Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 47 del v našem katalogu avtorja Jozef Fabini
Kratek opis
Autumn under the Tatras (1958) je slika avtorja Jozef Fabini, ki pritegne največ pogledov; original se nahaja v muzeju Tatra Gallery, Poprad. Nato se pogled smeri k Sub-Tatra Meadows (1952) in Motif from Levoča (1955). Med 47 dela umetnika Jozef Fabini v našem katalogu so ta 30 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
A single flame flickers in the dimness, casting a warm, amber glow across the room. An elderly woman sits in the shadows, her presence felt through the heavy textures of her pleated white ruff collar and the deep creases of her skin. She holds a spoon and a small vessel, caught in a moment of quiet sustenance. Below her, a tabby cat rests in the foreground, a soft shape amidst…
Created in 1952, this work reflects the technical mastery of Jozef Fabini. His background as a restorer and art historian is evident in the precise handling of pigments and the reverence for classical light. While Fabini is often associated with the rugged majesty of the High Tatras, this piece demonstrates his ability to apply a sophisticated understanding of light and shadow to religious portraiture. The work captures a sense of…
Market Under the Town Hall1952 · Liptov Gallery of Peter Michal Bohúň
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Under Dreveník1953 · Galerija umetnosti Spiš
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Dreveník by Žehra1954 · Galerija umetnosti Spiš
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Jamník1960 · Galerija umetnosti Spiš
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Spiš Castle1961 · Galerija umetnosti Spiš
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Richnava1960 · Galerija umetnosti Spiš
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Hungry Valley1961 · Galerija umetnosti Spiš
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Hodkovce1959 · Galerija umetnosti Spiš
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From Old Krompachy1960 · Galerija umetnosti Spiš
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Black Mountains1965 · Vychodoslovenské Galéria
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Spiš Castle1965 · Galerija umetnosti Spiš
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Alley in Spišská Nová Ves1969 · Galerija umetnosti Spiš
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Landscape near Žehra1969 · Galerija umetnosti Spiš
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Markušovce1969 · Galerija umetnosti Spiš
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In Levoča Mountains1969 · Galerija umetnosti Spiš
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Miloj1969 · Galerija umetnosti Spiš
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With the Franciscans1973 · Vychodoslovenské Galéria
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Markušovce1979 · Galerija umetnosti Spiš
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From Spišský Štvrtok1982 · Ernest Zmeták Art Gallery
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Autumn under the TatrasTatra Gallery
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
5 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Jozef Fabini | Slike iz tega seznama |
|---|---|---|---|
 Galerija umetnosti Spiš |
Spišská Nová Ves | 16 | Landscape under Spišský hrad, Under Dreveník, Dreveník by Žehra |
 Tatra Gallery |
Poprad | 7 | Autumn under the Tatras, Sub-Tatra Meadows, Harvest Under the Tatras |
 Vychodoslovenské Galéria |
Košice | 5 | Motif from Levoča, Birds of Prey, Silence in the Fields |
 Liptov Gallery of Peter Michal Bohúň |
Liptovský Mikuláš | 1 | Market Under the Town Hall |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | From Spišský Štvrtok |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
A single flame flickers in the dimness, casting a warm, amber glow across the room. An elderly woman sits in the shadows, her presence felt through the heavy textures of her pleated white ruff collar and the deep creases of her skin. She holds a spoon and a small vessel, caught in a moment of quiet sustenance. Below her, a tabby cat rests in the foreground, a soft shape amidst…
Autumn under the Tatras (1958), Tatra Gallery, Poprad. Zatem sledeta Sub-Tatra Meadows (1952) in Motif from Levoča (1955).
50 let: delo Autumn under the Tatras iz leta 1958, Jozef Fabini pa je bil/a rojen/a leta 1908.
Autumn under the Tatras, Sub-Tatra Meadows, Motif from Levoča, Harvest Under the Tatras, Landscape under Spišský hrad, Under the Tatras, Birds of Prey, Landscape near Dunajec, Silence in the Fields in Kojšov. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 47 del avtorja Jozef Fabini, datiranih od 1947 do 1982.
Večini v Galerija umetnosti Spiš (Spišská Nová Ves), Tatra Gallery (Poprad) in Vychodoslovenské Galéria (Košice). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1960s: 14 od 30 del na tej strani je bilo izdelovanih takrat, med njimi pa Birds of Prey.
Na tej strani je najstarejše delo iz Kojšov (1947) in najstarejše iz From Spišský Štvrtok (1982).
Oil On Canvas, za 2 od 30 del na tej strani.
Landscape under Spišský hrad, Under Dreveník in Dreveník by Žehra: v muzeju Galerija umetnosti Spiš, Spišská Nová Ves se nahaja 16 del z te strani.
Jozef Fabini was a true polymath of the Slovak art world, a man whose creative spirit could not be confined to a single discipline. Born in Olcnava, his journey was marked by an extraordinary breadth of expertise that spanned the roles of restorer, art historian, graphic artist, painter, and landscapist. While many recognize him for his delicate touch with a brush, his intellectual pursuits were equally profound; he possessed a deep academic foundation, having studied law at the University in Bratislava while simultaneously immersing himself in the study of art history and archaeology. This unique duality allowed him to approach the canvas not just as a creator, but as a scholar who understood the very bones of artistic heritage.
His professional path was as varied as his talents. Before dedicating himself fully to the life of a fine artist, Fabini navigated the complexities of public service, working in various capacities across Bratislava, Prague, and Košice. His career saw him serving in administrative roles within the postal services and even acting as a minister of transport. However, it was his deep connection to the preservation of art that truly defined his legacy. During the mid-twentieth century, he served as a restorer for the Regional Gallery in Michalovce, a role that undoubtedly sharpened his eye for detail and deepened his reverence for the textures and pigments of the masters.
As a painter, Fabini found his most profound expression in the natural world, particularly within the dramatic and evocative landscapes of the High Tatras. His work often captures the fleeting beauty of the seasons, such as the rich, impressionistic textures found in his depictions of autumn. Through his eyes, the mountains were not merely static geological formations but living, breathing entities capable of profound emotional resonance. His ability to translate the rugged majesty of the Slovak terrain into oil on canvas allowed him to communicate a sense of place that was both deeply personal and universally moving.
His artistic development was shaped by a rigorous period of study under notable mentors. From his early evening courses in Košice to private instruction with masters like E. Halász-Hradil, and later formal studies at the SVŠT in Bratislava under professors such as Benka, Mallý, and Schurmann, Fabini built a technical mastery that supported his expressive tendencies. Whether he was working on a sweeping landscape or a delicate graphic piece, his work remained rooted in a profound connection to the Spiš region, celebrating the light, atmosphere, and enduring spirit of the land he called home.
The significance of Jozef Fabini lies in his role as both a creator and a guardian of culture. His contributions extended far beyond the creation of individual paintings; through his work as an art historian and restorer, he helped safeguard the very traditions that informed his own practice. His exhibitions, held in prestigious venues from Bratislava to Prešov and Košice, showcased a body of work that ranged from landscapes to intricate drawings and watercolors, reflecting a lifetime of dedicated observation.
Today, his presence is felt through the enduring impact of his visual legacy within Slovak art history. His ability to blend the precision of a scholar with the passion of a landscapist ensures that his work remains a vital window into the soul of the region. Through his diverse mastery, Fabini did more than just paint the landscape; he documented the cultural and emotional essence of a period, leaving behind a rich tapestry of art that continues to inspire those who seek the beauty in the mountains and the history in the brushstroke.
