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2 najbolj znanih slik umetnika Marie Großmann, galerijska izbira
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 2 del v našem katalogu avtorja Marie Großmann
Kratek opis
Med vsemi originali, ki jih je pustil Marie Großmann, je najbolj znan Portrait of Hermann Krebs (1874), ki se nahaja v kolekciji Augustiner Museum, Freiburg. Naš katalog vsebuje 2 del umetnika Marie Großmann; galerija je ohranila 2 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
1853 – 1890, Freiburg im Breisgau
Največ del: Augustiner Museum
10 najboljših slik umetnika Marie Großmann: izbira galerije
Muzeji, ki hranijo originala umetnika Marie Großmann
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Marie Großmann | Slike iz tega seznama |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 2 | Portrait of Hermann Krebs, Portrait of Sophie Krebs, née Schaal |
Marie Großmann leta za letom: originali, ki definira vsako obdobje
1874 je leto vsakega datiranega dela umetnika Marie Großmann v tej izbiri: tukaj so, razvrščena po slavi.
Delo po letih
Izberite leto in oglej originale.
Vprašanja zbirateljev o slikah umetnika Marie Großmann
Za katero delo je Marie Großmann najbolj znan/a?Razkriti odgovor
Portrait of Hermann Krebs (1874)
Koliko je bil Marie Großmann let, ko je nastalo delo Portrait of Hermann Krebs?Razkriti odgovor
21 let: delo Portrait of Hermann Krebs iz leta 1874, Marie Großmann pa je bil/a rojen/a leta 1853.
Koliko slik je pustil Marie Großmann?Razkriti odgovor
Naš katalog vsebuje 2 del avtorja Marie Großmann.
V katerih muzejih so razložena remek dela umetnika Marie Großmann?Razkriti odgovor
Večini v Augustiner Museum (Freiburg). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V katerih letih je Marie Großmann naslikal svoja najbolj znana dela?Razkriti odgovor
V obdobju 1874: 2 od 2 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of Hermann Krebs.
Katera dela umetnika Marie Großmann so razstavljena v muzeju Augustiner Museum?Razkriti odgovor
Portrait of Hermann Krebs in Portrait of Sophie Krebs, née Schaal: v muzeju Augustiner Museum, Freiburg se nahaja 2 del z te strani.
Marie Großmann: življenje in delo
The Quiet Presence of the Portraitist
In the small, focused world of nineteenth-century German portraiture, Marie Großmann occupied a space defined by the faces of others. Her life, marked by the years 1853 to 1890, was spent capturing the likenesses of those within her immediate circle. She did not seek the broad strokes of grand movements, but instead turned her attention to the specific, steady gaze of the individuals who shared her time and her name.
Her brushwork found its purpose in the study of character through likeness. In 1874, she produced a series of works that captured the Krebs family, including Portrait of Hermann Krebs and Figurative Portrait of Sophie Krebs, née Schaal. These were not mere studies of form, but records of presence. She followed this with the Figurative Portrait of Theophil Krebs, showing a commitment to the people who populated her daily life.
A Legacy in Likeness
The work of Marie Großmann is found in the quiet details of a sitter's expression. One of her notable pieces, Figurative Portrait of the Husband Dr. Viktor Grossmann, dating to approximately 1880, shows her ability to settle into the likeness of a subject. There is a stillness in these paintings, a sense of a moment held steady under the light.
Her contribution to the visual record is seen in these specific, intimate studies. While her life was relatively brief, her ability to translate a person into paint remains visible in the surviving works. Her focus remained on the human figure, capturing the weight of a gaze or the set of a jaw, ensuring that the people she painted were seen as they were.