Portret John Partridge

43 najbolj znanih slik umetnika John Partridge, vsaka popolnoma edinstvena

Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 43 del v našem katalogu avtorja John Partridge

Kratek opis

Daniel Asher Alexander (1818) je slika avtorja John Partridge, ki pritegne največ pogledov; original se nahaja v muzeju National Portrait Gallery, London. Nato se pogled smeri k Christian Frederick, Baron Stockmar (1787-1863) (1838) in Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat (1846). Med 43 dela umetnika John Partridge v našem katalogu so ta 43 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.

1789 – 1872, Glasgow Academic realism Največ del: National Portrait Gallery

10 najboljjših slik umetnika John Partridge skozi oči galerije

Slavna platna umetnika John Partridge, od številk 11 do 43

11Sir John Forbes (1787–1861) (1847) avtorja John PartridgeSir John Forbes (1787–1861)1847 12Frederick James Lamb, 3rd Viscount Melbourne (1846) avtorja John PartridgeFrederick James Lamb, 3rd Viscount Melbourne1846 · National Portrait Gallery 13The Fine Arts Commissioners, 1846 (1853) avtorja John PartridgeThe Fine Arts Commissioners, 18461853 · National Portrait Gallery 14Henry 3rd Viscount Palmerston (1784–1865), Prime Minister (1850) avtorja John PartridgeHenry 3rd Viscount Palmerston (1784–1865), Prime Minister1850 15Richard Grosvenor (1795-1863), 2nd Marquess of Westminster (1856) avtorja John PartridgeRichard Grosvenor (1795-1863), 2nd Marquess of Westminster1856 · Kraljeva zbirka 16James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey) (1806) avtorja John PartridgeJames Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey)1806 · Scottish National Portrait Gallery 17Portrait of an Unknown Gentleman (said to be a cleric) (1821) avtorja John PartridgePortrait of an Unknown Gentleman (said to be a cleric)1821 18The Clough Taylor Family (1830) avtorja John PartridgeThe Clough Taylor Family1830 19Gaetano Crivelli (1774–1836) (1825) avtorja John PartridgeGaetano Crivelli (1774–1836)1825 · The Royal Society of Musicians of Great Britain 20Elizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919) (1833) avtorja John PartridgeElizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919)1833 · Coughton Court 21George Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh (1836) avtorja John PartridgeGeorge Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh1836 · Towneley Hall Art Gallery - Museum 22Henry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh (1836) avtorja John PartridgeHenry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh1836 · Towneley Hall Art Gallery - Museum 23Thomas Uwins (1836) avtorja John PartridgeThomas Uwins1836 · National Portrait Gallery 24Clarkson Stanfield (1793–1867) (1836) avtorja John PartridgeClarkson Stanfield (1793–1867)1836 25John Partridge (1836) avtorja John PartridgeJohn Partridge1836 · National Portrait Gallery 26The Artist and His Family in Their House at 21 Brook Street, Grosvenor Square, London (1835) avtorja John PartridgeThe Artist and His Family in Their House at 21 Brook Street, Grosvenor Square, London1835 27Robert Trewick Bone (1836) avtorja John PartridgeRobert Trewick Bone1836 · National Portrait Gallery 28John James Chalon (1836) avtorja John PartridgeJohn James Chalon1836 · National Portrait Gallery 29Charles Robert Leslie (1836) avtorja John PartridgeCharles Robert Leslie1836 · National Portrait Gallery 30John Gibson (1790–1866) (1847) avtorja John PartridgeJohn Gibson (1790–1866)1847 · Walker Art Gallery 31Unknown man, formerly known as Richard Partridge (1840) avtorja John PartridgeUnknown man, formerly known as Richard Partridge1840 · National Portrait Gallery 32The Honourable Montgomerie Stewart, Fourth Son of the 7th Earl of Galloway (1847) avtorja John PartridgeThe Honourable Montgomerie Stewart, Fourth Son of the 7th Earl of Galloway1847 · The National Trust For Scotland 33George Hamilton Gordon, 4th Earl of Aberdeen (1847) avtorja John PartridgeGeorge Hamilton Gordon, 4th Earl of Aberdeen1847 · National Portrait Gallery 34Thomas Babington Macaulay, Baron Macaulay (1853) avtorja John PartridgeThomas Babington Macaulay, Baron Macaulay1853 · National Portrait Gallery 35Neil Arnott (1788–1874), MD (1872) avtorja John PartridgeNeil Arnott (1788–1874), MD1872 36Queen Victoria (1819-1901) avtorja John PartridgeQueen Victoria (1819-1901)Kraljeva zbirka 37General John Egerton (1753–1823), 7th Earl of Bridgewater (after William Owen) avtorja John PartridgeGeneral John Egerton (1753–1823), 7th Earl of Bridgewater (after William Owen) 38William Lamb, 2nd Viscount Melbourne (1779–1848), Prime Minister avtorja John PartridgeWilliam Lamb, 2nd Viscount Melbourne (1779–1848), Prime MinisterGovernment Art Collection 39Queen Victoria (1819–1901) avtorja John PartridgeQueen Victoria (1819–1901) 40The Honourable Edward Legge (1767–1827) avtorja John PartridgeThe Honourable Edward Legge (1767–1827) 41Andrew Combe (1797–1847) avtorja John PartridgeAndrew Combe (1797–1847)Royal College of Physicians of Edinburgh 42William Lamb, 2nd Viscount Melbourne (1844) avtorja John PartridgeWilliam Lamb, 2nd Viscount Melbourne1844 · National Portrait Gallery 43Henry John Temple, 3rd Viscount Palmerston (1845) avtorja John PartridgeHenry John Temple, 3rd Viscount Palmerston1845 · National Portrait Gallery

Motivi, ki so očarali John Partridge

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika John Partridge

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga John Partridge Slike iz tega seznama
National Portrait Gallery, LondonNational Portrait Gallery London 14 Daniel Asher Alexander, 'The Fine Arts Commissioners, 1846', Frederick James Lamb, 3rd Viscount Melbourne
Kraljeva zbirka, LondonKraljeva zbirka London 8 Christian Frederick, Baron Stockmar (1787-1863), Prince Albert (1819-61), William Lamb, 2nd Viscount Melbourne (1779-1848)
Towneley Hall Art Gallery - Museum, BurnleyTowneley Hall Art Gallery - Museum Burnley 2 George Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh, Henry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 1 Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey)
The Royal Society of Musicians of Great Britain, LondonThe Royal Society of Musicians of Great Britain London 1 Gaetano Crivelli (1774–1836)
Coughton CourtCoughton Court 1 Elizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919)
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 1 John Gibson (1790–1866)

John Partridge skozi desetetja: vsak unikatni original za vsako obdobje

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Slike umetnika John Partridge: vprašanja za galerijo

Katero je najbolj znano delo umetnika John Partridge?Razkriti odgovor

Daniel Asher Alexander (1818), National Portrait Gallery, London. Zatem sledeta Christian Frederick, Baron Stockmar (1787-1863) (1838) in Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat (1846).

Pri kateri dobe je John Partridge ustvaril Daniel Asher Alexander?Razkriti odgovor

29 let: delo Daniel Asher Alexander iz leta 1818, John Partridge pa je bil/a rojen/a leta 1789.

Katera desetina slik avtorja John Partridge je najbolj znana?Razkriti odgovor

Daniel Asher Alexander, Christian Frederick, Baron Stockmar (1787-1863), Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat, 'The Fine Arts Commissioners, 1846', Prince Albert (1819-61), William Lamb, 2nd Viscount Melbourne (1779-1848), Queen Victoria (1819-1901), Prince Albert (1819-1861), Leopold, Duke of Brabant (1835-1909) in Earl Stanhope (1805–1875). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko je znanih del avtorja John Partridge?Razkriti odgovor

Naš katalog vsebuje 43 del avtorja John Partridge, datiranih od 1806 do 1872.

Kje si lahko ogledate najslavnejše originale umetnika John Partridge?Razkriti odgovor

Večini v National Portrait Gallery (London), Kraljeva zbirka (London) in Towneley Hall Art Gallery - Museum (Burnley). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerem obdobju je John Partridge ustvaril svoja najbolj znana dela?Razkriti odgovor

V obdobju 1840s: 16 od 43 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat.

Katero znano sliko je naslikal John Partridge najprej in katero najpozdneje?Razkriti odgovor

Na tej strani je najstarejše delo iz James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey) (1806) in najstarejše iz Neil Arnott (1788–1874), MD (1872).

Katere teme je John Partridge najprej ravnate?Razkriti odgovor

Victorian era (4), Formal art (3) in 19th century (3), na 43 delih na tej strani.

Kateri umetniški slog predstavlja delo umetnika John Partridge?Razkriti odgovor

Academic realism, glede na originala na tej strani.

Katere originale John Partridge lahko vidim v muzeju National Portrait Gallery?Razkriti odgovor

Daniel Asher Alexander, 'The Fine Arts Commissioners, 1846' in Frederick James Lamb, 3rd Viscount Melbourne: v muzeju National Portrait Gallery, London se nahaja 14 del z te strani.

John Partridge: portret umetnika

A Legacy of Royal Splendor: The Life and Art of John Partridge

In the grand, sweeping tapestry of the Victorian era, few artists captured the dignified essence of the age quite like John Partridge. Born in Glasgow in 1789, Partridge emerged from a family steeped in intellectual and creative pursuits, carrying with him a lineage that would see his brother rise to prominence in the medical sciences and his nephew find fame in the theatrical arts. His journey into the heart of the British art world began not merely as an observer, but as a dedicated student of the craft, honing his vision under the esteemed portraitist Thomas Phillips. By 1815, when he debuted ‘Miss Foote in the Character of Lucilla’ at the Royal Academy, Partridge had already begun to signal the arrival of a master who could blend the meticulous precision of academic realism with a profound, soulful depth.

The evolution of Partridge’s artistry was profoundly shaped by his transformative years spent wandering through the sun-drenched landscapes and storied galleries of Italy. Between 1823 and 1827, the artist immersed himself in the cultural treasures of Florence, Venice, and Rome, an experience that acted as a spiritual and technical rebirth. It was during this period that he moved beyond the mere replication of likenesses to engage deeply with the ghosts of the Renaissance. By sketching landscapes and creating meticulous copies of works by Correggio, Raphael, Rubens, Tintage, and Titian, Partridge absorbed the dramatic interplay of light and shadow—the chiaroscuro—that would become a hallmark of his mature style. This classical foundation allowed him to infuse his portraits with an atmospheric weight, making each sitter appear not just as a person, but as a figure of historical permanence.

The Architect of Victorian Identity

Upon his return to London, Partridge’s career ascended to the highest echelons of society. His strategic move to the prestigious Brook Street, near the heart of the aristocracy, placed him in the very orbit of his future subjects. The artist possessed a rare ability to navigate the delicate balance between capturing a person's physical accuracy and projecting their social authority. This skill earned him the extraordinary distinction of being named ‘portrait painter-extraordinary’ to Queen Victoria in 1843. His canvases from this era, including those of the Queen herself and Prince Albert, serve as vital historical windows, documenting the regal poise and the opulent textures of mid-19th-century royal life.

Beyond the royal court, Partridge’s portfolio was a Who's Who of Victorian influence. His brush captured the gravity of political titans such as Henry 3rd Viscount Palmerston and the intellectual weight of figures like Sir John Forbes. Each portrait was a masterclass in narrative detail:

  • The Use of Light: Utilizing dramatic lighting to draw the viewer's eye to the psychological center of the sitter.
  • Textural Realism: A profound ability to render the heavy silks, intricate laces, and polished metals of aristocratic attire.
  • Emotional Resonance: Moving beyond static poses to capture a sense of character, dignity, and even the quiet vulnerability of his subjects.

As we look back upon the life of John Partridge, we see more than just a successful portraitist; we see an artist who acted as a chronicler of an empire. Through his mastery of Renaissance-inspired techniques and his unwavering commitment to the dignity of his subjects, he ensured that the faces of the Victorian era would remain vibrant and breathing long after the era itself had passed into history. His work remains a testament to a time when art was the primary vessel for capturing the soul of a nation.