Kratek opis
Med vsemi originali, ki jih je pustil John Fraser, je najbolj znan Full Sail (1913), ki se nahaja v kolekciji Dallas Museum of Art, Dallas. Takoj za njima sta Surf at Orotava in Hulks off Portsmouth. Naš katalog vsebuje 43 del umetnika John Fraser; galerija je ohranila 43 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
10 najboljših slik umetnika John Fraser: izbira galerije
Izbor umetnika John Fraser se nadaljuje, od 11 do 43
Muzeji, ki hranijo originala umetnika John Fraser
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga John Fraser | Slike iz tega seznama |
|---|---|---|---|
| London | 42 | Surf at Orotava, Hulks off Portsmouth, The Wolf Rock lighthouse | |
| Dallas | 1 | Full Sail |
John Fraser leta za letom: originali, ki definira vsako obdobje
1913 je leto vsakega datiranega dela umetnika John Fraser v tej izbiri: tukaj so, razvrščena po slavi.
Vprašanja zbirateljev o slikah umetnika John Fraser
Za katero delo je John Fraser najbolj znan/a?Razkriti odgovor
Full Sail (1913), Dallas Museum of Art, Dallas. Zatem sledeta Surf at Orotava in Hulks off Portsmouth.
Koliko je bil John Fraser let, ko je nastalo delo Full Sail?Razkriti odgovor
55 let: delo Full Sail iz leta 1913, John Fraser pa je bil/a rojen/a leta 1858.
Katera je deset najbolj znanih slik umetnika John Fraser?Razkriti odgovor
Full Sail, Surf at Orotava, Hulks off Portsmouth, The Wolf Rock lighthouse, A mediaeval sailing barge, A Maltese dghaisa, A ship off Tenerife, Seascape, Seascape in Seascape. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Koliko slik je pustil John Fraser?Razkriti odgovor
Naš katalog vsebuje 43 del avtorja John Fraser.
V katerih muzejih so razložena remek dela umetnika John Fraser?Razkriti odgovor
Večini v National Maritime Museum (London) in Dallas Museum of Art (Dallas). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Katera dela umetnika John Fraser so razstavljena v muzeju National Maritime Museum?Razkriti odgovor
Surf at Orotava, Hulks off Portsmouth in The Wolf Rock lighthouse: v muzeju National Maritime Museum, London se nahaja 42 del z te strani.
John Fraser: življenje in delo
Early Life and Family Background
Born in 1858, John Fraser entered a world defined by the bustling commerce of London. He was raised in the Fleet Street area, a district deeply embedded in the city's professional and literary pulse. His upbringing was rooted in a stable, middle-class environment, shaped by the disciplined life of his father, John Fraser, who worked as an accountant. This foundation of order and precision likely provided a quiet backdrop to his formative years.
His mother, Margaret English Fraser, née Partis, completed the family unit during his early life. The household was one of established respectability, situated within the heart of the United Kingdom. While his father’s profession dealt in the meticulous management of figures, the environment of London provided the sensory complexity that would later inform his perspective. He grew up amidst the constant movement of a major metropolitan center, a setting that offered a stark contrast to the maritime themes that would eventually define his professional output.
Professional Career and Artistic Subjects
As a marine painter, Fraser dedicated much of his professional life to the study of the sea and its various coastal environments. His brush captured the maritime character of diverse locations, with subjects ranging from the shores of France and Spain to the rugged landscapes of Gibraltar and the Canary Islands. This focus on nautical scenes required a keen eye for the shifting movements of water and the specific light of these Mediterranean and Atlantic settings.
During his career, he maintained a studio at 7 The Mall, off Church Street, in the Hampstead area of London, between 1890 and 1892. His professional life was also marked by a significant collaboration with Commendatore Eduardo de Martino. The two worked together extensively, a partnership that saw them navigating the complexities of high-level commissions. While Fraser sought to follow in the footsteps of his collaborator, his own path eventually led him away from the easel and toward the commercial side of the arts.
In his later years, his occupation shifted from the studio to the management of a print shop located in Westminster. This transition marked a departure from the direct creation of marine oils, moving instead into the trade of printed imagery. His life's work remains tied to the maritime imagery he once rendered, a period of focused observation before his eventual move into the print trade.








