Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 30 del v našem katalogu avtorja Simon Bening
Kratek opis
Med vsemi originali, ki jih je pustil Simon Bening, je najbolj znan The Seven Sorrows of the Virgin (1530), ki se nahaja v kolekciji J. Paul Getty Museum, Los Angeles. Takoj za njima sta Landscape with St Jerome (1515) in Self-Portrait (1558). Naš katalog vsebuje 30 del umetnika Simon Bening; galerija je ohranila 30 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
Simon Bening produced The Seven Sorrows of the Virgin in 1530. This miniature focuses on the spiritual suffering of the Virgin Mary, specifically the grief experienced throughout her life. The work is held within the J. Paul Getty Museum in Los Angeles, United States of America.
To gaze upon Simon Bening's Landscape with St Jerome is to step through a portal into the early sixteenth century, a world rendered with meticulous devotion and profound tranquility. This painting, executed in 1515, transcends mere depiction; it is an immersive experience of nature’s enduring peace. The composition immediately draws the eye into a pastoral dreamscape, anchored by the dramatic presence of a large rock formation on the left. This…
The miniature portrait of Simon Bening, created in 1558, is more than just a likeness; it's a meticulously crafted window into the mind and spirit of a master Flemish illuminator. Housed within the Metropolitan Museum of Art, this small panel – measuring a mere 9 x 6 centimeters – belies the profound depth of its artistic statement. Bening, a pivotal figure bridging the late Gothic and early Renaissance traditions, wasn’t…
Within the hushed reverence of the Musée du Louvre in Paris resides a miniature painting that transcends its diminutive size, offering an intimate glimpse into the life and artistic vision of Simon Bening. His “Self-Portrait,” created in 1535, is not merely a likeness; it’s a carefully constructed statement about identity, skill, and the burgeoning humanist ideals of the Renaissance. Measuring just 9 x 7 centimeters on vellum, this work embodies…
The morning air feels crisp and still as a small procession of villagers meanders along a winding path. They move with a rhythmic, steady purpose, their figures silhouetted against a landscape of rolling hills and skeletal trees. A soft, diffused light bathes the scene, suggesting the pale glow of a late winter morning. This is the season of Candlemas, and the flickering light held by the faithful seems to pierce…
To gaze upon this miniature is to enter a rarefied moment of profound spiritual confrontation. The scene captures the biblical narrative of The Temptation of Christ, an episode rich with theological weight and dramatic tension. It is not merely a depiction of temptation, but rather a visual meditation on divine will versus worldly allure. The composition masterfully frames Jesus, steadfast in his resolve, against the seductive whispers of the devil.…
The Pietà is a work by the Netherlandish artist Simon Bening. This miniature was created about 1522. Bening, who was born in Ghent (?) in 1483/84 and died in 1561 in Bruges, captured this sacred scene on a small scale. The image focuses on the heavy, quiet weight of the moment.
In Pentecost by Simon Bening, the composition organizes a multitude of figures within a structured architectural environment. The scene is set inside a space resembling a Gothic cathedral, where the geometry of the building provides a framework for the religious event. This architectural setting functions as a sacred space, grounding the spiritual narrative in a tangible, physical realm. The arrangement of the figures creates a sense of depth through overlapping…
Two distinct biblical narratives occupy these narrow, vertical panels, separated by a gold-colored border. In the left segment, John the Baptist preaches to a gathered assembly near the water's edge, framed by towering, lush green trees that emphasize the verticality of the composition. The right panel depicts the Baptism of Christ, where Jesus stands in the water with hands clasped in prayer while John reaches toward him. A white dove…
The composition is divided into two distinct registers. In the upper, larger scene, a woman identified as St. Gertrude de Nivelles sits within a wooden interior. She wears a black and white habit and a white wimple, with a golden halo encircling her head. Her hands are occupied with a drop spindle, spinning wool. The room is constructed of dark, grained wood, and several small black mice are scattered across…
Adoration of the Magi1520
12
Triptych of Virgin and Child; Saints Catherine and Barbara1520 · Museum of Fine Arts
13
Peter's Denial1527 · Getty Center
14
Christ Washing the Apostles' Feet1527 · Getty Center
15
Portrait of Henry III, Count of Nassau-Breda1550 · Gemäldegalerie
16
Book of Hours1530 · The Met Cloisters
17
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours1530
18
Henry III, Count of Nassau-Breda and Mencía de Mendoza1531 · Staatliche Museen zu Berlin
19
Scenes from the Creation
20
Penitent St Jerome1515 · Monasterio de San Lorenzo
21
Virgin and ChildMuseum of Fine Arts Ghent (MSK)
22
Jesus Among the Doctors1530 · J. Paul Getty Museum
23
The annunciation
24
Gathering twigs
25
The nativity
26
Villagers on Their Way to Church
27
Leaf from the Munich-Montserrat Hours
28
Prayer Book of Cardinal Albrecht of Brandenburg
29
Self-portrait1558
30
Calendar Miniatures from a Book of HoursJ. Paul Getty Museum
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Simon Bening | Slike iz tega seznama |
|---|---|---|---|
 J. Paul Getty Museum |
Los Angeles | 5 | The Seven Sorrows of the Virgin, Villagers on Their Way to Church, The Temptation of Christ |
 Louvre |
Pariz | 2 | Landscape with St Jerome, Self-Portrait |
 Metropolitanski muzej umetnosti |
New York | 2 | Self-Portrait, Pietà |
 Getty Center |
Los Angeles | 2 | Peter's Denial, Christ Washing the Apostles' Feet |
 Museum Boijmans Van Beuningen |
Rotterdam | 1 | Pentecost |
 Groeningemuseum |
Brugge | 1 | John the Baptist preaching and the Baptism of Christ |
 Carnegie Museum of Art |
Pittsburgh | 1 | St. Gertrude de Nivelles, from the Hours of Cardinal Albrecht of Brandenburg (1490-1545), Archibishop and Elector of Mainz |
 Museum of Fine Arts |
Houston | 1 | Triptych of Virgin and Child; Saints Catherine and Barbara |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
To gaze upon Simon Bening's Landscape with St Jerome is to step through a portal into the early sixteenth century, a world rendered with meticulous devotion and profound tranquility. This painting, executed in 1515, transcends mere depiction; it is an immersive experience of nature’s enduring peace. The composition immediately draws the eye into a pastoral dreamscape, anchored by the dramatic presence of a large rock formation on the left. This…
The Pietà is a work by the Netherlandish artist Simon Bening. This miniature was created about 1522. Bening, who was born in Ghent (?) in 1483/84 and died in 1561 in Bruges, captured this sacred scene on a small scale. The image focuses on the heavy, quiet weight of the moment.
Simon Bening produced The Seven Sorrows of the Virgin in 1530. This miniature focuses on the spiritual suffering of the Virgin Mary, specifically the grief experienced throughout her life. The work is held within the J. Paul Getty Museum in Los Angeles, United States of America.
The miniature portrait of Simon Bening, created in 1558, is more than just a likeness; it's a meticulously crafted window into the mind and spirit of a master Flemish illuminator. Housed within the Metropolitan Museum of Art, this small panel – measuring a mere 9 x 6 centimeters – belies the profound depth of its artistic statement. Bening, a pivotal figure bridging the late Gothic and early Renaissance traditions, wasn’t…
The Seven Sorrows of the Virgin (1530), J. Paul Getty Museum, Los Angeles. Zatem sledeta Landscape with St Jerome (1515) in Self-Portrait (1558).
47 let: delo The Seven Sorrows of the Virgin iz leta 1530, Simon Bening pa je bil/a rojen/a leta 1483.
The Seven Sorrows of the Virgin, Landscape with St Jerome, Self-Portrait, Self-Portrait, Villagers on Their Way to Church, The Temptation of Christ, Pietà, Pentecost, John the Baptist preaching and the Baptism of Christ in St. Gertrude de Nivelles, from the Hours of Cardinal Albrecht of Brandenburg (1490-1545), Archibishop and Elector of Mainz. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 30 del avtorja Simon Bening, datiranih od 1510 do 1558.
Večini v J. Paul Getty Museum (Los Angeles), Louvre (Pariz) in Metropolitanski muzej umetnosti (New York). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1530s: 7 od 30 del na tej strani je bilo izdelovanih takrat, med njimi pa The Seven Sorrows of the Virgin.
Na tej strani je najstarejše delo iz John the Baptist preaching and the Baptism of Christ (1510) in najstarejše iz Self-Portrait (1558).
People (5), Woman (4) in Figures (4), na 30 delih na tej strani.
Gouache, za 3 od 30 del na tej strani.
Northern renaissance in Early netherlandish, glede na originala na tej strani.
The Seven Sorrows of the Virgin, Villagers on Their Way to Church in The Temptation of Christ: v muzeju J. Paul Getty Museum, Los Angeles se nahaja 5 del z te strani.
V nežnem, svetlobnem kraljestvu flandrijske iluminacije je malo imen odmeva z takim ugledom kot Simon Bening. Pogosto ga slavimo kot zadnjega velikega mojstra nizozemske tradicije, Bening pa je posedoval edinstveno sposobnost, da je majhne površine pergamena spremil v prostore, ki so polni živih, dišečih pokrajin in globokih duhovnih meditacij. Njegovo življenje je bilo tesno zakoreninjeno v bogato umetniško dediščino Nizozemske; rojen v Gentu ali Antverpiji, je verjetno svojo pot začel v družinski delavnici pod vodstvom svojega očeta, cenjenega iluminatorja Alexandra Beninga. Ta krvna linija mu je zagotovila temelj tehnične odličnosti, ki mu je sčasoma omogočila vodjenje enega izmed najcvetlejših delavnic v Brugesu.
Ko se je Bening premikalo skozi umetniška središča Genta in Brugesa, je njegova slava rasla skupaj z njegovo mojstvom v miniaturi. Do leta 1508 se je uradno pridružil Guildu svetega Janeza in svetega Luke v Brugesu, kar je bilo dokazilo o njegovem statusu med profesionalno elito. Njegova kariera je bila zaznamovana z nevidnim prehodom med pozno gotiko njegovih predhodnikov in razvijajočimi se niansami torejnje renesanse. Ta obdobje umetniške evolucije je morda najbolj ganjivo zajeto v njegovem Samoportretu, delu, ki služi precej več kot le preprostem podobnosti. V tej miniaturi se Bening predstavi ne le kot hantar, temveč kot intelektualec, sedeč pred slikarskim slikalisčem z očetmi v roki – simboličen naklon k natančnemu opazovanju, ki ga zahteva njegov krog, in usmerjenost v svetega Luke, patrona slikarjev.
Prava magija Beningovega dela leži v njegovi sposobnosti ustvarjanja "miniaturnih svetov", ki gledalca vabijo v stanje tihe kontemplacije. Njegova Ure molitve služijo kot vrhunski primer te devocionalne umetnosti, kjer vsaka stran deluje kot molitveni dragulj, namenjen vernikom, da se opomnikajo vsepovsodnost božijega. Skozi čarobno manipulacijo svetlobe in senče je Bening dosegel občutek tridimenzionalnosti, ki je kljub majhni razmeri medija presegala vse okvire. Njegova tehnika je omogočila zaprejem čudesno raven podrobnosti, od subtilnih tekstur luksuznih tkanin do atmosfearne globine pokrajin, ki se zdijo razbrezati daleč čez meje strani.
Poleg njegove tehnične izpostavljenosti je Beningova zgodovinska pomembnost odkrita v njegovi vlogi mostu med epami. Čeprav je ohranil strogo tradicijo šole Gent-Bruges, je njegovo del objemalo novo humanistično osredotočenost na podrobnosti in naturalizem. Njegova dosežki se zrcalijo v trajni prisotnosti njegovih del v najprestižnejših svetovnih zbirkah, kjer še vedno ponujajo vpogled v duhovno in estetsko dušo sedemnajstega stoletja. Skozi njegove roke je prehodna lepota iluminacije dosegla vrhunec perfectiona, zapustila pa je dediščje svetlobe, barv in globoke predanosti.
