Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 110 del v našem katalogu avtorja Albert Besnard
Kratek opis
Za oči galerije je najbolj znano sliko umetnika Albert Besnard delo Morphine Addicts (1887), katere original visi v muzeju Metropolitanski muzej umetnosti, New York. Woman's Head (1890) in Pony (1892) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 110 del avtorja Albert Besnard v našem katalogu galerija spodaj predstavlja 100 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
Two women sit within the sterile confines of a laboratory, their forms caught in a pale, diffused light. The scene is quiet, heavy with a stillness that feels almost medicinal. One woman gazes directly at the viewer, her eyes carrying a weight of resignation, while her companion looks downward, lost in a private, hollowed thought. Between them, a table holds the cold geometry of scientific glassware, its transparent surfaces catching…
A single female figure occupies the frame, her head tilted in a moment of quiet repose. The composition is an intimate crop, pulling the viewer into the private space of her shoulders and face. Soft, diffused light enters from the upper left, tracing the curve of her neck and the delicate planes of her skin. This illumination creates a gentle depth, casting shadows that define her form without the need…
A single horse stands against a rustic wooden fence. The animal lifts its head, peering over the timber slats with a quiet, searching posture. Beside it, a second form remains partially obscured, a shadow of movement caught in the grain of the wood. The scene is rendered in the stark, precise language of a black and white etching. Every line of the fence and every contour of the horse's neck…
In this 1890 etching, we find a moment of profound stillness within the Besnard household. The composition focuses on four figures, captured in a state of quiet intimacy that feels almost private, as if we have stumbled upon a fleeting glance in a private sitting room. Madame Besnard is positioned in the lower left foreground, her profile offering a sense of calm stability. Behind her, the forms of their daughter,…
This oil on panel portrait depicts André-Charles Coppier in a three-quarter profile. The subject is an older man seated and facing the viewer directly. He wears a heavy, dark coat that absorbs much of the light. His hair and mustache are rendered with thick, visible brushstrokes that suggest texture and volume. The lighting originates from the upper left, casting shadows across the right side of his face and defining the…
The scene captured by this evocative work, "The Visitor," invites the viewer into an intimate moment suspended just outside the frame of time. It is not merely a depiction of people gathered at a table; it is a study in anticipation, a quiet drama unfolding under the soft wash of diffused light. The composition centers around a palpable tension—the arrival or observation of the 'Visitor' amidst a group already settled…
In this 1877 oil on canvas, a man is seated in a three-quarter length pose, turned slightly toward his right. He does not meet the viewer's gaze but looks away, his eyes directed toward an unseen point beyond the frame. The subject wears a dark, heavy suit, likely navy or black, which absorbs much of the light. His facial features are defined by soft contours and a well-groomed beard. A…
The air in the room thickens with the sudden, sharp tension of a life being extinguished. A man, Timophanes, is caught in the middle of a fatal struggle, his body reacting to the sudden intrusion of violence. A raised sword cuts through the space, its edge directed toward the central figure who is being struck down. The composition pulls the eye along diagonal lines formed by flailing limbs and the…
Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: The Wedding is a work by the French painter Paul Albert Besnard. Created about 1880, this piece functions as a preparatory study for a larger commission intended for the Mairie of the 19th Arrondissement of the Ville de Paris.
In Paul Albert Besnard's Portrait of Francis Magnard, the viewer meets the subject through a steady, eye-level perspective that establishes an immediate, quiet connection. The composition centers on a medium shot of the man, who sits slightly off-center within a somber interior. To the left, a dark architectural element, resembling a column, anchors the space, while to the right, a dimly lit doorway or hallway recedes into the shadows. This…
Sketch for the Mairie du 4ème: The Return of the Fields1884 · Petit Palais
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Sketch for the Mairie du 4ème: July 14, 18801884 · Petit Palais
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Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement of the Ville de Paris: Ceres - Abundance Encouraging Labor1880 · Petit Palais
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Sketch for the wedding hall of the town hall of the 19th arrondissement of the Ville de Paris: The Triumph of the Republic (Ceiling)1880 · Petit Palais
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Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement of the Ville de Paris: Winter1880 · Petit Palais
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Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Autumn1880 · Petit Palais
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Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Summer1880 · Petit Palais
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Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Spring1880 · Petit Palais
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Madeleine Lerolle and Her Daughter Yvonne1879 · Cleveland Museum of Art
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The First Morning (Albert and Charlotte Dubray Besnard and their Son, Robert)1881 · Los Angeles County Museum of Art
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Sketch for the Wedding Hall of the Mairie du 1er: Winter, or The Evening of Life1886 · Petit Palais
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Sketch for the Wedding Hall of the Mairie du 1er: Summer, or the Midlife1886 · Petit Palais
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Sketch for the Wedding Hall of the Mairie du 1er: Spring or the Morning of Life1886 · Petit Palais
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Sketch for the Salon of Sciences of the Hôtel de Ville de Paris: Electricity1890 · Petit Palais
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Sketch for the Hôtel de Ville de Paris: Truth Leading the Sciences in Her Wake Spreads Her Light upon Men (Ceiling)1890 · Petit Palais
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Portrait of Madame Besnard, née Charlotte Dubray (1854-1931)1890 · Carnavalet Museum
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Nude Holding Her Leg1886
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In the Embers1887
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Portrait of Marcel Bing (2 fragments before restoration)1895 · Petit Palais
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The First Performance of Hernani, 18301905 · Musée Victor Hugo
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The Siesta1905 · Cleveland Museum of Art
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La Biarrote1901
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Musician (musicienne)1900
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Portrait of Camille Barrère at Palazzo Farnese1906 · Petit Palais
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On the Bridge of Trichinopoly (India)1911 · Petit Palais
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Four Panels: The Decoration of the Dome of the Vestibule d'Honneur of the Petit Palais1906 · Petit Palais
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Thought1908 · Petit Palais
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Amorous Conversation1913
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Cardinal Mercier1916
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Horse Market in Algiers1925
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Portrait de Jean-Louis Vaudoyer (1883-1963)1932 · Carnavalet Museum
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Le vestibule d’entrée du Petit Palais décorée par Albert Besnard -Petit Palais
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Horses1894 · Metropolitanski muzej umetnosti
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Sadness (tristesse)1877
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Sketch for the Mairie du 4ème: The Ball in the City or The Social Party1884 · Petit Palais
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Sketch for the Mairie du 4ème: The Ball in the Countryside or The Popular Festival1884 · Petit Palais
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Sketch for the Mairie du 4ème: The Apple Picking1884 · Petit Palais
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Sketch for the Mairie du 4ème: July 14, 17901884 · Petit Palais
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A Martyr1883
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Iza Sleeping1885
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Neuilly Fair1885
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La Muse Accoudée1884
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Madame Besnard1884
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Dying Woman (la Mourante)1885
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Model Asleep on the Floor1885
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Sketch for the Salon of Sciences of the Hôtel de Ville de Paris: Meteorology1890 · Petit Palais
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Horses bitten by flies.1892 · The National Museum in Poznań
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Eve1886
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Intimacy1889
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La Femme1886
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Bathing at Talloires1888
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Robert Besnard and His Donkey1888
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Apotheosis1886
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Prostitution1886
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Eve Before the Apple Tree1892
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Nude Woman by a Looking Glass1889
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Melancholy (mélancolie)1888
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Self-portrait1893
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Coquette1900
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Love Consecrated1900
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In the Crowd1900
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Discreet (discrète)1900
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Confidences1900
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Indifferent1900
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Madeleine Lemaire1900
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Intimate Fantasy1901
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Danger Passed1900
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Cast of a Net (le Coup De Filet)1900
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Zebu Team in India, Study1910 · Musée des Beaux-Arts de Pau
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The Mystic, Sketch of the Overall Composition1908 · Petit Palais
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Un Soir
82
Edmond Pigalle1908
83
Garnet Joseph WolseleyNational Portrait Gallery
84
Bather with Child and Swan by the Sea
85
Margaret Wilhelmina Ames
86
Le femme aux cheveux roux
87
Portrait de Madame Georges Rodenbach
88
Georges Clemenceau1917
89
Getting up1913
90
Going to Bed1913
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Leda Sleeping1913
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Gabriele D'annunzio1917
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Leda Bathing (léda Au Bain)1913
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Auguste Rodin1922
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Birth Announcement for Anne-élisabeth Besnard1922
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Back of a Woman, Study1924 · Musée des Beaux-Arts de Rouen
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Le Biarotte1929
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Carmen Standing in the Nude
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Peacock Feathers
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Matinée d'été
#9 Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: The Wedding
#13 Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement of the Ville de Paris: Ceres - Abundance Encouraging Labor
#16 Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Autumn
#17 Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Summer
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
#2 Woman's Head
#11 Sketch for the Mairie du 4ème: The Return of the Fields
#13 Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement of the Ville de Paris: Ceres - Abundance Encouraging Labor
#15 Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement of the Ville de Paris: Winter
#12 Sketch for the Mairie du 4ème: July 14, 1880
#14 Sketch for the wedding hall of the town hall of the 19th arrondissement of the Ville de Paris: The Triumph of the Republic (Ceiling)
#16 Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Autumn
#17 Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Summer
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Albert Besnard | Slike iz tega seznama |
|---|---|---|---|
 Petit Palais |
Pariz | 29 | Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: The Wedding, Portrait of Francis Magnard, Sketch for the Mairie du 4ème: The Return of the Fields |
 Metropolitanski muzej umetnosti |
New York | 4 | Morphine Addicts, Family, The Visitor |
 Carnavalet Museum |
Pariz | 3 | Portrait of André Wormser (1851-1926), Pianist and Composer, Portrait of Madame Besnard, née Charlotte Dubray (1854-1931), Portrait de Jean-Louis Vaudoyer (1883-1963) |
 Cleveland Museum of Art |
Cleveland | 2 | Madeleine Lerolle and Her Daughter Yvonne, The Siesta |
 Art Institute of Chicago |
Chicago | 1 | Woman's Head |
 Musée d'Orsay |
Pariz | 1 | Portrait of André-Charles Coppier (1866-1948) |
 Los Angeles County Museum of Art |
Los Angeles | 1 | The First Morning (Albert and Charlotte Dubray Besnard and their Son, Robert) |
 Musée Victor Hugo |
Pariž | 1 | The First Performance of Hernani, 1830 |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In this 1877 oil on canvas, a man is seated in a three-quarter length pose, turned slightly toward his right. He does not meet the viewer's gaze but looks away, his eyes directed toward an unseen point beyond the frame. The subject wears a dark, heavy suit, likely navy or black, which absorbs much of the light. His facial features are defined by soft contours and a well-groomed beard. A…
Two women sit within the sterile confines of a laboratory, their forms caught in a pale, diffused light. The scene is quiet, heavy with a stillness that feels almost medicinal. One woman gazes directly at the viewer, her eyes carrying a weight of resignation, while her companion looks downward, lost in a private, hollowed thought. Between them, a table holds the cold geometry of scientific glassware, its transparent surfaces catching…
A single female figure occupies the frame, her head tilted in a moment of quiet repose. The composition is an intimate crop, pulling the viewer into the private space of her shoulders and face. Soft, diffused light enters from the upper left, tracing the curve of her neck and the delicate planes of her skin. This illumination creates a gentle depth, casting shadows that define her form without the need…
This oil on panel portrait depicts André-Charles Coppier in a three-quarter profile. The subject is an older man seated and facing the viewer directly. He wears a heavy, dark coat that absorbs much of the light. His hair and mustache are rendered with thick, visible brushstrokes that suggest texture and volume. The lighting originates from the upper left, casting shadows across the right side of his face and defining the…
On the Bridge of Trichinopoly (India) is an oil painting by the French painter and printmaker Paul Albert Besnard. Created about 1911, this work emerged from a period when the artist was exploring the effects of light and atmosphere following a visit to India. The piece captures a specific moment of communal movement, rendered with a focus on the rhythmic patterns of daily life.
The scene unfolds within the bustling atmosphere of a horse market in Algiers. In this moment, the air feels thick with the energy of commerce and the movement of animals. Paul Albert Besnard captures a specific slice of life from about 1925, freezing a period of intense activity where horses of various sizes gather amidst the trade of the marketplace. The work, titled Horse Market in Algiers, presents a world…
In this 1932 oil portrait, we find ourselves in the private, scholarly sanctuary of Jean-Louis Vaudoyer. The subject is positioned in a medium close-up, slightly off-center, which lends a natural, unforced quality to the composition. He is a man of letters, captured in a moment of quiet contemplation amidst the receding planes of a library. The atmosphere is one of profound stillness, where the weight of knowledge is felt through…
Morphine Addicts (1887), Metropolitanski muzej umetnosti, New York. Zatem sledeta Woman's Head (1890) in Pony (1892).
38 let: delo Morphine Addicts iz leta 1887, Albert Besnard pa je bil/a rojen/a leta 1849.
Morphine Addicts, Woman's Head, Pony, Family, Portrait of André-Charles Coppier (1866-1948), The Visitor, Portrait of André Wormser (1851-1926), Pianist and Composer, The Death of Timophanes, Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: The Wedding in Portrait of Francis Magnard. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 110 del avtorja Albert Besnard, datiranih od 1874 do 1932.
Večini v Petit Palais (Pariz), Metropolitanski muzej umetnosti (New York) in Carnavalet Museum (Pariz). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1880s: 37 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Morphine Addicts.
Na tej strani je najstarejše delo iz The Death of Timophanes (1874) in najstarejše iz Portrait de Jean-Louis Vaudoyer (1883-1963) (1932).
Woman (15), Figures (11) in Man (10), na 100 delih na tej strani.
Etching, za 11 od 100 del na tej strani.
Impressionism, glede na originala na tej strani.
Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: The Wedding, Portrait of Francis Magnard in Sketch for the Mairie du 4ème: The Return of the Fields: v muzeju Petit Palais, Pariz se nahaja 27 del z te strani.
Paul Albert Besnard (1849–1934) izstopa kot edinstvena figura v tapiseriji francijske umetnosti, slikar, ki je skozi spreminjajoče se valove konca devetnajstega in začetka dvajsetega stoletja plujal z edinstično, neklasificirlno eleganco. Rod v Parizu, je svojo umetniško pot začel v strogih okvirih École des Beaux-Arts, kjer je študiral pod mentorstvom Jeana Bremonda. Njegov zgodnji razvoj je močno oblikoval natančen realizem Alexandre Cabanela, vpliv, ki je Besnardu zagotovil disciplinirano akademsko temelj. Vendar pa se pod to klasično izobrazbo je pretelesalo srce modernizatorja, umetnika, ki bi sčasoma presegel rigidne meje tradicije, da bi objel prehodno lepoto svetlobe in atmosfere.
Ko se je njegova kariera zrela, je Besnard začel premoščati vrzel med strukturiranim svetom akademske slikarstva in živopisnimi, čutnimi raziskavami impresionizma. Čeprav forme ni popolnoma opustil zaradi čiste abstrakcije, je postal mojster barv, uporabljajoč paleto, ki je delovala hkr luminostno in globoko čustveno. Njegovo del zaznamuje neomajna fascinacija nad tem, kako svetloba vstopa v interakcijo z površinami, naj gre za nežno kožo na portretu ali za širinske arhitektonske razsege njegovih največjih naročil. Ta sposobnost združevanja monumentalnega z intimnim mu je omogočila, da je presegel oznake svojega obdobja in ustvaril slog, ki je deloval hkr brezčasno in osušljivo sodoben.
Besnardov pravi genij je bil morda najbolj viden v njegovi sposobnosti, da moderne občutke prevede v veličastno, dekorativno razsežnost. On ni le slikal slike; on je transformiral prostore. Njegove ambiciozne freske, ki krasijo nekatere najugodnejše francenske institucije, služijo kot spomenik njegovi viziji umetnosti kot javnega, poglobljenega izkušnje. Ta dela lahko najdemo na takšnih lokacijah, kot so:
V teh masivnih podvigi se je Besnard izognil pretirano dramatični ali teatralni estetiki, ki so jo izbrali mnogi njegovi sodobniki. Namesto tega je uporabil bolj subtilen, atmosferičen pristop, ki je omogočil svetlobi, da vodi oko gledalca, s čimer je zagotovil, da so tudi najobnejše kompozicije ohranile občutek poetične intimnosti in duhovne globine.
Poza širimi razgledi njegovih fresk je bil Besnard plodni ustvarjalec veliko bolj osebnih del. Imel je izjemno sposobnost zajeti psihološko bistvo svojih motivov z oljami, akvareli, pastelami in etringom. Njegovi portreti so slavljeni ne le zaradi svoje tehnične natančnosti, temveč zaradi njihove globoke čustvene resonance. V njegovem prikazu Madame Georges Rodenbach najdemo drzne raziskovanje lepote, ki izziva konvencionalne norme, ter prikazuje njegovo veščino oblikovanja teksture in značaja z enako strastjo.
Njegova vsestranskost kot grafika in riskarca mu je omogočila eksperimentiranje z interakcijo senče in svetlobe na veliko bolj nežni ravni. Ne glede na to, ali je zajemal kraljevsko prisotnost kralja in kraljice Belgije ali tišino pokrajine, Besnardovo del ostaja navezano na vpliv, ki spominja na Thomasa Gainsboroughja — določeno eleganco in ritmično pretočnost, ki dviguje vsebino. Končno, pomen Paula Alberta Besnarda leži v tej dvojnosti: bil je umetnik, ki je lahko vladal največjim dvoranam Francije, hkrati pa je znal zajeti najprehodnejše, najnežnejše šepete svetlobe.
