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11 najbolj znanih slik umetnika Matthias Ranftl, galerijska izbira
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 11 del v našem katalogu avtorja Matthias Ranftl
Kratek opis
Med vsem originalom, ki ga je Matthias Ranftl pustil, je najbolj znan Mother with Children Wading over a Brook (1836). Takoj za njima sta Russian Peasant Couple (1832) in Hunter and Girl (1847). Naš katalog vsebuje 11 del umetnika Matthias Ranftl; galerija je ohranila 11 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
1804 – 1854, Vienna
10 najboljših slik umetnika Matthias Ranftl: izbira galerije
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Izbor umetnika Matthias Ranftl se nadaljuje, od 11 do 11
Matthias Ranftl desetletje za desetletjem: originali, ki definira vsako od njih
Delo po desetletjih
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Vprašanja zbirateljev o slikah umetnika Matthias Ranftl
Za katero delo je Matthias Ranftl najbolj znan/a?Razkriti odgovor
Mother with Children Wading over a Brook (1836). Zatem sledeta Russian Peasant Couple (1832) in Hunter and Girl (1847).
Koliko je bil Matthias Ranftl let, ko je nastalo delo Mother with Children Wading over a Brook?Razkriti odgovor
32 let: delo Mother with Children Wading over a Brook iz leta 1836, Matthias Ranftl pa je bil/a rojen/a leta 1804.
Katera je deset najbolj znanih slik umetnika Matthias Ranftl?Razkriti odgovor
Mother with Children Wading over a Brook, Russian Peasant Couple, Hunter and Girl, The Hunting Trophy, Hunter with Black Grouse above Berchtesgaden, Watzmann in the Background, The pilgrims' rest, rest after the hunt, Begging children at the Glacis in Vienna, Man and woman wandering in snow - storm in Dead Snow Grouse. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Koliko slik je pustil Matthias Ranftl?Razkriti odgovor
Naš katalog vsebuje 11 del avtorja Matthias Ranftl, datiranih od 1832 do 1852.
V katerih letih je Matthias Ranftl naslikal svoja najbolj znana dela?Razkriti odgovor
V obdobju 1850s: 5 od 11 del na tej strani je bilo izdelovanih takrat, med njimi pa The Hunting Trophy.
Kakšna sta prva in zadnja znana originala umetnika Matthias Ranftl?Razkriti odgovor
Na tej strani je najstarejše delo iz Russian Peasant Couple (1832) in najstarejše iz The pilgrims' rest (1852).
Matthias Ranftl: življenje in delo
The Academy and the Russian Court
Vienna, 1804. A child is born into a family where art lingers in the periphery; his grandfather had once traveled from Regensburg to settle in this city. His mother, an enthusiast of the arts, recognizes a spark in him early on. By 1817, the boy enters the Academy of Fine Arts Vienna. He sits at the feet of Johann Baptist Lampi and Anton Petter, absorbing the rigors of drawing and history painting. The air in the studio is thick with the discipline of the old masters.
A shift occurs in 1819. A study trip through Switzerland and Germany pulls his gaze away from the structured halls of the Academy toward the sprawling landscapes of the natural world. He returns to Vienna changed, his focus narrowing onto the earth and sky. By 1826, he is no longer just a student but an exhibitor, presenting portraits and historical works that command attention at the Academy. That same year, the horizon expands further. He travels to Russia, finding himself in the imperial centers of Moscow and St. Petersburg. In these aristocratic circles, he secures commissions for portraits and finds work illustrating Pushkin’s Eugene Onegin.
The Shift to Genre and the Canine Subject
The return to Vienna marks a departure from the grandiosity of history painting. The artist moves toward the intimate, the rural, and the urban. He begins to capture the quiet rhythms of Biedermeier life. In 1836, a trip to London alongside Prince Paul Esterházy introduces him to the work of Edwin Landseer. This encounter acts as a hinge. The fascination with animals, specifically dogs, becomes a central pillar of his output. His ability to render the texture of fur and the character in an animal's eyes earns him the moniker “the Raphael of Dogs.”
His brush captures more than just anatomy; it captures a specific social atmosphere. He populates his scenes with:
- Detailed portraits of dogs that serve as protagonists in genre scenes.
- Sensitive depictions of rural and urban life.
- Illustrations for satirical works like the Republic of Animals.
Final Years in Vienna
By 1849, his status is solidified through his election as a full member of the Vienna Academy. He has moved from a student of history to a specialist of the particular. His later years involve experimentation with printmaking and the development of a unique galvanographic printing technique. The life he leads is that of a true romantic artist, deeply embedded in the Viennese cultural fabric. In 1854, the disease known as the Ruhr claims him in the suburb of Wieden. He is laid to rest in the Vienna Central Cemetery, leaving behind a body of work defined by its startling realism and an enduring affection for the creatures he painted.