Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 10 del v našem katalogu avtorja Jost Amman
Kratek opis
Portrait of Stephen Bathory (detail). (1585) je slika avtorja Jost Amman, ki pritegne največ pogledov; original se nahaja v muzeju Kraljevski grad v Varšavi, Varšava. Nato se pogled smeri k The Feast Of Herod, in The Sin And Punishment Of The Thief Achan. Med 10 dela umetnika Jost Amman v našem katalogu so ta 10 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
A single figure commands the space, anchored by the heavy gravity of velvet and fur. Stephen Bathory is rendered in a moment of stillness, his posture a vertical line of authority against a draped, shadowed background. The light falls from the upper left, catching the ridges of a brocade tunic and the soft, dark texture of a fur lining. Every fold in the fabric carries a sense of physical weight,…
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Jost Amman | Slike iz tega seznama |
|---|---|---|---|
 Kraljevski grad v Varšavi |
Varšava | 1 | Portrait of Stephen Bathory (detail). |
Vsi originali umetnika Jost Amman z navedenim letom, ki so prikazani tukaj, pripadajo letu 1585: razvrščeni so glede na stopnjo znanosti.
Izberite leto in oglej originale.
A single figure commands the space, anchored by the heavy gravity of velvet and fur. Stephen Bathory is rendered in a moment of stillness, his posture a vertical line of authority against a draped, shadowed background. The light falls from the upper left, catching the ridges of a brocade tunic and the soft, dark texture of a fur lining. Every fold in the fabric carries a sense of physical weight,…
Portrait of Stephen Bathory (detail). (1585), Kraljevski grad v Varšavi, Varšava. Zatem sledeta The Feast Of Herod, in The Sin And Punishment Of The Thief Achan.
46 let: delo Portrait of Stephen Bathory (detail). iz leta 1585, Jost Amman pa je bil/a rojen/a leta 1539.
Portrait of Stephen Bathory (detail)., The Feast Of Herod,, The Sin And Punishment Of The Thief Achan, Jacob Wrestles With The Angel,, Nobilis Neapolitana' From Trachtenbuch Von Nurnberg (costume Book Of Nuremberg), Mauritana In Domestico' From Trachtenbuch Von Nurnberg (costume Book Of Nuremberg, Foemina Ex Praecipua Nobi' From Trachtenbuch Von Nurnberg (costume Book Of Nuremberg), The Priests Carry The Ark Of The Covenant, Zechariah's Vision Christ's Entry Into Jerusalem In The Background, in Russian embassy (1576 engraving). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 10 del avtorja Jost Amman.
Večini v Kraljevski grad v Varšavi (Varšava). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Clothing (3) in Books (3), na 10 delih na tej strani.
Jost Amman (1539-1591) was a Swiss-German artist born in Zurich, Switzerland. His father was a professor of Classics and Logic, ensuring Jost received a well-rounded education – an unusual advantage for artists of his time. Little is known about his early artistic training, but his later work demonstrates a strong foundation in drawing and design.
In 1560, Amman moved to Nuremberg, a major center for printmaking at the time. He became a citizen of the city and remained there until his death in March 1591. Initially, he worked alongside Virgil Solis, a leading producer of book illustrations. This collaboration undoubtedly influenced Amman’s early style and technique.
Amman was remarkably productive; one account suggests his drawings from just four years could fill a hay wagon! Approximately 1,500 prints are attributed to him, making him one of the last major producers of woodcuts for books before engravings largely took over that role. He often employed specialist cutters (Formschneider) but occasionally signed his work with both a cutter’s knife and quill pen, suggesting he sometimes cut blocks himself.
Amman’s drawing style is characterized by its accuracy, spirit, and attention to detail. He excelled at depicting costumes with remarkable precision. While influenced by Virgil Solis, Amman developed his own distinct style, focusing on clarity and informative representation. His work reflects the Renaissance interest in observation and documentation.
Jost Amman played a crucial role in preserving visual records of 16th-century life. His illustrations provide invaluable information about trades, costumes, and social customs of the period. As one of the last major woodcut artists for books, he bridged the gap between traditional woodcut techniques and the emerging dominance of engraving. His work continues to be studied by historians, art scholars, and costume designers today.
Although paintings in oil and on glass have been attributed to Amman, none have been definitively identified. His enduring legacy rests primarily on his prolific output of woodcuts and book illustrations, which remain a testament to his skill, dedication, and the importance of visual documentation in the Renaissance era.
