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14 najbolj znanih slik umetnika Rienk Keijert, galerijska izbira
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 14 del v našem katalogu avtorja Rienk Keijert
Kratek opis
Med vsemi originali, ki jih je pustil Rienk Keijert, je najbolj znan Allegory on the City of Leeuwarden (1742), ki se nahaja v kolekciji Fries Museum, Leeuwarden. Takoj za njima sta Portrait of an Unknown Man (1737) in Portrait of Antonia Cornelisdr. Schrevelius (1750). Naš katalog vsebuje 14 del umetnika Rienk Keijert; galerija je ohranila 14 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
1709 – 1775, Leeuwarden
Največ del: Fries Museum
10 najboljših slik umetnika Rienk Keijert: izbira galerije
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Izbor umetnika Rienk Keijert se nadaljuje, od 11 do 14
Muzeji, ki hranijo originala umetnika Rienk Keijert
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Rienk Keijert | Slike iz tega seznama |
|---|---|---|---|
 Fries Museum |
Leeuwarden | 13 | Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius |
 Narodni muzej v Varšavi |
Varšava | 1 | Athena and Odysseus |
Rienk Keijert desetletje za desetletjem: originali, ki definira vsako od njih
Delo po desetletjih
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Vprašanja zbirateljev o slikah umetnika Rienk Keijert
Za katero delo je Rienk Keijert najbolj znan/a?Razkriti odgovor
Allegory on the City of Leeuwarden (1742), Fries Museum, Leeuwarden. Zatem sledeta Portrait of an Unknown Man (1737) in Portrait of Antonia Cornelisdr. Schrevelius (1750).
Koliko je bil Rienk Keijert let, ko je nastalo delo Allegory on the City of Leeuwarden?Razkriti odgovor
33 let: delo Allegory on the City of Leeuwarden iz leta 1742, Rienk Keijert pa je bil/a rojen/a leta 1709.
Katera je deset najbolj znanih slik umetnika Rienk Keijert?Razkriti odgovor
Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius, Portrait of Daniel Antony Baron van Plettenberg, Portrait of Albertina Sophia Baroness van Plettenberg, Portrait of the family of Gosewijn Theodoor van Coehoorn (1679-1737), Portrait of Maria van Plettenberg, Portrait of Hans Willem Baron van Plettenberg, Athena and Odysseus in Solomon Worshipping the False Gods. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Koliko slik je pustil Rienk Keijert?Razkriti odgovor
Naš katalog vsebuje 14 del avtorja Rienk Keijert, datiranih od 1737 do 1773.
V katerih muzejih so razložena remek dela umetnika Rienk Keijert?Razkriti odgovor
Večini v Fries Museum (Leeuwarden) in Narodni muzej v Varšavi (Varšava). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V katerih letih je Rienk Keijert naslikal svoja najbolj znana dela?Razkriti odgovor
V obdobju 1750s: 6 od 14 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of Antonia Cornelisdr. Schrevelius.
Kakšna sta prva in zadnja znana originala umetnika Rienk Keijert?Razkriti odgovor
Na tej strani je najstarejše delo iz Portrait of an Unknown Man (1737) in najstarejše iz Portrait of Adolf IJpey (1773).
Katera dela umetnika Rienk Keijert so razstavljena v muzeju Fries Museum?Razkriti odgovor
Allegory on the City of Leeuwarden, Portrait of an Unknown Man in Portrait of Antonia Cornelisdr. Schrevelius: v muzeju Fries Museum, Leeuwarden se nahaja 13 del z te strani.
Rienk Keijert: življenje in delo
The Life of a Leeuwarden Painter
Rienk Keijert lived much of his life within the walls of Leeuwarden. Born in 1709, he was the son of Frans Keyert and Maria Jelgerhuis. His path as a painter began with formal training at the Hague drawing academy. By 1732, he was known in Leeuwarden as Renicus Keyert, having been admitted to the congregation after arriving from 's-Gravenhage. His presence in the city was marked by more than just his brush; he held several civic roles, including serving as a member of the Leeuwarden vroedschap from 1750 and acting as a chamberlain for the States of Friesland. He married Ymkje Meekma in 1740, a union that lasted roughly thirty-four years until his death in 1775.
A Hand in Civic Life and Decoration
His work often moved between the private and the public. He was tasked with decorative painting and the delivery of almanacs, and his hands were busy with the design of firework theaters, such as those created for the arrival of Willem Karel Hendrik Friso and Anna van Hannover in 1734. In 1760, he provided portraits of the stadtholder family for the newly built Leeuwarder raadzaal, though these specific works were not preserved. His skill extended to the creation of grisailes within that same council chamber. In the Fries Museum, one can find a large allegory of the city of Leeuwarden, a work that speaks to his role as a portrait and history painter.
The Final Years in Leeuwarden
Keijert’s life was tied to the rhythms of his city. He was a citizen of Leeuwarden by 1742 and held the position of vaandrig of the schutterij in Oost Minnema espel in 1743. Even his civic duties were sometimes tied to family, as he was appointed chamberlain in 1740 to provide income for his father. When he passed away on 10 January 1775, he was buried at the Jacobijnerkerkhof. Following his death, his collection of paintings, prints, and drawings was auctioned in February of that year.