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1 najbolj znanih slik umetnika Marie Wiegmann, vsaka popolnoma edinstvena
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 2 del v našem katalogu avtorja Marie Wiegmann
Kratek opis
Half-length Portrait of a Woman (1857) je slika avtorja Marie Wiegmann, ki pritegne največ pogledov; original se nahaja v muzeju Augustiner Museum, Freiburg. Med 2 dela umetnika Marie Wiegmann v našem katalogu so ta 1 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
1820 – 1893, Srebrna Góra
Največ del: Augustiner Museum
10 najboljjših slik umetnika Marie Wiegmann skozi oči galerije
Muzeji, ki hranijo originala umetnika Marie Wiegmann
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Marie Wiegmann | Slike iz tega seznama |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Half-length Portrait of a Woman |
Marie Wiegmann skozi leta: edinstvena originala vsakega dela
Vsi originali umetnika Marie Wiegmann z navedenim letom, ki so prikazani tukaj, pripadajo letu 1857: razvrščeni so glede na stopnjo znanosti.
Delo po letih
Izberite leto in oglej originale.
Slike umetnika Marie Wiegmann: vprašanja za galerijo
Katero je najbolj znano delo umetnika Marie Wiegmann?Razkriti odgovor
Half-length Portrait of a Woman (1857)
Pri kateri dobe je Marie Wiegmann ustvaril Half-length Portrait of a Woman?Razkriti odgovor
37 let: delo Half-length Portrait of a Woman iz leta 1857, Marie Wiegmann pa je bil/a rojen/a leta 1820.
Koliko je znanih del avtorja Marie Wiegmann?Razkriti odgovor
Naš katalog vsebuje 2 del avtorja Marie Wiegmann.
Kje si lahko ogledate najslavnejše originale umetnika Marie Wiegmann?Razkriti odgovor
Večini v Augustiner Museum (Freiburg). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Marie Wiegmann: portret umetnika
A Life in Brushstrokes
Marie Elisabeth Wiegmann began her life in Silberbeg, Silesia. Her hands found their way to the Düsseldorf Academy in 1841, where she sat as a pupil under Hermann Stilke. Later, she studied with Karl Ferdinand Sohn. These years of training shaped how she saw the light on a face or the fold of a garment. She moved through Germany, England, Holland, and Italy, carrying her observations with her.
In 1841, she married Rudolf Wiegmann. They eventually settled in Düsseldorf. Her travels were not merely for leisure; between 1843 and 1845, a study trip to Italy allowed her to look closely at the art of that land. This period of looking deeply influenced the way she approached her subjects.
The Subjects of Her Canvas
Her work often turned toward the human form and the stories told in folklore. For a time, between 1846 and 1850, she focused on paintings rooted in mythical and fairytale tales. She drew from late romantic literary models, creating pieces like those based on Ludwig Uhland’s poem, The Elves. Her illustrations even found a place in the pages of St Nicholas: An Illustrated Magazine For Young Folks in 1883.
Beyond stories, she was a painter of people and quiet moments. Some of her known works include:
- A Venetian Lady
- A Young Girl with Roses
- A French Woman of 1792
- Portrait of Karl Schnasse
Recognition and Legacy
Her career lasted more than fifty years. During this time, she earned a gold medal in Berlin for one of her works. Her portraits were held in places like the National Gallery of Berlin, where pieces such as A Venetian Lady were established in 1876. She left behind a body of work that reflects the traditions of the Düsseldorf School.
She lived until 1893. Her life was marked by the steady application of paint to canvas, moving from the lessons of her teachers to her own established presence in the art circles of Europe.