Kratek opis
Med vsemi originali, ki jih je pustil James Herring, je najbolj znan James Monroe (1834), ki se nahaja v kolekciji National Portrait Gallery, Washington, D.C.. Takoj za njima sta Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) in Jacob Jennings Brown (1775-1828) (1835). Naš katalog vsebuje 6 del umetnika James Herring; galerija je ohranila 6 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
10 najboljših slik umetnika James Herring: izbira galerije
Muzeji, ki hranijo originala umetnika James Herring
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga James Herring | Slike iz tega seznama |
|---|---|---|---|
| New York City | 5 | Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828), William Lintz (ca. 1815-1874) | |
| Washington, D.C. | 1 | James Monroe |
James Herring leta za letom: originali, ki definira vsako obdobje
Izbira obsega dela umetnika James Herring skozi 12 let, od 1834 do 1845, kjer so izbrana najlepša originalna dela vsakega leta.
Delo po letih
Izberite leto in oglej originale.
Vprašanja zbirateljev o slikah umetnika James Herring
Za katero delo je James Herring najbolj znan/a?Razkriti odgovor
James Monroe (1834), National Portrait Gallery, Washington, D.C.. Zatem sledeta Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) in Jacob Jennings Brown (1775-1828) (1835).
Koliko je bil James Herring let, ko je nastalo delo James Monroe?Razkriti odgovor
40 let: delo James Monroe iz leta 1834, James Herring pa je bil/a rojen/a leta 1794.
Koliko slik je pustil James Herring?Razkriti odgovor
Naš katalog vsebuje 6 del avtorja James Herring, datiranih od 1834 do 1845.
V katerih muzejih so razložena remek dela umetnika James Herring?Razkriti odgovor
Večini v New York Historical Society (New York City) in National Portrait Gallery (Washington, D.C.). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V katerih letih je James Herring naslikal svoja najbolj znana dela?Razkriti odgovor
V obdobju 1845: 2 od 6 del na tej strani je bilo izdelovanih takrat, med njimi pa William Lintz (ca. 1815-1874).
Kakšna sta prva in zadnja znana originala umetnika James Herring?Razkriti odgovor
Na tej strani je najstarejše delo iz James Monroe (1834) in najstarejše iz William Lintz (ca. 1815-1874) (1845).
Katera dela umetnika James Herring so razstavljena v muzeju New York Historical Society?Razkriti odgovor
Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828) in William Lintz (ca. 1815-1874): v muzeju New York Historical Society, New York City se nahaja 5 del z te strani.
James Herring: življenje in delo
The Life and Legacy of James Herring
Born in London on January 12, 1794, James Herring was an artist whose life journey mirrored the expanding horizons of the nineteenth-century Atlantic world. Though his roots were English, his spirit was profoundly shaped by the American landscape after he emigrated to the United States with his family in 1805. Growing up amidst the bustling energy of New York City and the developing reaches of New Jersey, Herring’s early years were marked by a diverse range of trades. Before finding his true calling at the easel, he navigated the worlds of education as a school teacher and even engaged in the gritty commerce of his father's distillery business in the Bowery. This varied upbringing provided him with a unique, grounded perspective that would later infuse his work with a sense of unpretentious, honest observation.
Herring’s artistic evolution began not with grand canvases, but with the meticulous and delicate task of coloring prints and maps. This early immersion in graphic arts instilled in him a profound respect for line and detail, a skill set that would serve him well as he moved to Philadelphia to continue his work in map coloring. However, the pull of portraiture eventually drew him back to New York, where he settled in Chatham Square. It was here that he truly found his voice, transitioning from the precise world of cartography to the more expressive realm of portrait painting. His ability to capture the essence of a subject—whether through a formal likeness or a more spirited profile—marked him as a significant figure in the burgeoning American art scene of the mid-1800s.
Artistic Style and Contributions
The work of James Herring is often characterized by its charming, almost naive quality, particularly when he turned his attention to animal subjects and landscapes. While he was a master of the formal portrait, there is a palpable warmth in his depictions of working horses, chickens, and pastoral scenes that suggests a deep affection for the everyday rhythms of American life. His technique, while rooted in the precision learned from his early days with prints, allowed for a certain fluidity and emotional resonance. He was not merely a recorder of faces but an illustrator of character, a talent he shared with notable contemporaries like James Barton Longacre when they collaborated on documenting American biography in the National Portrait Gallery.
Beyond his individual canvases, Herring was a vital promoter of the arts during a period when American artistic identity was still being forged. He possessed a visionary drive to elevate the status of local talent, famously persuading the American Academy of Fine Arts to support significant publications. His influence extended through generations, as seen in the career of his son, Frederick William Herring, who studied under his father and continued the family tradition of portraiture. Through his dual roles as a practitioner and an advocate, Herring helped lay the groundwork for a more robust and self-assured American art movement.
Historical Significance
Today, the historical importance of James Herring lies in his role as a bridge between the colonial traditions of Europe and the emerging aesthetic of a young United States. His work serves as a visual archive of nineteenth-century life, capturing both the dignified portraits of notable citizens and the humble beauty of the natural world. The enduring legacy of his art can be seen in the collections of prestigious institutions such as:
- The Morris Museum of Art
- The Mattatuck Museum
- Oolite Arts, 924 & 928 Gallery
As an artist who moved seamlessly between the technical rigors of engraving and the soulful expression of painting, Herring remains a fascinating figure for scholars and lovers of art alike. His life, spanning from the streets of London to the heart of New York, encapsulates the transformative energy of his era, leaving behind a body of work that continues to resonate with its quiet, enduring truth.

