuits (1780) in Saint Maurice.

Pri kateri dobe je Simon Goser ustvaril The Supper in the House of Simon?Razkriti odgovor

37 let: delo The Supper in the House of Simon iz leta 1772, Simon Goser pa je bil/a rojen/a leta 1735.

Koliko je znanih del avtorja Simon Goser?Razkriti odgovor

Naš katalog vsebuje 3 del avtorja Simon Goser, datiranih od 1772 do 1780.

Kje si lahko ogledate najslavnejše originale umetnika Simon Goser?Razkriti odgovor

Večini v Augustiner Museum (Freiburg). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

Katero znano sliko je naslikal Simon Goser najprej in katero najpozdneje?Razkriti odgovor

Na tej strani je najstarejše delo iz The Supper in the House of Simon (1772) in najstarejše iz Veneration of the Sacred Heart by two Jesuits (1780).

Katere originale Simon Goser lahko vidim v muzeju Augustiner Museum?Razkriti odgovor

The Supper in the House of Simon in Veneration of the Sacred Heart by two Jesuits: v muzeju Augustiner Museum, Freiburg se nahaja 2 del z te strani.

Simon Goser: portret umetnika

A Life in Color and Faith

Simon Goser was a painter from Germany, born in Bad Wurzach. His career spanned the late Baroque and early Classicism periods, leaving a significant mark on the religious and secular spaces of the Breisgau region. He was a member of the "zum Riesen" painters' guild in Freiburg and lived in a house on Konviktstraße. His artistic legacy includes extensive work in various churches and palaces, such as the ceiling paintings in Schloss Munzingen and the Capitular Hall in St. Peter.

His work often involved large-scale commissions, including frescoes and altarpieces. In 1780, he assisted Johann Christian Wentzinger with the decoration of the dome of the St. Blasien Cathedral. Goser's later years were marked by collaborative efforts, such as a mural of the Last Supper created with his son, Johannes, in the Pfründhauskapelle.

Notable Works and Artistic Legacy

Goser's repertoire includes diverse subjects ranging from biblical scenes to depictions of saints. Some of his documented works include:

His mastery is evident in the frescoes of the Fürstensaal, which feature scenes such as Jesus at the meal in the house of Simon of Bethany and the washing of the feet at the Last Supper. These works are noted for their grand architectural forms and harmonious color. His ability to blend the lively spirit of the Rococo with the formal lines of early Classicism defines his unique contribution to 18th-century painting.