Portret Robert Smithson

Slike avtorja Robert Smithson: 4 najbolj znanih del skozi oči galerije

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 6 del v našem katalogu avtorja Robert Smithson

Kratek opis

Za oči galerije je najbolj znano sliko umetnika Robert Smithson delo Non Site - Site Uncertain, katere original visi v muzeju Detroit Institute of Arts, Detroit. Three-Sided Vortex (1966) in Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 6 del avtorja Robert Smithson v našem katalogu galerija spodaj predstavlja 4 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.

1938 – 1973, Passaic Največ del: Detroit Institute of Arts
Non Site - Site Uncertain avtorja Robert Smithson1. Non Site - Site Uncertain Three-Sided Vortex (1966) avtorja Robert Smithson2. Three-Sided Vortex 1966 Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) avtorja Robert Smithson3. Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) 1967

Top 10 slik umetnika Robert Smithson v galeriji

Muzeji, ki hranijo originala umetnika Robert Smithson

2 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Robert Smithson Slike iz tega seznama
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

Robert Smithson, značilna dela vsakega leta

Na tej strani je prikazana celotna datirana kariera umetnika Robert Smithson skozi obdobje 5 let, od 1966 do 1970: kratek pregled, prikazan letnik za letnikom skozi njegove najslavnejše originalne dela.

Delo po letih

Izberite leto in oglej originale.

Slike umetnika Robert Smithson: odgovori galerije

Katero sliko avtorja Robert Smithson je najbolj znana med vsemi?Razkriti odgovor

Non Site - Site Uncertain, Detroit Institute of Arts, Detroit. Zatem sledeta Three-Sided Vortex (1966) in Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Koliko dzieł stworzył Robert Smithson?Razkriti odgovor

Naš katalog vsebuje 6 del avtorja Robert Smithson, datiranih od 1966 do 1970.

Kje so razpostavljena najbolj znana originala umetnika Robert Smithson?Razkriti odgovor

Večini v Detroit Institute of Arts (Detroit) in Chrysler Museum of Art (Norfolk). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

Kateri so najstarejši in najmlajši znanii dela umetnika Robert Smithson?Razkriti odgovor

Na tej strani je najstarejše delo iz Three-Sided Vortex (1966) in najstarejše iz Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithson: umetnik

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.
Vsa dela avtorja Robert Smithson: 6 →