Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 77 del v našem katalogu avtorja Robert Smirke
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The Cession Of Matavai je slika umetnika Robert Smirke, ki pritegne največ pogledov. Nato se pogled smeri k The wreck of the 'Grosvenor' (1792) in The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay (1793). Med 77 dela umetnika Robert Smirke v našem katalogu so ta 77 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
In The Cession Of Matavai, Robert Smirke presents a complex historical scene centered on the era of European colonization in the Pacific. The work captures a moment of profound cultural encounter, focusing on the tension between two distinct worlds. Smirke, an artist known for his ability to translate narrative depth into visual form, uses this setting to explore themes of power and the shifting dynamics of dominance and vulnerability.
In The wreck of the 'Grosvenor' by Robert Smirke, the chaos of a maritime disaster unfolds before the eyes. This scene captures the harrowing moment an East Indiaman meets its end. The vessel, a three-masted ship of 729 tons, struggles against the fury of the sea. It is a moment frozen in time, reflecting the tragedy that occurred on 4 August 1782. The water churns with a violent energy that…
The oil painting titled The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay was executed by the artist Robert Smirke. This work dates to about 1793. The canvas depicts a specific moment of naval combat, focusing on the central figure of the Earl of Sandwich. The subject matter centers on themes of courage, duty, and leadership during the Battle of Solebay.
The artwork titled Falstaff rebuked was painted by the English painter and illustrator Robert Smirke. This specific work dates to 1795. The piece is an oil on canvas that captures a scene of confrontation between a youthful, regal figure and an older, disheveled man.
The composition centers on a single female figure positioned within a dramatic setting. She is depicted in the role of Lady Macbeth, captured in a moment of intense psychological tension. The subject's posture and facial expression convey a sense of internal turmoil. Her gaze is directed away from the viewer, focused on an unseen point of distress. The lighting emphasizes the contours of her face and the heavy folds of…
The Awakening of King Lear by Robert Smirke centers on a dramatic moment of human interaction. An elderly man with a white beard sits in a large chair, serving as the focal point of the composition. Kneeling before him is a woman in white and light blue drapery, her posture suggesting a gesture of supplication or comfort. This central pairing is framed by two other men who observe the scene…
To gaze upon this depiction of the Port of Zakynthos is to be instantly transported across the azure expanse of the Aegean Sea, far from the clamor of modern life. This work captures not merely a harbor scene, but a moment suspended in time—a vibrant tableau vivant rendered with the delicate precision characteristic of early nineteenth-century topographical studies. The composition itself sings of industry and repose; boats, some moored peacefully…
A Scene From 'the Busybody' From By Mrs Centlivre is a painting by the artist Robert Smirke. This work depicts a specific moment taken from the play written by Mrs Centlivre. The composition captures a dramatic instance from the theatrical text, focusing on the interactions between the characters within a domestic setting.
Diana and ActaeonYale Center for British Art
12
Juliet Nurse
13
Lady Jane Grey
14
The Slaughter Of The Suitors Of Penelope
15
Title Not Known - (10)
16
The SoldierYale Center for British Art
17
Title Not Known -
18
The Afflicted Matron, The Countess Trifaldi, From 'don Quixote'
19
'henry Iv', Part I, Act Ii, Scene 1, The Inn Yard With Gadshill And The Carriers
20
King Lear
21
Mary Isabella Somerset
22
The Treachery Of Colonel Kirke
23
Ulysses And Nausicä
24
Children Playing
25
Cromwell suppressing the mutiny in the army
26
Ulysses Discovered By His Nurse
27
Sancho Panza And The Duchess
28
His Majesty Reviewing The Volunteer Corps Assembled In Hyde Park, In Honour Of His Birthday
29
The Deserter Apprehended
30
The Merry Wives Of Windsor
31
The Martyrdom of Archbishop Cranmer
32
The SchoolboyYale Center for British Art
33
Kneeling female figure with a cup
34
Title Not Known -
35
Title Not Known -
36
The LoverYale Center for British Art
37
Title Not Known
38
Title Not Known -
39
The Order Of Knighthood Conferred On Don Quixote By The Inn Keeper
40
Title Not Known - (9)
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Title Not Known -
42
Casimire And Lady Pentweazel, From Samuel Foote's Taste
43
Title Not Known -
44
The Astronomers' ClubNational Maritime Museum
45
Don Quixote And Sancho Panza
46
The JusticeYale Center for British Art
47
The InfantYale Center for British Art
48
The Rivals
49
Scene From Samuel Richardson's Pamela
50
Mrs Henry Siddons
51
Melinda And Lucy Consult Kite
52
He Seven Ages Of Man The PantaloonYale Center for British Art
53
Title Not Known - (11)
54
Much Ado About Nothing
55
Lady Pentweazle From Samuel Foote's 'taste'Upton House
56
The Rivals from `Tom Jones
57
Title Not Known - (8)
58
The Two Sons Of Tipu Sahib, Sultan Of MysoreYale Center for British Art
59
Measure For Measure
60
Scene From Bickerstaffe's Play 'the Hypocrite'
61
Falstaff Disguised As Herne With Mrs Ford And Mrs Page
62
The Scandal
63
The Duel
64
Second ChildishnessYale Center for British Art
65
Young Man Lifted From A River, Apparently Drowned
66
The Merry Wives Of Windsor -
67
Scipio And The Hermit
68
Don Quixote At Home, After The Termination Of His Second Sally
69
'henry Iv', Part I, Act V, Scene 4, Falstaff And The Dead Body Of Hotspur
70
The Sleeper Awakened
71
Illustration From Francis Beaumont And John Fletcher's 'the Humorous Lieutenant'
72
Title Not Known -
73
Resuscitation By Doctor Hawes Of A Man Believed Drowned
74
A Scene From 'taste' A Play By Samuel Foote
75
Illustration To Le Strange's 'gil Blas'
76
'love For Love' By William Congreve
77
The Rival Waiting-womenHatchlands Park
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
4 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Robert Smirke | Slike iz tega seznama |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 13 | The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Port of Zakynthos, Greece, Woman Sleeping in the Nude in a Wooded Landscape |
 Upton House |
Banbury | 2 | A Scene From 'the Busybody' From By Mrs Centlivre, Lady Pentweazle From Samuel Foote's 'taste' |
 National Maritime Museum |
London | 1 | The Astronomers' Club |
 Hatchlands Park |
Guildford | 1 | The Rival Waiting-women |
15 let razprave med prvim in zadnjim datiranim originalom umetnika Robert Smirke, ki so prikazani tukaj, 1790 in 1804: vsako leto ima svoje mesto spodaj.
Izberite leto in oglej originale.
The composition centers on a single female figure positioned within a dramatic setting. She is depicted in the role of Lady Macbeth, captured in a moment of intense psychological tension. The subject's posture and facial expression convey a sense of internal turmoil. Her gaze is directed away from the viewer, focused on an unseen point of distress. The lighting emphasizes the contours of her face and the heavy folds of…
In The wreck of the 'Grosvenor' by Robert Smirke, the chaos of a maritime disaster unfolds before the eyes. This scene captures the harrowing moment an East Indiaman meets its end. The vessel, a three-masted ship of 729 tons, struggles against the fury of the sea. It is a moment frozen in time, reflecting the tragedy that occurred on 4 August 1782. The water churns with a violent energy that…
Več od 1792
The oil painting titled The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay was executed by the artist Robert Smirke. This work dates to about 1793. The canvas depicts a specific moment of naval combat, focusing on the central figure of the Earl of Sandwich. The subject matter centers on themes of courage, duty, and leadership during the Battle of Solebay.
The artwork titled Falstaff rebuked was painted by the English painter and illustrator Robert Smirke. This specific work dates to 1795. The piece is an oil on canvas that captures a scene of confrontation between a youthful, regal figure and an older, disheveled man.
To gaze upon this depiction of the Port of Zakynthos is to be instantly transported across the azure expanse of the Aegean Sea, far from the clamor of modern life. This work captures not merely a harbor scene, but a moment suspended in time—a vibrant tableau vivant rendered with the delicate precision characteristic of early nineteenth-century topographical studies. The composition itself sings of industry and repose; boats, some moored peacefully…
The Cession Of Matavai. Zatem sledeta The wreck of the 'Grosvenor' (1792) in The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay (1793).
The Cession Of Matavai, The wreck of the 'Grosvenor', The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Falstaff rebuked, Sarah Siddons as Lady Macbeth, The Awakening of King Lear, Port of Zakynthos, Greece, A Scene From 'the Busybody' From By Mrs Centlivre, Woman Sleeping in the Nude in a Wooded Landscape in Figure Study of a Nude Woman in a Wooded Landscape. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 77 del avtorja Robert Smirke, datiranih od 1790 do 1804.
Večini v Yale Center for British Art (New Haven), Upton House (Banbury) in National Maritime Museum (London). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1792: 2 od 77 del na tej strani je bilo izdelovanih takrat, med njimi pa The wreck of the 'Grosvenor'.
Na tej strani je najstarejše delo iz Sarah Siddons as Lady Macbeth (1790) in najstarejše iz Port of Zakynthos, Greece (1804).
Women (7), Scenes (4) in Historical scene (3), na 77 delih na tej strani.
Oil, za 4 od 77 del na tej strani.
Romanticism in Neoclassicism, glede na originala na tej strani.
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Port of Zakynthos, Greece in Woman Sleeping in the Nude in a Wooded Landscape: v muzeju Yale Center for British Art, New Haven se nahaja 13 del z te strani.
V veličastni tapiseriji britanske umetnostne zgodovine, kjer so mnogi iskali slavo skozi razlegene bitvske scene ali monumentalne portrete, je Robert Smirke izrezal svojo nežno in globoko intimno nišo. Rodjen leta 1753 v mirnem mestu Wigton blizu Carlisleja, je bil Smirke človek, katerega je pri njegovem črtešu bolj vodil ritmus vrst än drama zgodovine. Kot sin potujočega umetnika je bilo njegovo otroštvo poglobljeno v samo bistvo opazovanja; svet je spoznal skozi prizmo gibanja in svetlobe že dolgo preden je začel formalno usposabljanje. Ta zgodnja izpostavljenost nomadskemu življenju mu je vgradila doživljenjstvo spoštovanje do subtilnih podrobnosti naravnega sveta, lastnost, ki bo kasneje opredelila njegov edinstven pristop k literarni pokrajini.
Smirkova umetniška pot je bila pot stalnega in natančnega izpopolnjevanja. Po tem, ko je izpilil svoje tehnične veščine pri londonskem heraldičnem namalcu, se je leta 1775 začel uveljavljati v profesionalnem sferu preko Incorporated Society of Artists. Čeprav so bile njegove prve izložbe skromne, so razkrile cvetijoči talent za zajemanje tihe elegancije scene. On ni le slikal pokrajine; on je slikal zgodbe. Njegovo pravo mojstvo je skritelo v sposobnosti prevajanja pisane besede v vizualno poezijo, s posebnim poudarkom na delih angleških pesnikov, kot je bil James Thomson. Z izbiro monohromnih palet in zapletenih kompozicij je Smirke ustvaril občutek brezčasnosti, ki gledalcu omogoča, da stopi neposredno v kitice klasične literature.
Smirkov vzpon v prestižnih dvoranah Kraljeve akademije služi kot dokaz njegove tehnične spretnosti in sposobnosti, da očara najbolj izvedenost kritike obdobja. Njegova izvolitev za povezanoga akademskega člana leta 1791, ki je bila dopolnjena s statusom polnega akademskega člana leta 1793, je označila njegov prehod od obetavnega ilustratorja do stebra britanske umetnostne ustanove. Prav v tem obdobju so njegova najbolj slavna dela začela odmevati v javni domišljiji. Dela, kot sta Narcissus and the Lady in Sabrina — motivi, izvlečeni iz Miltonovega Comus — so pokazala globoko občutljivost za atmosferične lastnosti mitov in legend.
Smirkova dela zaznamujejo številni ključni elementi, ki ga ločijo od sodobnikov:
Tudi njegovo diplomsko delo, Don Quixote and Sancho, je odražalo njegovo predanost karakterizaciji in narativni globini. Čepok morda ni iskal slave tistih, ki so slikali epsko razmera imperija, Smirkov zgodovinski pomen leži v njegovi vlogi vizualnega varuh angleškega literarnega dediščine. Platno je spremenil v stran kitice knjige in s tem zagotovil, da bo romantizem pesnikov 18. stoletja preživel skozi trajno moč njegove podobe. Njegovo življenje, ki sega od konca 18. stoletja do leta 1845, ostaja čudovito poglavje v zgodovini britanske umetnosti — zgodba, ki ni povedana z glasnimi napovedi, temveč z mehkimi, evokativnimi šepti mojstra pripovedovalca.
