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Slike avtorja Lukas Kirner: 6 najbolj znanih del skozi oči galerije
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 6 del v našem katalogu avtorja Lukas Kirner
Kratek opis
Za oči galerije je najbolj znano sliko umetnika Lukas Kirner delo Self-portrait (1821), katere original visi v muzeju Augustiner Museum, Freiburg. Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) in Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 6 del avtorja Lukas Kirner v našem katalogu galerija spodaj predstavlja 6 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
1794 – 1851, Furtwangen im Schwarzwald
Največ del: Augustiner Museum
Top 10 slik umetnika Lukas Kirner v galeriji
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Muzeji, ki hranijo originala umetnika Lukas Kirner
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Lukas Kirner | Slike iz tega seznama |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 6 | Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner, Creszentia Kirner, née Knöpfle, the Artist’s Wife |
Lukas Kirner, ena značilna slika na desetletje
Delo po desetletjih
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Slike umetnika Lukas Kirner: odgovori galerije
Katero sliko avtorja Lukas Kirner je najbolj znana med vsemi?Razkriti odgovor
Self-portrait (1821), Augustiner Museum, Freiburg. Zatem sledeta Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) in Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820).
Koliko je bil Lukas Kirner let, ko je dokončal Self-portrait?Razkriti odgovor
27 let: delo Self-portrait iz leta 1821, Lukas Kirner pa je bil/a rojen/a leta 1794.
Koliko dzieł stworzył Lukas Kirner?Razkriti odgovor
Naš katalog vsebuje 6 del avtorja Lukas Kirner, datiranih od 1820 do 1851.
Kje so razpostavljena najbolj znana originala umetnika Lukas Kirner?Razkriti odgovor
Večini v Augustiner Museum (Freiburg). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Kdaj je Lukas Kirner ustvaril svoja najbolj znana slika?Razkriti odgovor
V obdobju 1820s: 3 od 6 del na tej strani je bilo izdelovanih takrat, med njimi pa Self-portrait.
Kateri so najstarejši in najmlajši znanii dela umetnika Lukas Kirner?Razkriti odgovor
Na tej strani je najstarejše delo iz Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820) in najstarejše iz Portrait of Frau Wenz (1851).
Katera originalna dela umetnika Lukas Kirner ima v svoji zbirki Augustiner Museum?Razkriti odgovor
Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner in Creszentia Kirner, née Knöpfle, the Artist’s Wife: v muzeju Augustiner Museum, Freiburg se nahaja 6 del z te strani.
Lukas Kirner: umetnik
A life shaped by the Black Forest
Lukas Kirner began his days in Furtwangen im Schwarzwald, a place defined by the steady rhythm of clock manufacturing. He was born into a family where hands were accustomed to fine, precise work; his father, Johann Kirner, worked as a shoemaker, and he himself spent early years learning the delicate craft of painting clock faces. This background in watchmaker painting left a mark on how he approached a canvas. There was a certain patience required for such small, intricate surfaces, a habit that carried over into his later work with oil and color.
His path moved from the mechanical precision of the Black Forest to the Royal Higher Art School in Augsburg. By 1825, he had moved to Günzburg, Bavaria, alongside his wife, Crescentia Knöpfle. While his brother, Johann Baptist Kirner, sought different paths through Munich and Italy, Lukas remained deeply connected to the people of his home region. He found himself painting the faces of those who lived among the trees and hills—merchants, industrialists, and families of farmers.
The quiet study of a face
The work itself often focused on the individual. In his portraits, there is a reliance on chiaroscuro, using the interplay of light and shadow to pull a figure out from the darkness. He did not seek to decorate a room so much as to capture a presence. His brushwork applied color with a meticulousness that mirrored his early training. When he painted his wife, Crescentia, or his sister Karoline, the attention to detail was not merely about clothing or jewelry, but about the way light rested on a cheek or a brow.
His style sat within the Romantic movement, though it felt more grounded than the grander, more dramatic expressions of that era. He preferred an emphasis on emotion and individuality through subtle means. A portrait of a young man with whiskers or a depiction of two brothers shows a focus on the person in front of him. The use of light was never loud; it was a tool used to highlight specific features, creating a sense of depth and quiet introspection.
Legacy in paint
Lukas Kirner’s time in the art world was marked by these steady commissions. His ability to represent both the local peasantry and those with higher social standing, such as Princess Amélie, allowed his work to bridge different layers of society. Some of his paintings found their way into the Augustinermuseum in Freiburg, where they remain part of a permanent collection.
He returned to Furtwangen, the town of his birth, where he passed away in 1851. The traces of his life are found in the specific subjects he chose to immortalize:
- Crescentia Kirner, née Knöpfle, his wife
- Portrait of Two Children (Two Brothers), from 1842
- Self-portrait, created around 1821 or 1830
- Jakob Ganter, painted in Neukirch in 1827