Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 43 del v našem katalogu avtorja Jožef Danhauser
Kratek opis
Med vsem originalom, ki ga je Jožef Danhauser pustil, je najbolj znan Liszt Fantasizing at the Piano. Takoj za njima sta The Scholars' Room (1842) in Portrait of the Piano-Manufcturer Konrad Graf (1840). Naš katalog vsebuje 43 del umetnika Jožef Danhauser; galerija je ohranila 42 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
In the heart of 19th-century Vienna, where the air was often thick with the scent of coffee and the echoes of burgeoning Romanticism, Josef Franz Danhauser captured a moment of pure, unadulterated musical transcendence. His masterpiece, Liszt Fantasizing at the Piano, is far more than a mere depiction of a social gathering; it is a window into a vanished era of elegance and artistic fervor. As we gaze upon the…
The scene captured in this evocative depiction, "The Scholars' Room," invites the viewer into an intimate moment suspended outside the rush of time. It is a tableau vivant of intellectual pursuit, where the weight of accumulated knowledge seems to mingle with the gentle murmur of conversation. One cannot help but feel the palpable atmosphere of deep contemplation emanating from the gathering. The composition centers around a table laden not just…
The artwork is titled Portrait of the Piano-Manufcturer Konrad Graf. It was painted by the artist Josef Danhauser. The subject of this oil painting is Konrad Graf, a man who was one of Vienna's most outstanding piano-manufacturers during the early nineteenth century. This portrait was commissioned by Graf in 1840, a year when he acted as a patron to contemporary artists such as Josef Danhauser.
In Wallstein's Grave, Josef Danhauser captures a moment of profound stillness following the chaos of conflict. The scene unfolds in a pastoral landscape where the weight of tragedy hangs heavy in the air. A fallen soldier lies prone in the foreground, his white, shroud-like clothing stark against the earthy tones of the terrain. Over him, a chestnut horse stands in a posture of quiet mourning, nudging the fallen man in…
Created in 1830, this piece reflects the Biedermeier spirit through its focus on the beauty of the everyday and the quietude of domestic or private life. It moves away from the grandiosity of historical portraiture to find meaning in a simple, unposed moment. The painting avoids the theatrical, opting instead for a realistic approach that captures the subtle nuances of human existence. There is a certain gravity in this repose,…
The scene unfolds within the chaotic confines of an artist's workspace in Funny Scene in the Studio. Painted by Josef Danhauser, this oil on canvas captures a sudden, humorous mishap that disrupts the quiet order of the room. A person, a dog, and a large easel find themselves caught in a moment of unexpected disorder, freezing a split second of comedy in time. The energy of the accident ripples through…
A young man is captured in a three-quarter view, his gaze directed toward the viewer with a composed, steady expression. The portrait, rendered in a realistic academic style, emphasizes the quiet refinement of the Biedermeier era. Light enters from the upper left, casting soft shadows across the contours of the face and creating a sense of three-dimensional form through a controlled chiaroscuro effect. The subject is positioned against a dark,…
The portrait painting titled 'Portrait of a Young Woman' was created by the artist Josef Danhauser. This work dates to 1830. The subject is presented in a bust-length composition, positioned centrally within the frame. The figure faces slightly toward the viewer's left, while the gaze is directed forward toward the observer.
In Poor (young) Painter in a Cottage Studio, Josef Danhauser presents a melancholic and intimate monochrome scene set within a cluttered, dimly lit attic studio. The composition centers on the seated figure of the painter, positioned slightly off-center amidst the remnants of his craft. A grayscale palette defines the space, utilizing a wide range of tones from deep blacks in the shadows to bright whites where light enters through a…
This oil on canvas painting, titled Portrait of a Woman, was executed by the Austrian artist Josef Danhauser in 1836. It is a quiet study of a female subject, presented in a profile view that emphasizes the stillness of the moment. The work belongs to the genre of portraiture, capturing a specific presence through the careful application of pigment on the canvas.
The Shipwrecked Woman1837
12
Wine women and singing1839
13
Abraham Rejects Hagar and Ishmael1835
14
The Monastery Soup1838
15
The Opening of the Will1839
16
Head of an old Man1838
17
The Little Virtuosos1843
18
Social Scene1844
19
Newspaper Readers1840
20
Interior with hand-organist + dancer1844
21
Scene in an Inn1844
22
Literature in the Studio1842
23
Liszt at the Piano
24
The game of chess
25
Siesta (The Sleepers)1831 · Muzej lepih umetnosti
26
Mother Love (also known as Mutterliebe)1839 · Österreichische Galerie Belvedere
27
The Widow's Offering1838 · Residenzgalerie
28
The Gottscheer Boy1844
29
Beethoven1890 · Beethoven-Haus Bonn
30
Boy lying on Rokoko chair and books. Sleeping dog and toys
31
Austrian author Friedrich Halm.
32
Portrait of austrian violonist Ignaz Schuppanzigh
33
The rich man
34
Portrait of Josef Danhauser
35
The Lady from the Sea
36
The village politicians
37
Profile Portrait of a Lady with lace collar and white stitch
38
Funny scene in the studio
39
Mother's love
40
Karl Ludwig von Littrow and his wife
41
Beethoven1827 · Beethoven-Haus Bonn
42
Liszt at the PianoAlte Nationalgalerie
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
6 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Jožef Danhauser | Slike iz tega seznama |
|---|---|---|---|
 Österreichische Galerie Belvedere |
Dunaj | 2 | The Scholars' Room, Mother Love (also known as Mutterliebe) |
 Beethoven-Haus Bonn |
Bonn | 2 | Beethoven, Beethoven |
 Akademija likovnih umetnosti v Dunaju |
Dunaj | 1 | Portrait of the Piano-Manufcturer Konrad Graf |
 Muzej lepih umetnosti |
Budimpešta | 1 | Siesta (The Sleepers) |
 Residenzgalerie |
Salzburg | 1 | The Widow's Offering |
 Alte Nationalgalerie |
Berlin | 1 | Liszt at the Piano |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In Wallstein's Grave, Josef Danhauser captures a moment of profound stillness following the chaos of conflict. The scene unfolds in a pastoral landscape where the weight of tragedy hangs heavy in the air. A fallen soldier lies prone in the foreground, his white, shroud-like clothing stark against the earthy tones of the terrain. Over him, a chestnut horse stands in a posture of quiet mourning, nudging the fallen man in…
Created in 1830, this piece reflects the Biedermeier spirit through its focus on the beauty of the everyday and the quietude of domestic or private life. It moves away from the grandiosity of historical portraiture to find meaning in a simple, unposed moment. The painting avoids the theatrical, opting instead for a realistic approach that captures the subtle nuances of human existence. There is a certain gravity in this repose,…
The scene captured in this evocative depiction, "The Scholars' Room," invites the viewer into an intimate moment suspended outside the rush of time. It is a tableau vivant of intellectual pursuit, where the weight of accumulated knowledge seems to mingle with the gentle murmur of conversation. One cannot help but feel the palpable atmosphere of deep contemplation emanating from the gathering. The composition centers around a table laden not just…
Liszt Fantasizing at the Piano. Zatem sledeta The Scholars' Room (1842) in Portrait of the Piano-Manufcturer Konrad Graf (1840).
Liszt Fantasizing at the Piano, The Scholars' Room, Portrait of the Piano-Manufcturer Konrad Graf, Wallstein's Grave, The Sleeping Painter in the Studio, Funny Scene in the Studio, Self-portrait, Portrait of a Young Woman, Poor (young) Painter in a Cottage Studio in Portrait of a Woman. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 43 del avtorja Jožef Danhauser, datiranih od 1827 do 1844.
Večini v Österreichische Galerie Belvedere (Dunaj), Beethoven-Haus Bonn (Bonn) in Akademija likovnih umetnosti v Dunaju (Dunaj). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1830s: 14 od 42 del na tej strani je bilo izdelovanih takrat, med njimi pa The Sleeping Painter in the Studio.
Na tej strani je najstarejše delo iz Beethoven (1827) in najstarejše iz Social Scene (1844).
Man (10), Woman (8) in People (6), na 42 delih na tej strani.
Oil On Canvas, za 10 od 42 del na tej strani.
Biedermeier, glede na originala na tej strani.
The Scholars' Room in Mother Love (also known as Mutterliebe): v muzeju Österreichische Galerie Belvedere, Dunaj se nahaja 2 del z te strani.
Rodjen v Dunaju, Jožef Danhauser se je izstopil kot vpečena figura v Avstrijskem cesarstvu, ter pustil dediščino, ki globoko odraža obdobje Biedermeierja. Kot sin kiparja in proizvajalca pohištva, Josepha Ulricha Danhauserja, so njegove zgodnje umetniške nagnitve oblikovali neposredno pod roko njegovega očeta. Ta temelj v hplarstvu in oblikovanju je verjetno vplival na skrbno natančnost, ki jo najdemo v njegovih kasnejših delih. Njegova pot skozi dvorane Dunajske akademije likovnih artskih je mu omogočila izpopolnjevanje veščilnosti pod mojstri, kot je Johann Peter Krafft, kar je postavilo temelj za kariero, ki se je premikala med tiho intimnostjo domačih scen in globoko težo zgodovinskih portretov.
Njegovo življenje ni bilo le življenje samotnega ustvarjanja, temveč je bilo tudi tesno prepleteno z industrijskim duhom njegovega časa. Po očetovi smrti se je Danhauser skupaj z brati soočil z vodenjem družinske tovarni pohištva. Ta obdobje vključenosti v sodobno oblikovanje je služilo kot kratek prekinitev v njegovi slikarji, vendar je nedoljno prisdelalo estetski senzibilnosti, ki bo pozneje opredelila njegova žanrska dela. Njegova potovanja skozi Benetko in Prago so še dodatno obogatila njegov vizualni nabir, saj mu je omogočila vpijašanje vplivov italiških mojstrov in integracijo širše evropske perspektive v njegove avstrijske korenine.
Danhauserjeva umetnost je morda najbolj slavna po svoji sposobnosti zajema subtilnih odtenkov človeškega obstoja. Specializiral se je za žanrska dela, v katere je pogosto vnašal moralističe podtoni in narativno globino, ki opominja na Williama Hogartha. Njegove slike pogosto vabijo gledalca v tihe, kontemplativne prostore—najsaj gre za intelektualno zavetje v delu Šolski prostor ali za mirno, sončno trvalo v Siesta (Spančevci). V teh delih je uporabljal mehkobne palete in mojstorsko tonalno senčenje, da bi vzbudil občutek topline, družobnosti in neželnega prehajanja časa.
Poleg domačne sfere je Danhauser posedel izjemno sposobnost zajema esence velikosti. Njegov portret Beethovena stoji kot dokaz njegove veščilnosti v romantičnem impresionizmu, saj sega dlje od zgolj podobnosti in prenosi psihološko intenzivnost ter slovesno dostojanstvo legendarnega skladatelja. Skozi skrbno uporabo svetlobe in senčenja je oblikoval oblike in čute, ustvarjal dela, ki resonirajo z aurou introspekcije. Ne glede na to, ali je portretiral muzikalno transcendenco v delu Liszt fantazirja ob klavirju ali somberno realnost smrtne postelje, je Danhauserjev čopaj zajel sam pulsi 19. stoletnega romantizma.
Čeprav je bilo veliko njegovih del v njegovem življenju skoraj neopaženo, zgodovinski pomen Jožefa Danhauserja leži v njegovi vlogi kot esencionalnega kronikarja svojega časa. Njegov prispevek k gibanju Biedermeier je pomagal opredeliti obdobje, ki ga odlikuje understatement eleganca in osredotočenost na lepoto vsakdana. Njegova dosežki, vključno z prejetjem nagrade Dunajske akademije za delo Die Verstoßung der Hagar in službo podrektora akademije, poudarjajo njegov položaj v umetniški skupnosti Dunaja.
Trajno privlačnost njegovega opusa lahko najdemo v več ključnih elementih:
