Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 34 del v našem katalogu avtorja Reginald Marsh
Kratek opis
Med vsem originalom, ki ga je Reginald Marsh pustil, je najbolj znan The Bowery (1930). Takoj za njima sta The Irving Place Burlesque 1930 (1913) in The Steeplechase (1932). Naš katalog vsebuje 34 del umetnika Reginald Marsh; galerija je ohranila 31 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
The Bowery is a painting by Reginald Marsh created in 1930. This work depicts a crowded scene of down and out men standing along Bowery Street. Above the street level, the Third Avenue elevated railway is visible, cutting across the upper portion of the composition. The scene captures a specific segment of urban life in New York City during the 1920s and 1930s.
The Irving Place Burlesque 1930 is an etching by Reginald Marsh. The print captures a specific moment of entertainment and social interaction within a burlesque theater. It documents the atmosphere of 1930s New York, focusing on the shared experience of the audience and the performers on stage.
A monochromatic world of sharp lines and sudden shadows defines this 1932 etching. The scene is a frantic collision of muscle and metal. Horses and riders surge through a tight, compressed space, their forms defined by the heavy, rhythmic weight of the etching needle. There is no room for air here, only the urgent, overlapping geometry of a struggle. The light falls from an unseen height, catching the curve of…
The work reflects the grit of the early twentieth century. It avoids the polished surface of traditional portraiture to find truth in the unvarnished reality of the street. The lines trace the textures of a lived-in environment, where every person is a part of a larger, moving mass. There is a sense of the individual being swallowed by the collective motion of the metropolis. The boy's face, suggested by the…
Reginald Marsh, an American painter born in Paris, France, in 1898, focused his practice on the textures of urban existence. His approach to A Paramount Picture, created about 1934, aligns with his commitment to social realism. Having studied under Kenneth Hayes Miller and George Luks, Marsh developed a method for capturing the density of metropolitan life. His work often addressed the social divisions and economic pressures of the Great Depression,…
In "Asbury Park The Morrow Castle" by Reginald Marsh, a large warship anchors the center of a black and white sketch. The vessel sits heavy and still, a symbol of concentrated power amidst a sea of movement. Around this iron hull, a dense crowd gathers. Soldiers, sailors, and civilians press toward the edges of the frame, their forms arranged on both sides of the central ship to create a dynamic,…
Locomotives, Jersey City, painted by Reginald Marsh in 1934, presents a monochrome view of a train yard in Jersey City. The scene focuses on the industrial activity of a railway hub, where locomotives and various pieces of railway infrastructure occupy the space. The depiction includes human figures engaged in labor amidst the mechanical elements of the yard.
The painting titled Pursuit was created by Reginald Marsh about 1941. It captures a singular, tense moment of movement. The artist, born in Paris, France, lived from 1898 to 1954. His hand moved across the surface to fix this specific scene in time.
The air inside this dim interior feels heavy, thick with the scent of stale smoke and the low murmur of voices. A group of men gathers in a tight, restless cluster, their bodies leaning into one another as they occupy a corner of this urban sanctuary. A massive column anchors the left side of the frame, a silent, heavy presence that seems to hold up the weight of the room.…
In this 1932 work, titled Tattoo and Haircut, the artist Reginald Marsh captures a specific, unvarnished moment from the urban landscape of New York. The scene is set within the Bowery, a district of the Lower East Side, during the height of the Great Depression. It is a quiet observation of the people and the architecture that defined this particular corner of the city during a difficult era.
Madrid
12
H. Dummeyer Bar Grill
13
Golf Course Scene1922
14
Astoria, Long Island1927
15
George Tilyou's Steeplechase1932
16
U.S. Marine1934 · Muzej fine arts
17
In Fourteenth Street1934
18
George C. Tilyou's Steeplechase Park1936
19
Atlantic Liner in Harbor with Tug (mural study, U.S. Customs House, New York, New York)1937
20
Atlantic Liner in Harbor with Tugs (mural study, U.S. Customs House, New York, New York)1937
21
Girl Walking Verso Four Girls1947
22
Hudson Burlesk Chorus Verso Study for Hudson Burlesk Chorus1948
23
WALKING WOMAN (recto) / WOMAN IN HAT WALKING (verso)1953 · Cincinnati Art Museum
24
Hudson Theatre Verso Unfinished Study for Hudson Theatre1951
25
Coney Island Beach1953
26
Predsednik Raymond S. Haupert, Moravijska Univerza1954 · Payne Gallery
27
Five Women (sketch)Pennsylvania Academy of Fine Arts
28
Striptease at New Gotham TheatreArt Institute of Chicago
29
Hudson's Burlesque
30
Merry Go Round
31
Down at Jimmy KellyChrysler Museum of Art
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Reginald Marsh | Slike iz tega seznama |
|---|---|---|---|
 Art Institute of Chicago |
Chicago | 2 | Tattoo and Haircut, Striptease at New Gotham Theatre |
 Cleveland Museum of Art |
Cleveland | 1 | A Paramount Picture |
 Toledo Museum of Art |
Toledo | 1 | Pursuit |
 Muzej fine arts |
Boston | 1 | U.S. Marine |
 Cincinnati Art Museum |
Cincinnati | 1 | WALKING WOMAN (recto) / WOMAN IN HAT WALKING (verso) |
 Payne Gallery |
Bethlehem, Pennsylvania | 1 | Predsednik Raymond S. Haupert, Moravijska Univerza |
 Pennsylvania Academy of Fine Arts |
Philadelphia | 1 | Five Women (sketch) |
 Chrysler Museum of Art |
Norfolk | 1 | Down at Jimmy Kelly |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The Irving Place Burlesque 1930 is an etching by Reginald Marsh. The print captures a specific moment of entertainment and social interaction within a burlesque theater. It documents the atmosphere of 1930s New York, focusing on the shared experience of the audience and the performers on stage.
The Bowery is a painting by Reginald Marsh created in 1930. This work depicts a crowded scene of down and out men standing along Bowery Street. Above the street level, the Third Avenue elevated railway is visible, cutting across the upper portion of the composition. The scene captures a specific segment of urban life in New York City during the 1920s and 1930s.
The painting titled Pursuit was created by Reginald Marsh about 1941. It captures a singular, tense moment of movement. The artist, born in Paris, France, lived from 1898 to 1954. His hand moved across the surface to fix this specific scene in time.
The Bowery (1930). Zatem sledeta The Irving Place Burlesque 1930 (1913) in The Steeplechase (1932).
32 let: delo The Bowery iz leta 1930, Reginald Marsh pa je bil/a rojen/a leta 1898.
The Bowery, The Irving Place Burlesque 1930, The Steeplechase, Milo the Mule Face Boy, A Paramount Picture, Asbury Park The Morrow Castle, Locomotives, Jersey City, Pursuit, Bowery Quartet in Tattoo and Haircut. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 34 del avtorja Reginald Marsh, datiranih od 1913 do 1954.
Večini v Art Institute of Chicago (Chicago), Cleveland Museum of Art (Cleveland) in Toledo Museum of Art (Toledo). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1930s: 12 od 31 del na tej strani je bilo izdelovanih takrat, med njimi pa The Bowery.
Na tej strani je najstarejše delo iz The Irving Place Burlesque 1930 (1913) in najstarejše iz Predsednik Raymond S. Haupert, Moravijska Univerza (1954).
People (5), American art (3) in Crowd (2), na 31 delih na tej strani.
Etching, za 3 od 31 del na tej strani.
Social realism, glede na originala na tej strani.
Tattoo and Haircut in Striptease at New Gotham Theatre: v muzeju Art Institute of Chicago, Chicago se nahaja 2 del z te strani.
Reginald Marsh stoji kot ključna figura ameriškega socialnega realizma, znana po svojih izjemno podrobnih prikazih New York Cityja v 1920-ih in 1930-ih letih. Njegova umetnost ne dokumentira le scen na plažah Coney Islanda ali burleskanskih predstav—čeprav te nedvomovno obogatujejo njegovo celotno delo—temveč personificira globoko povezanost z teksturami in ritmi urbanega življenja, podprto z neomovnim predanostjo umetniškemu raziskovanju. Njegova dediščina ne leži le v njegovih ikoničnih podobi, temveč tudi v pionirskih tehnikah in trajanem vplivu na naslednje generacije umetnikov.
Rodjen v Parizu leta 1898 nad kafetijami Café du Dome, je bil Marshov formativečni obdobje potopljen v bogato umetniško dediščino. Kot sin Fredericka Dana Marsha—freskista, ki je zagovarjal ameriški impresionizem—in Alice Randall—slikarice miniaturistke—je Marshov družinski dom ustvarjal okolje, kjer je ustvarjalnost cvetela že od njegovih najmlajših dni. Ko se je z dvema leti preselil v Nutley v New Jersey, je izkoristil bližino umetniškega kolonija Franka Fowlera, zavetišča za ameriške slikarje, ki so iskali navdih in tovarištvo, kar je še dodatno utrdilo njegovo povezavo z umetniško tradicijo. Ta zgodnja izpostavljenost tako nežni natančnosti miniaturnega slikarstva kot veličastni razmeri fresk je kasneje oblikovala njegovo sposobnost, da zajame tako intimen človeški trenutek kot razlegajočo energijo metropole.
Marshova pot do postanka mojstra urbanega realizma ni bila sploh linearna. Z veliko vztrajnostjo je sledil formalni izobraževanju, leta 1920 pa je pridobil diplomu pravnika na Univerzi Yale, preden se je nato posvetil študiju umetnosti na umetniški šoli Yale. V tem obdobju je izpilil svoje veščine kot ilustrator za Yale Record, pri čemer se je potopil v živahno dušo študentskega življenja in razvil zgodno obvladovanje vizualnega pripovedovanja. To obdobo oblikovanja je utrdilo njegovo umetniško občutljivost in ga pripravilo na kariero, posvečeno zajemanju esence človeškega izkušanja skozi prepričljive slike.
Ko se je njegova profesionalna pot začela v New Yorku, je Marsh neustavljivo iskal način, kako dokumentirati pul ulic. Njegovo del je pogosto uporabljalo različne medije za doseganje specifičnih atmosferskih učinkov, od råbave energije konte kredov in gouache do debelega, dinamičnega impasta oljnih barv. Ne glede na to, ali je portretiral hedonistično vzdušje burleskanskega kluba Jimmy Kelly ali pomorski trgovinski promet, ki ga najdemo v njegovih freskostnih študijah, kot je Atlantic Liner in Harbor, je imel Marsh edinstveno sposobnost, da kaos mesta preuredi v strukturirane, ritmične kompozicije.
Značajnost umetnika Reginald Marsh leži v njegovi vlogi vizualnega zgodovnarja izginjenega obdobja. Njegovo del služi kot okno v gibanje socialnega realizma, ki se osredotoča na življenje delovnega razreda in råbovo, neobdelano realnost najboljjših četrt New Yorka, kot sta Bowery in Coney Island. Njegove slike prepoznavajo:
Poleg njegovih zgojenih scen ulic je Marsh pokazal tudi izjemno sposobnost za portretiranje, kjer je zlitil realizem z subtilno čustvenostjo, kot je vidno v njegovih oljnih delih v črno-beli različici. Skozi svojo predanost "mestni råbavi" je Reginald Marsh naredil več kot le slikarjenje New Yorka; večno je ohranil njegovo dušo in zagotovil, da bo energija zgodnjih desetletij dvadsetega stoletja še naprej resonirala skozi desetletja.
