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Za oči galerije je najbolj znano sliko umetnika Lazzaro Bastiani delo Bearded Man with a Falcon (1500), katere original visi v muzeju Courtauld Gallery, London. Joseph interpreting Pharoah's Dream (1485) in St. Lucy and Kneeling Donor (1485) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 27 del avtorja Lazzaro Bastiani v našem katalogu galerija spodaj predstavlja 27 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
The portrait titled Bearded Man with a Falcon is an oil on canvas work attributed to the Venetian painter Lazzaro Bastiani. This piece, which dates to about 1500, offers a glimpse into the stylistic nuances of the late fifteenth and early sixteenth centuries. The subject is presented with a quiet dignity that reflects the social standing of the sitter. It is currently held within the collection of the Courtauld Gallery,…
In this oil on wood panel, we find ourselves within a highly structured, theatrical space that feels more like a stage than a mere setting. The scene captures the biblical moment where Joseph, having risen from his station of enslavement, stands before Pharaoh to interpret a dream. There is a profound sense of order here, dictated by the sharp lines of the architecture. Steps and columns create a hierarchy of…
Lazzaro Bastiani captures a moment of celestial intersection in this late 15th-century oil on wood panel. The composition centers on the verticality of Saint Lucy, whose presence dominates the pictorial space. She is flanked by two angels who crown her with a golden diadem, while below, a kneeling donor gazes upward in prayerful submission. The scene is set against a vast, detailed landscape where atmospheric perspective draws the eye toward…
In this 1470 tempera work, we find ourselves drawn into a dense, intimate scene of devotion. The composition is framed by a gentle arch, a structural choice that directs our gaze from the immediate presence of the Holy Family toward a receding, rugged landscape. Within this space, the Virgin Mary holds the Christ Child, surrounded by the Three Magi and their attendants. There is a profound sense of narrative depth…
The Mystical Marriage of Saint Catherine of Alexandria is a religious work by Lazzaro Bastiani. Painted about 1470, the image captures a moment of profound sanctity. It depicts a divine union through a vision, where a virgin saint enters into a mystical wedding ceremony with Christ. This sacred event is rendered with the quiet gravity of the late 15th-century Italian school.
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail) is a work by Lazzaro Bastiani. Painted in 1494, this piece captures a specific moment of sacred ritual. It focuses on a religious ceremony held within the walls of the church of San Giovanni Evangelista in Venice.
In this large-scale composition from 1470, Lazzaro Bastiani invites us into a quiet, solemn moment of devotion. The scene centers on St. Jerome, captured in a state of profound spiritual communion. He is not alone; he is supported by his disciple Eusebius and surrounded by a gathering of brethren, creating a sense of communal reverence. The setting is intimate, a cell that feels both physically enclosed and spiritually expansive. A…
St Veneranda Enthroned is a large panel painting by the Venetian artist Lazzaro Bastiani. Created about 1470, the work measures 325 x 217 cm. The composition centers on the figure of St Veneranda, who is depicted seated upon a throne. This central placement establishes her as the primary subject of the large-scale panel.
To stand before this depiction of the Funeral of St Jerome is to be enveloped in an atmosphere of profound, hushed reverence. Lazzaro Bastiani masterfully captures a moment suspended between earthly sorrow and divine promise. The scene unfolds as a somber procession, its weight palpable in the dark drapery of the mourners who gather around the central focus: the cross bearing the figure of Jesus Christ. This is not merely…
Lamentation of ChristGemäldegalerie
12
Madonna and Child enthroned with St. George and another male saint
13
Madonna of Humility1470 · Museo Poldi Pezzoli
14
The Death of St JeromePinacoteca di Brera
15
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail)1494 · Gallerie dell'Accademia di Venezia
16
Madonna and Child in Painted FrameStaatliche Museen zu Berlin
17
The Funeral Of St. Jerome -
18
Palace With Guards
19
Christ blessing
20
Joshua At The Walls Of Jericho
21
Madonna and Child with Cherubs
22
The Funeral Of St. Jerome
23
The Doge Francesco Foscari
24
The Relic of the Holy CrossGallerie dell'Accademia di Venezia
25
St Jerome in the DesertPinacoteca di Brera
26
St Jerome Bringing the Lion to the ConventPinacoteca di Brera
27
The Virgin and ChildNational Gallery
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Lazzaro Bastiani | Slike iz tega seznama |
|---|---|---|---|
 Gallerie dell'Accademia di Venezia |
Venecija | 6 | The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome, St Veneranda Enthroned |
 Pinacoteca di Brera |
Milano | 3 | The Death of St Jerome, St Jerome in the Desert, St Jerome Bringing the Lion to the Convent |
 Courtauld Gallery |
London | 1 | Bearded Man with a Falcon |
 Portland Art Museum |
Portland | 1 | St. Lucy and Kneeling Donor |
 The Frick Collection |
New York City | 1 | Adoration of the Magi |
 National Trust |
Waddesdon Manor | 1 | The Mystical Marriage of Saint Catherine of Alexandria |
 Santa Maria della Salute |
Benetke | 1 | Pentecost |
 Gemäldegalerie |
Berlin | 1 | Lamentation of Christ |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In this 1470 tempera work, we find ourselves drawn into a dense, intimate scene of devotion. The composition is framed by a gentle arch, a structural choice that directs our gaze from the immediate presence of the Holy Family toward a receding, rugged landscape. Within this space, the Virgin Mary holds the Christ Child, surrounded by the Three Magi and their attendants. There is a profound sense of narrative depth…
In this oil on wood panel, we find ourselves within a highly structured, theatrical space that feels more like a stage than a mere setting. The scene captures the biblical moment where Joseph, having risen from his station of enslavement, stands before Pharaoh to interpret a dream. There is a profound sense of order here, dictated by the sharp lines of the architecture. Steps and columns create a hierarchy of…
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail) is a work by Lazzaro Bastiani. Painted in 1494, this piece captures a specific moment of sacred ritual. It focuses on a religious ceremony held within the walls of the church of San Giovanni Evangelista in Venice.
The portrait titled Bearded Man with a Falcon is an oil on canvas work attributed to the Venetian painter Lazzaro Bastiani. This piece, which dates to about 1500, offers a glimpse into the stylistic nuances of the late fifteenth and early sixteenth centuries. The subject is presented with a quiet dignity that reflects the social standing of the sitter. It is currently held within the collection of the Courtauld Gallery,…
Bearded Man with a Falcon (1500), Courtauld Gallery, London. Zatem sledeta Joseph interpreting Pharoah's Dream (1485) in St. Lucy and Kneeling Donor (1485).
71 let: delo Bearded Man with a Falcon iz leta 1500, Lazzaro Bastiani pa je bil/a rojen/a leta 1429.
Bearded Man with a Falcon, Joseph interpreting Pharoah's Dream, St. Lucy and Kneeling Donor, Adoration of the Magi, The Mystical Marriage of Saint Catherine of Alexandria, The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome, St Veneranda Enthroned, Funeral of St Jerome in Pentecost. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 27 del avtorja Lazzaro Bastiani, datiranih od 1470 do 1500.
Večini v Gallerie dell'Accademia di Venezia (Venecija), Pinacoteca di Brera (Milano) in Courtauld Gallery (London). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1470s: 6 od 27 del na tej strani je bilo izdelovanih takrat, med njimi pa Adoration of the Magi.
Na tej strani je najstarejše delo iz Adoration of the Magi (1470) in najstarejše iz Bearded Man with a Falcon (1500).
Woman (4), Saints (4) in People (3), na 27 delih na tej strani.
Oil On Canvas, za 4 od 27 del na tej strani.
Early renaissance in Renaissance, glede na originala na tej strani.
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome in St Veneranda Enthroned: v muzeju Gallerie dell'Accademia di Venezia, Venecija se nahaja 6 del z te strani.
Lazzaro Bastiani predstavlja pomembno, čeprav nekoliko enigmatično figuro v beneškem umetniškem okolju petnadestega in šestnadentega stoletja. Rodil se je v Padovi leta 1429 in se je pojavil kot slikar v obdobju, ki so zaznačevali vzrastajoči humanistični ideali ter neprepodobne umetniške inovacije – v času, ko je Benetka vladala kot komercialna moč in kulturno središče. Čeprav njegovo delo ni bilo tako plodno ali slavno kot dela sodobnikov, kot sta Tizian ali Bellini, je Bastiani kljub temu bistveno prispeval k slogovni evolucija beneške slikarstva, še posebej znotraj Scuola Grande di San Marco in povezanih delavnic.
Bastianijeva umetniška pot se je začela v Padovi, kjer je svoje znanje izpil pod mentorstvom Andrea Mantegne – mojstra, čiji vpliv je opazno prisoten v Bastianijevih zgodnjih delih. Ta temelj v strogem, plastičnem slogu Mantegne mu je zagotovil tehnično natančnost, ki se je kasneje neopazno združila z mehčimi, bolj atmosferičnimi lastnostmi beneške šole. Zapisi kažejo, da se je do leta 1460 hitro uveljavil kot slikar v Benetki, saj je pridobil naročila za oltarne slike, ki so jih podali procuratorji San Marca, s čimer je pokazal takojšnje razumevanje prevladujočega umetniškega okusa in pričakovanj beneške elite. Zanimivo je, da se je njegova stopnja plačila v tistem času zrcalila pri Giovanniju Belliniju, kar nakazuje njegovo priznanje kot vzrastajočega talenta v vplivni Bellinijevi delavnici – povezavo, ki je nedvomno oblikovala njegov slog.
Bastianijeva vključenost v Scuola Grande di San Marco se je izkazala za ključno za njegovo kariero. Od 1480ih naprej je tesno sodeloval z Gentile Bellinijem pri ambicioznih projektih, namenjenih slavljenju beneškega mestnega ponosa in obeleževanju pomembnih verskih dogodkov. Njuno partnerstvo je zamenilo sodobnost in sodelovalni duh, značilen za beneško slikarstvo te dobe – tradicijo, kjer so skupne delavnice in kolektivna naročila omogočala bogat izmenjavo idej in tehnik. Skozi te velike prizadevanja je Bastiani pomagal vpleti zgodovino beneške identitete v samo tkivo njenih verskih in civilnih institucij.
Njegovo mojstvo je morda najbolj očitno v sposobnosti uravnoteženja svetosti s človeško čustvenostjo. V delih, kot sta Svet Veneranda na prestolu in Marija v ponižnosti, lahko opazimo nežno igro svetlobe in sence, ki v bogote teme vnaša življenje. Njegove religiozne kompozicije so pogosto služile kot več kot le dekoracija; bile so globoke teološke izjave, zasnovane za navdihovanje pobožnosti. To je še posebej vidno pri njegovih podrobnih prikazih svetih ceremonij, kot je Darovanje relikvije Svete križa Scuola Grande di San Giovanni Evangelista, kjer z izjemno jasnostjo zajame zapleten ritualizem in skupno vročino tistega obdobja.
Ko se je njegova kariera razvijala, je Bastinijevo del postalo most med strukturirano, linearno tradicijo zgodnje renesanse in bolj tekočim, barvno vodljivim pristopom, ki bi na koncu definiral visoko renesanso v Benetki. Njegova sposobnost integracije monumentalne prisotnosti Mantegnovih figur z lumnosnimi, atmosferičnimi lastnostmi, ki so jih pionirsko začela družina Bellini, mu je omogočila ustvarjanje del, ki so bila hkrati fizično impozantna in duhovno resonančna.
Čepolf se zgodovina pogosto osredotoča na titaan beneške šole, prispevki Lazzara Bastianija ostajajo vitalni za razumevanje kohezivne gibanja umetnosti 15. stoletja. Njegova dediščina se skriva v:
Do smrti leta 1512 je Bastiani pustil neizbrisno marko v beneških delavnicah in zagotovil, da bo njegov vpliv odmeval skozi generacije slikarjev, ki so mu sledili v zlato dobo beneške renesanse.
