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3 najbolj znanih slik umetnika Lazar Meyer, vsaka popolnoma edinstvena
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 3 del v našem katalogu avtorja Lazar Meyer
Kratek opis
The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903) je slika avtorja Lazar Meyer, ki pritegne največ pogledov; original se nahaja v muzeju Carnavalet Museum, Pariz. Nato se pogled smeri k Saint-Lazare Prison (1908) in Saint-Lazare Prison (1908). Med 3 dela umetnika Lazar Meyer v našem katalogu so ta 3 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
1847 – 1935, Fegersheim
Največ del: Carnavalet Museum
10 najboljjših slik umetnika Lazar Meyer skozi oči galerije
Muzeji, ki hranijo originala umetnika Lazar Meyer
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Lazar Meyer | Slike iz tega seznama |
|---|---|---|---|
 Carnavalet Museum |
Pariz | 3 | The Maquis of Montmartre seen from Rue Caulaincourt in 1903, Saint-Lazare Prison, Saint-Lazare Prison |
Lazar Meyer skozi leta: edinstvena originala vsakega dela
Med 1903 in 1908 je Lazar Meyer v skupnem obdobju 6 let ustvaril vsako datirano originalno delo, ki je tu prikazano: kratek čas, ki se je odvijal leto za letom.
Delo po letih
Izberite leto in oglej originale.
Slike umetnika Lazar Meyer: vprašanja za galerijo
Katero je najbolj znano delo umetnika Lazar Meyer?Razkriti odgovor
The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903), Carnavalet Museum, Pariz. Zatem sledeta Saint-Lazare Prison (1908) in Saint-Lazare Prison (1908).
Pri kateri dobe je Lazar Meyer ustvaril The Maquis of Montmartre seen from Rue Caulaincourt in 1903?Razkriti odgovor
56 let: delo The Maquis of Montmartre seen from Rue Caulaincourt in 1903 iz leta 1903, Lazar Meyer pa je bil/a rojen/a leta 1847.
Koliko je znanih del avtorja Lazar Meyer?Razkriti odgovor
Naš katalog vsebuje 3 del avtorja Lazar Meyer, datiranih od 1903 do 1908.
Kje si lahko ogledate najslavnejše originale umetnika Lazar Meyer?Razkriti odgovor
Večini v Carnavalet Museum (Pariz). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V katerem obdobju je Lazar Meyer ustvaril svoja najbolj znana dela?Razkriti odgovor
V obdobju 1908: 2 od 3 del na tej strani je bilo izdelovanih takrat, med njimi pa Saint-Lazare Prison.
Katero znano sliko je naslikal Lazar Meyer najprej in katero najpozdneje?Razkriti odgovor
Na tej strani je najstarejše delo iz The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903) in najstarejše iz Saint-Lazare Prison (1908).
Katere originale Lazar Meyer lahko vidim v muzeju Carnavalet Museum?Razkriti odgovor
The Maquis of Montmartre seen from Rue Caulaincourt in 1903, Saint-Lazare Prison in Saint-Lazare Prison: v muzeju Carnavalet Museum, Pariz se nahaja 3 del z te strani.
Lazar Meyer: portret umetnika
A life shaped by borders and streets
Lazar Meyer arrived in Paris from Fegersheim following the Franco-Prussian War of 1870. The occupation of Alsace-Lorraine by the German Empire had prompted him to move with his brother, Léopold, seeking a different life in the 18th arrondissement. His early years in the city were marked by the heavy atmosphere of the Commune. He served as a secretary for a section during those turbulent days and faced arrest and imprisonment near the Île de Ré. Though he was nearly deported, the court eventually acquitted him because he had not taken up arms.
He settled into a quiet routine in Paris, marrying Louise Albertine Macé in 1880. Together they raised three children: Éva, Léa, and Israël Maurice. While his personal life took root in the city, his professional path was built through steady study and teaching. He learned under Alexandre Laemlein, Alexandre Cabanel, and Émile Lévy. Later, he shared this knowledge as a drawing teacher at Lycée Condorcet.
The brush and the ceramic tile
His work often focused on the intimate details of daily life and the changing face of his surroundings. He was a painter of genre scenes and portraits, showing a particular skill for capturing the texture of silk in a dress or the quiet weight of a family scene. Some of his pieces, like Kaddish pour les morts, carry a heavy, somber tone. He also looked toward the landscape, documenting the hills and thickets of Montmartre before they were transformed by urban expansion.
Beyond the canvas, Meyer worked with different materials to leave a mark on the city itself. In collaboration with the earthenware maker Jules Paul Loebnitz, he helped create large ceramic panels for the 1878 Universal Exhibition. These pieces, titled L'Architecture, La Peinture, and La Sculpture, were based on drawings by Émile Lévy. They eventually found a place on the facade of the former Loebnitz earthenware factory.
His contributions to the art scene included:
- Exhibiting at the Paris Salon between 1870 and 1882.
- Capturing the landscape of Montmartre, such as in Le Maquis de Montmartre vu de la rue Caulaincourt en 1903.
- Creating works that documented the era of the Second Empire.
- Developing a style that placed him among the early painters of Montmartre and a precursor to the School of Paris.
The later years of his life saw the loss of much of his physical output. During the Second World War, several of his works were destroyed or vandalized. He remained in Paris until his death on January 28, 1935.