Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 71 del v našem katalogu avtorja Marco Ricci
Kratek opis
Med vsemi originali, ki jih je pustil Marco Ricci, je najbolj znan Architectural Capriccio (1702), ki se nahaja v kolekciji Bavarske državne slikopisne zbirke, München. Takoj za njima sta Rehearsal of an opera (1709) in Rehearsal of an opera (1709). Naš katalog vsebuje 71 del umetnika Marco Ricci; galerija je ohranila 71 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
In Architectural Capriccio, Marco Ricci presents a fantasy landscape constructed from various architectural elements of antiquity. The work functions as a classical capriccio, assembling disparate ruins into a fictionalized setting. Rather than a topographical record, the scene offers a re-imagined arrangement of stone and structure.
The oil painting presents a crowded indoor setting where a group of musicians and singers are gathered for an opera rehearsal. The composition is horizontal, filling the space with figures arranged in the foreground and middle ground. A muted, dark olive-green wall forms the backdrop for the assembly. In the foreground, the curves of a cello and the rectangular frame of a harpsichord are visible among the performers. The color…
Step into this grand, interior space where the air feels heavy with the anticipation of a performance. We find ourselves in a room of significant scale, perhaps a private salon or a rehearsal hall, where a group of figures has gathered for a musical session. The scene is dense, filled with the quiet energy of artists in motion. A cello rests in the immediate foreground, its dark wood grounding the…
In Moses and the Miracle of the Rock, Marco Ricci presents a scene of intense movement and crowded energy. The composition is structured through a dynamic arrangement of figures that directs the eye from the immediate foreground toward the central action of Moses. This movement is guided by fluid and expressive lines that define the limbs of the multitude and the sudden flow of water. Organic shapes dominate the landscape,…
The scene unfolds in 1722, a moment captured in The Outskirts of a Town with Women Washing Linen. This work emerges from the brush of Marco Ricci, an artist who brings the light of the Italian landscape to life. He was born in Belluno, Italy, in 1676, and his hand moves across the surface to define a world of quiet, daily labor. The air feels heavy with the presence of…
Woodland Scene with Bandits is an oil painting by Marco Ricci. Created about 1726, the work captures a moment of tension within a dense thicket. A group of bandits or travelers occupies the forest, their presence disrupting the quietude of the trees. The scene is framed by the verticality of weathered trunks and the shadows of a deep landscape view.
The painting Caprice Landscape with Ruins and a Statue is a work by the Italian artist Marco Ricci. Born in Belluno, Italy, in 1676, Ricci brought a specific Venetian sensibility to this composition. The canvas captures a moment of stillness amidst crumbling stone and weathered marble. It dates to about 1729.
We are looking at Landscape with an Allegorical Monument to Newton, a work by the Venetian painter Marco Ricci. Created about 1728, this piece presents an allegorical scene set within a landscape of ancient ruins. The composition focuses on a central structure of classical architectural elements, including a plinth with inscriptions and various sculptural figures, all positioned under a clear blue sky.
Landscape with two Praying Monks is an oil painting by Marco Ricci. The work emerged around 1729, during the final years of the artist's life. Ricci, born in 1676, lived until 1730, leaving behind a legacy defined by the atmospheric expanses of the Venetian tradition.
The scene unfolds within the frantic energy of A Wood with Peasants Alarmed by a Bear, a work that captures a sudden moment of chaos amidst the trees. This dramatic encounter is the creation of Marco Ricci, an artist whose life began in Belluno, Italy, in 1676. The painting emerges from a time of great movement in the early eighteenth century, dating to about 1725. Every brushstroke seems to pulse…
The Courtyard of a Country House1728 · Kraljeva zbirka
12
A Classical Ruin Caprice1728 · Kraljeva zbirka
13
Landscape with a Woman and Child1727 · Kraljeva zbirka
14
Landscape with Women Washing Clothes1727 · Kraljeva zbirka
15
Landscape with Peasants and Woodcutters1725 · Kraljeva zbirka
16
A Ruin Caprice with Roman Motifs1727 · Kraljeva zbirka
17
Landscape with Cattle and a Woman Speaking to a Seated Man1727 · Kraljeva zbirka
18
Villa in a Park Setting1720 · Gallerie dell'Accademia di Venezia
19
Landscape with River and Figures1720 · Gallerie dell'Accademia di Venezia
20
Landscape with Monks1705 · Scottish National Gallery
21
Ships in a Gale1707 · Indianapolis Museum of Art
22
Landscape with a road (detail).1700 · Narodni muzej v Varšavi
23
Christ on the Sea of Galilee1710 · Statens Museum For Kunst
24
Landscape1700
25
Landscape1700
26
Southern Landscape in Evening Light1712 · Gemäldegalerie
27
Venetian Capriccio with a body being exhumed and a Franciscan Monk in Attendance1714 · Birmingham Museum and Art Gallery
28
Capriccio Landscape1712
29
Capriccio Landscape1712
30
A Winter Landscape1720 · Kraljeva zbirka
31
An Italian Town Caprice1719 · Kraljeva zbirka
32
Landscape with a Farm Building at the Centre1720 · Kraljeva zbirka
33
A Rocky Landscape with a Waterfall1720 · Kraljeva zbirka
34
A Town and Ruins Beside a River1719 · Kraljeva zbirka
35
A Wooded Landscape with Huntsmen1722 · Kraljeva zbirka
36
A Hilly Landscape with two Men on Horseback Galloping1720 · Kraljeva zbirka
37
Landscape with a Hill Town1720 · Kraljeva zbirka
38
View of Belluno1720 · Kraljeva zbirka
39
Landscape with a Sawmill1720 · Kraljeva zbirka
40
Landscape with a Foreground River and Buildings Beyond1720 · Kraljeva zbirka
41
Ruin Caprice with a Gothic Church1722 · Kraljeva zbirka
42
A Wood with Peasants Alarmed by a Bear1720 · Kraljeva zbirka
43
A Capriccio of Classical Rome1720
44
Coastal View with Tower1715
45
Landscape with Woodcutters and Two Horsemen1720 · Gallerie dell'Accademia di Venezia
46
Landscape with Watering Horses1720 · Gallerie dell'Accademia di Venezia
47
Landscape with River and Figures (detail)1720 · Gallerie dell'Accademia di Venezia
48
A Rocky Landscape with Herds Watering1727 · Kraljeva zbirka
49
Landscape with a Storm1729 · Kraljeva zbirka
50
A Mountainside with Hermits1729 · Kraljeva zbirka
51
Landscape with a Rocky Stream, Peasants and Cattle1725 · Kraljeva zbirka
52
Landscape with a Horse being Ferried across a Stream1723 · Kraljeva zbirka
53
Caprice View with Roman Ruins1729 · Kraljeva zbirka
54
Mountainous Landscape with a River and a Group of Buildings Beyond1724 · Kraljeva zbirka
55
Architectural Capriccio1725
56
Stormy Region1705 · Muzej lepih umetnosti
57
Saint Jérôme dans le désert - Marco Ricci - Musée des Beaux-Arts de NarbonneMusée d'art et d'histoire de Narbonne
58
Landscape with a Monk in a StormKunsthistorisches Museum
59
Landscape1720 · Fondazione Querini Stampalia
60
A Courtyard with an Equestrian StatueKraljeva zbirka
61
A rocky landscape with figuresAuckland Art Gallery Toi o Tāmaki
62
Landscape with a bridge and a tower (detail).Narodni muzej v Varšavi
63
A mountainous landscapeFinnish National Gallery
64
A Classical Landscape with Ruins
65
Classical capriccio of Rome
66
The waterfallGallerie dell'Accademia di Venezia
67
View with classical Roman ruinsCa' Rezzonico – Muzej 18. stoletja v Benetkah
68
LandscapeNarodni muzej v Krakovu
69
A Courtyard of an Imaginary PalaceKraljeva zbirka
70
Figures among Ruins
71
Southern Landscape at TwilightStaatliche Museen zu Berlin
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Marco Ricci | Slike iz tega seznama |
|---|---|---|---|
 Kraljeva zbirka |
London | 36 | Moses and the Miracle of the Rock, The Outskirts of a Town with Women Washing Linen, Woodland Scene with Bandits |
 Gallerie dell'Accademia di Venezia |
Venecija | 6 | Villa in a Park Setting, Landscape with River and Figures, Landscape with Woodcutters and Two Horsemen |
 Yale Center for British Art |
New Haven | 2 | Rehearsal of an opera, Rehearsal of an opera |
 Narodni muzej v Varšavi |
Varšava | 2 | Landscape with a road (detail)., Landscape with a bridge and a tower (detail). |
 Bavarske državne slikopisne zbirke |
München | 1 | Architectural Capriccio |
 Scottish National Gallery |
Edinburgh | 1 | Landscape with Monks |
 Indianapolis Museum of Art |
Indianapolis | 1 | Ships in a Gale |
 Statens Museum For Kunst |
Kopenhagen | 1 | Christ on the Sea of Galilee |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In Architectural Capriccio, Marco Ricci presents a fantasy landscape constructed from various architectural elements of antiquity. The work functions as a classical capriccio, assembling disparate ruins into a fictionalized setting. Rather than a topographical record, the scene offers a re-imagined arrangement of stone and structure.
In Moses and the Miracle of the Rock, Marco Ricci presents a scene of intense movement and crowded energy. The composition is structured through a dynamic arrangement of figures that directs the eye from the immediate foreground toward the central action of Moses. This movement is guided by fluid and expressive lines that define the limbs of the multitude and the sudden flow of water. Organic shapes dominate the landscape,…
The scene unfolds in 1722, a moment captured in The Outskirts of a Town with Women Washing Linen. This work emerges from the brush of Marco Ricci, an artist who brings the light of the Italian landscape to life. He was born in Belluno, Italy, in 1676, and his hand moves across the surface to define a world of quiet, daily labor. The air feels heavy with the presence of…
Architectural Capriccio (1702), Bavarske državne slikopisne zbirke, München. Zatem sledeta Rehearsal of an opera (1709) in Rehearsal of an opera (1709).
26 let: delo Architectural Capriccio iz leta 1702, Marco Ricci pa je bil/a rojen/a leta 1676.
Architectural Capriccio, Rehearsal of an opera, Rehearsal of an opera, Moses and the Miracle of the Rock, The Outskirts of a Town with Women Washing Linen, Woodland Scene with Bandits, Caprice Landscape with Ruins and a Statue, Landscape with an Allegorical Monument to Newton, Landscape with two Praying Monks in A Wood with Peasants Alarmed by a Bear. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 71 del avtorja Marco Ricci, datiranih od 1700 do 1729.
Večini v Kraljeva zbirka (London), Gallerie dell'Accademia di Venezia (Venecija) in Yale Center for British Art (New Haven). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1720s: 39 od 71 del na tej strani je bilo izdelovanih takrat, med njimi pa The Outskirts of a Town with Women Washing Linen.
Na tej strani je najstarejše delo iz Landscape with a road (detail). (1700) in najstarejše iz Caprice Landscape with Ruins and a Statue (1729).
Trees (35), Sky (33) in Figures (24), na 71 delih na tej strani.
Oil On Canvas, za 39 od 71 del na tej strani.
Baroque, glede na originala na tej strani.
Moses and the Miracle of the Rock, The Outskirts of a Town with Women Washing Linen in Woodland Scene with Bandits: v muzeju Kraljeva zbirka, London se nahaja 36 del z te strani.
Marco Ricci predstavlja ključno figuro v veličastni tapiseriji venetanske barokne slikarstva, mojstra, katerega čopatica je vnesla življenje v atmosfere 18. stoletja. Rodjen v letu 1676 v Bellunu v Italiji, je bila Riccijeva umetniška pot globoko zakorenjena v liniji izjemnosti. Njegov zgodnjišnja izobraževanja se je začelo pod budnim nadzorom njegovega uncleja, slavnega Sebastiana Riccia, verjetno v živahnih umetniških središčih Milana sredino leta 1690-ih. Ta temeljni obdobje je vzpostavilo globoko povezavo z venetansko tradicijo, ko se je leta 1696 preselil v Vento, da bi združil moči s svojim unclejem. Skupaj sta se odločila za sodelovalno kariero, ki bo ponovila meje krajinskega slikarstva z zdrvzetjem klasične veličastnosti in nove, bolj ekspresivne občutljivosti.
Razvoj Riccijevega sloga je oblikovala bogata konfluenca vplivov, ki je premostila razporeditev med strukturiranimi ideali preteklosti in razvijajočo se svobodo rokoka. Assimiliral je svetlobno, atmosferično perspektivo Claudea Lorraina in Gasparda Dugheta, mojstrov, ki sta izpilila umetnost idealizirane naravne scene. Vendar pa je v njegovem delu obstajala bolj hrapava, čustvena stran, ki izvira iz ekspresivnihčrt Salvatoreja Rose in razvedenega, energičnega nanašanja, ki ga srečujemo v delih Alessandro Magnasca. Ta edinstvena sinteza je omogočila Ricciju, da se je premaknil dlje od zgolj topografskega beleženja in namesto tega ustvarjal krajine, ki so delovale živo z gibanjem, svetlobo in občutkom dramatične narrative.
Ena izmed najbolj izstopajočih lastnosti Riccijeve kariere je bila njegova globoka pripravljenost na sodelovalni duh svojega obdobja. Njegovo del je pogosto zamaglilo meje med individualnim avtorstvom in kolektivnim genijem, zlasti v velikostnih dekorativnih projektih. Izrazit primer te veličastnosti najdemo v njegovem prispevku k dekoraciji Sale d'Ercole v Palazzo Fenzi skupaj s Sebastiano Ricciem, kjer je pokazal sposobnost vladanja z obsežnimi arhitekturnskimi prostori z razleganimi razgledi in zapletenimi detajli. Ta talent za zasnovo velikih razmer se je razširil tudi na teatralno področje, kjer mu je veščitost pri oblikovanju operskih scen omogočila manipulacijo z lučbo in prostorom za ustvarjanje pogosto izjemnih, imaginarnih svetov.
Riccijev vpliv ni bil omejen na meje Serenissima Republike. Pod navodili Charlesa Montaguja, 4. grofa Manchester, ki je bil venetanski ambasador v Angliji, se je Ricci leta pozimaja 1708 odločil za transformativno potovanje v London. Ta angleška povezava je razširila njegove horizonte in predstavila njegove venetanske občutljivosti novi mednarodni publiki, čestitijoč njegovo ugled kot pan-evropskemu mojstru. Njegova sposobnost prilagajanja sloga različitim kulturnim kontekstim, medtem ko je ohranjal svojo jedrno identiteto inovatorja krajine, ostaja dokaz njegove vsestranskosti.
Trajna privlačnost Riccijevega dela leži v njegovi sposobnosti zajema prehodnih lastnosti naravnega sveta. Njegove slike so pogosto okna v idealizirano preteklost, kjer klasična arhitektura in neukrotjena narava obstajata v občutljivi, harmonični ravnovesji. Ne glede na to, ali prikazuje mirno Vilo v parku ali bolj dinamično Krajino z reko in figuro, je Ricci uporabljal svetlobo za vodenje gledalčevega oka skozi kompleksne kompozicije, kar je ustvarilo globoko tišino in občutek neposrednosti.
Njegovo tehnično znanje je vidno na več ključnih področjih:
Končno, Marco Ricci je bil več kot le slikar scenografij; bil je arhitekt čustev. Skozi svoj inovativni pristop k žanru krajine je pavedil pot za poznejše uspehe Canaletta in Guardija, s čimer je zagotovil, da bo venetanska tradicija krajinskega slikarstva ostala steber evropske umetnostne zgodovine.
