Kratek opis
Izpostavljeno v galeriji je najbolj znano sliko umetnika Lawrence Weiner, ki je Turf, Stake and String from S.M.S. No. 5 (1968). Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) in A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 11 del avtorja Lawrence Weiner v našem katalogu galerija spodaj predstavlja 11 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
Top 10 slik umetnika Lawrence Weiner v galeriji
A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall
A Study in Texture: Lawrence Weiner's "Removal" Lawrence Weiner’s 1968 work, “A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall,” is far more than its seemingly straightforward title suggests. It represents a pivotal moment in Conceptual Art, moving away from traditional artistic creation and focusing instead on the idea itself. This piece isn't about what *is* present, but rather what has…
Slikarska dela umetnika Lawrence Weiner, uvrščena od 11 do 11
Muzeji, ki hranijo originala umetnika Lawrence Weiner
3 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga Lawrence Weiner | Slike iz tega seznama |
|---|---|---|---|
| Porto | 1 | The Level of Water | |
| Chicago | 1 | TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM | |
| Barcelona | 1 | Some Objects of Desire |
Lawrence Weiner, ena značilna slika na desetletje
Slikorstva po desetletjih
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand
Slike umetnika Lawrence Weiner: odgovori galerije
Katero sliko avtorja Lawrence Weiner je najbolj znana med vsemi?Razkriti odgovor
Turf, Stake and String from S.M.S. No. 5 (1968). Zatem sledeta Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) in A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968).
Koliko je bil Lawrence Weiner let, ko je dokončal Turf, Stake and String from S.M.S. No. 5?Razkriti odgovor
26 let: delo Turf, Stake and String from S.M.S. No. 5 iz leta 1968, Lawrence Weiner pa je bil/a rojen/a leta 1942.
Katera je 10 najboljjših slik umetnika Lawrence Weiner?Razkriti odgovor
Turf, Stake and String from S.M.S. No. 5, Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand, A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall, The Level of Water, With a Relation to the Various Manners of Placement and or Location, TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, Altered to Suit A Film of Lawrence Weiner, CRUSHED BETWEEN COBBLESTONES, As Time Goes By in Wind and the Willows What's Our Hero To Do. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Koliko dzieł stworzył Lawrence Weiner?Razkriti odgovor
Naš katalog vsebuje 11 del avtorja Lawrence Weiner, datiranih od 1968 do 2004.
Kje so razpostavljena najbolj znana originala umetnika Lawrence Weiner?Razkriti odgovor
Večini v Fundacija Serralves (Porto), Art Institute of Chicago (Chicago) in Museu d'Art Contemporani (Barcelona). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Kdaj je Lawrence Weiner ustvaril svoja najbolj znana slika?Razkriti odgovor
V obdobju 1970s: 3 od 11 del na tej strani je bilo izdelovanih takrat, med njimi pa The Level of Water.
Kateri so najstarejši in najmlajši znanii dela umetnika Lawrence Weiner?Razkriti odgovor
Na tej strani je najstarejše delo iz Turf, Stake and String from S.M.S. No. 5 (1968) in najstarejše iz Some Objects of Desire (2004).
Lawrence Weiner: umetnik
The Language of Materiality
Lawrence Weiner was an American conceptual artist born in Manhattan, United States. His practice centered on the use of language as a sculptural medium, often utilizing wall texts and statements to describe sculptural processes and materials. He developed a framework known as the Declaration of Intent, which established that a piece may be constructed, fabricated, or may not need to be built at all, leaving the final condition to the receiver. His work explored the relationship between language, materials, and space, often focusing on the inherent properties of substances like wood, stone, and metal.
Throughout his career, Weiner's work was presented in various formats, including:
Exhibitions and Recognition
Weiner's work has been showcased in numerous international institutions, including the Stedelijk Museum Amsterdam, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Tate Gallery in London. His exhibitions spanned various locations, such as the San Francisco Museum of Modern Art and the Museum Ludwig in Cologne. He participated in several Documenta exhibitions and the Venice Biennale.
His professional recognition included several honors, such as: