Portret Maria Oakey Dewing

4 najbolj znanih slik umetnika Maria Oakey Dewing, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 4 del v našem katalogu avtorja Maria Oakey Dewing

Kratek opis

Med vsemi originali, ki jih je pustil Maria Oakey Dewing, je najbolj znan Irises and Calla Lilies (1890), ki se nahaja v kolekciji Detroit Institute of Arts, Detroit. Takoj za njima sta Garden in May (1895) in Iris at Dawn (1899). Naš katalog vsebuje 4 del umetnika Maria Oakey Dewing; galerija je ohranila 4 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1845 – 1927, New York City Največ del: Detroit Institute of Arts

10 najboljših slik umetnika Maria Oakey Dewing: izbira galerije

4
Rose Garden (1901) avtorja Maria Oakey Dewing

Rose Garden

Maria Oakey Dewing painted Rose Garden during one of her last summers in Cornish, New Hampshire, an artists’ colony where she and her family had spent every summer for 15 years. The cropped, close-up study of flowers, color, and texture places the viewer among the leaves, stems, and blossoms of her garden.Trained at Cooper Union School of Design for Women and the National Academy of Design, Dewing had a successful…

Muzeji, ki hranijo originala umetnika Maria Oakey Dewing

4 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Maria Oakey Dewing Slike iz tega seznama
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Irises and Calla Lilies
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Garden in May
Hood Museum of Art, HanoverHood Museum of Art Hanover 1 Iris at Dawn
Crystal Bridges Museum of American Art, BentonvilleCrystal Bridges Museum of American Art Bentonville 1 Rose Garden

Maria Oakey Dewing leta za letom: originali, ki definira vsako obdobje

Izbira obsega dela umetnika Maria Oakey Dewing skozi 12 let, od 1890 do 1901, kjer so izbrana najlepša originalna dela vsakega leta.

Delo po letih

Izberite leto in oglej originale.

Vprašanja zbirateljev o slikah umetnika Maria Oakey Dewing

Za katero delo je Maria Oakey Dewing najbolj znan/a?Razkriti odgovor

Irises and Calla Lilies (1890), Detroit Institute of Arts, Detroit. Zatem sledeta Garden in May (1895) in Iris at Dawn (1899).

Koliko je bil Maria Oakey Dewing let, ko je nastalo delo Irises and Calla Lilies?Razkriti odgovor

45 let: delo Irises and Calla Lilies iz leta 1890, Maria Oakey Dewing pa je bil/a rojen/a leta 1845.

Koliko slik je pustil Maria Oakey Dewing?Razkriti odgovor

Naš katalog vsebuje 4 del avtorja Maria Oakey Dewing, datiranih od 1890 do 1901.

V katerih muzejih so razložena remek dela umetnika Maria Oakey Dewing?Razkriti odgovor

Večini v Detroit Institute of Arts (Detroit), Smithsonian American Art Museum (Washington, D.C.) in Hood Museum of Art (Hanover). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

Kakšna sta prva in zadnja znana originala umetnika Maria Oakey Dewing?Razkriti odgovor

Na tej strani je najstarejše delo iz Irises and Calla Lilies (1890) in najstarejše iz Rose Garden (1901).

Maria Oakey Dewing: življenje in delo

Maria Richards Oakey Dewing (1845 – 1927): A Florist’s Vision of Impressionism

Maria Richards Oakey Dewing, born October 27, 1845 in New York City, was a prominent American painter celebrated for her exquisite depictions of flowers and her pivotal role in establishing the Art Students League. Her artistic journey began at seventeen when she enrolled at Cooper Union School of Design, immersing herself in studies under luminaries like William Rimmer, Edwin Forbes, Robert Swain Gifford, and George Edmund Butler—artists who championed a bold new approach to artmaking. Helena de Kay, a fellow artist and cherished friend, further nurtured her talent during these formative years. Dewing’s fascination with Japanese aesthetics profoundly impacted her artistic style, particularly evident in her masterful use of color palettes and compositional techniques. Inspired by John La Farge—a celebrated artist whose own explorations into the beauty of nature served as a guiding force—she embarked on a lifelong pursuit of capturing fleeting moments of visual splendor. Her dedication to botanical observation translated seamlessly onto canvas, resulting in paintings that possessed an unparalleled level of detail and sensitivity.
  • Early Life & Education: Dewing’s upbringing instilled in her a deep appreciation for art and culture. She honed her skills at Cooper Union and the National Academy of Design, absorbing influences from masters like George Inness and Frederic Church—artists who championed realism alongside Impressionistic ideals.
  • Marriage & Family: In 1881, Dewing married Thomas Wilmer Dewing, a fellow artist with whom she shared a passion for artistic experimentation. Together they cultivated a vibrant home life in Cornish, New Hampshire, where their garden served as an unending source of inspiration for her paintings.
  • The Art Students League & Artistic Innovation: Recognizing the need for a supportive environment for aspiring artists—particularly women—Dewing co-founded the Art Students League of New York in 1875. This institution fostered a spirit of collaboration and encouraged artistic innovation, propelling Dewing’s career forward.

Floral Mastery: Style & Technique

Dewing's distinctive style was characterized by broad brushstrokes and luminous colors—a hallmark of Impressionism. She prioritized capturing the ephemeral qualities of light and atmosphere, striving to convey not just what she saw but also how it felt. Her meticulous attention to detail—particularly in rendering petal textures and floral forms—demonstrated her profound understanding of botany and her unwavering commitment to artistic excellence. Critics lauded her work for its “absolute uniqueness,” recognizing Dewing’s ability to transform ordinary subjects into extraordinary expressions of beauty.
  • Notable Works: Among her most celebrated paintings are *Garden in May* (1895), *Bed of Poppies* (1903), and *Iris at Dawn* (1909)—each piece showcasing Dewing’s poetic sensibility and masterful command of color.
  • Influence & Legacy: Dewing's influence extended beyond her own artistic output, shaping the aesthetic sensibilities of subsequent generations of American painters. Her unwavering belief in Impressionistic ideals helped solidify its position as a dominant movement within the art world.

Recognition & Exhibitions

Dewing’s talent garnered international acclaim during the 1893 World's Columbian Exposition in Chicago and the 1901 Pan-American Exposition, where her paintings captivated audiences and cemented her reputation as a leading artist of her time. Collaborations with Thomas Dewing produced several noteworthy artworks—including *Hymn* (1884)—further enriching her artistic repertoire. Her dedication to capturing the beauty of the natural world earned her bronze medals at both expositions.

Concluding Thoughts

Maria Richards Oakey Dewing’s life was marked by intellectual curiosity, artistic passion, and unwavering devotion to her craft—qualities that continue to inspire admiration today. Despite facing personal challenges—including the tragic loss of her son—Dewing persevered in her pursuit of artistic excellence, leaving behind a legacy of stunning floral paintings that embody the spirit of Impressionism and celebrate the transformative power of observation. Her work resides in prominent museums across the United States, ensuring that her vision of beauty endures for generations to come.