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3 najbolj znanih slik umetnika Pasquale Ottini, vsaka popolnoma edinstvena
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 3 del v našem katalogu avtorja Pasquale Ottini
Kratek opis
Mary Magdalen (1600) je slika avtorja Pasquale Ottini, ki pritegne največ pogledov; original se nahaja v muzeju Minneapolis Institute of Art, Minneapolis. Nato se pogled smeri k The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630) in Saint Lucy. Med 3 dela umetnika Pasquale Ottini v našem katalogu so ta 3 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
1578 – 1630, Verona
Največ del: Minneapolis Institute of Art
10 najboljjših slik umetnika Pasquale Ottini skozi oči galerije
Muzeji, ki hranijo originala umetnika Pasquale Ottini
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Pasquale Ottini | Slike iz tega seznama |
|---|---|---|---|
 Minneapolis Institute of Art |
Minneapolis | 1 | Mary Magdalen |
 Dulwich Picture Gallery |
London | 1 | The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman |
Pasquale Ottini skozi leta: edinstvena originala vsakega dela
Dolga kariera 31 let, od 1600 do 1630: najbolj znani originali umetnika Pasquale Ottini, prikazani letopisno.
Delo po letih
Izberite leto in oglej originale.
Slike umetnika Pasquale Ottini: vprašanja za galerijo
Katero je najbolj znano delo umetnika Pasquale Ottini?Razkriti odgovor
Mary Magdalen (1600), Minneapolis Institute of Art, Minneapolis. Zatem sledeta The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630) in Saint Lucy.
Pri kateri dobe je Pasquale Ottini ustvaril Mary Magdalen?Razkriti odgovor
22 let: delo Mary Magdalen iz leta 1600, Pasquale Ottini pa je bil/a rojen/a leta 1578.
Koliko je znanih del avtorja Pasquale Ottini?Razkriti odgovor
Naš katalog vsebuje 3 del avtorja Pasquale Ottini, datiranih od 1600 do 1630.
Kje si lahko ogledate najslavnejše originale umetnika Pasquale Ottini?Razkriti odgovor
Večini v Minneapolis Institute of Art (Minneapolis) in Dulwich Picture Gallery (London). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Katero znano sliko je naslikal Pasquale Ottini najprej in katero najpozdneje?Razkriti odgovor
Na tej strani je najstarejše delo iz Mary Magdalen (1600) in najstarejše iz The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630).
Pasquale Ottini: portret umetnika
The Studio of Brusasorci
In the quiet workshops of Verona, a young man named Pasquale Ottini began to find his voice under the watchful eye of Felice Brusasorci. He was not alone in this pursuit of craft; alongside him, Alessandro Turchi shared the same lessons and the same air. These early years were defined by the discipline of the studio, where the brush was guided by the traditions of a master. When Brusasorci passed away in 1605, the weight of unfinished business fell upon the young pupils. Ottini and Turchi stepped forward to complete a large canvas of the Fall of Manna for the church of San Giorgio in Braida, ensuring their teacher's vision reached its conclusion.
The early works of this period reveal a hand steeped in the Mannerist style. There is a certain tension in those first compositions, a lingering influence of the complex forms and stylized grace that characterized the era. While his path was largely centered in his hometown, whispers of a journey to Rome around 1615 suggest a life that reached beyond the borders of Verona. Whether he traveled with Turchi and Marcantonio Bassetti or remained close to the familiar streets of his birth, his presence in the artistic landscape of the seventeenth century remained steady.
A Life in Verona
Ottini’s career was marked by a devotion to the sacred spaces of his city. His hands worked upon many subjects that sought to bring the divine into the physical realm of the viewer. He left his mark upon the churches of San Stefano and San Giorgio, painting scenes such as the Massacre of the Innocents and San Niccolo. His ability to handle various media and subjects allowed him to move between the grand scale of church altarpieces and more intimate works, such as the Deposition completed for the church of San Francesco di Paola.
The shadows of history eventually caught up to the painter. In 1630, as the plague swept through Verona, Ottini’s own life reached its end. He died in the same city where he had learned his trade, leaving behind a body of work that reflected the shifting tastes of his time. His legacy survives through the paintings he left in the hands of the faithful and the collections that hold his depictions of the Assumption of the Virgin and the Lamentation of Christ.