Portret James Gillray

12 najbolj znanih slik umetnika James Gillray, vsaka popolnoma edinstvena

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 13 del v našem katalogu avtorja James Gillray

Kratek opis

The Plum-Pudding in Danger (1805) je slika avtorja James Gillray, ki pritegne največ pogledov; original se nahaja v muzeju British Museum, London. Nato se pogled smeri k The Zenith of French Glory (1793) in Long Live the Constitution, One and In(di)visible (1800). Med 13 dela umetnika James Gillray v našem katalogu so ta 12 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.

1756 – 1815, Chelsea Največ del: British Museum

10 najboljjših slik umetnika James Gillray skozi oči galerije

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The Plum-Pudding in Danger (1805) avtorja James Gillray

The Plum-Pudding in Danger

1805 · Acrylic On Canvas · British Museum, London

To gaze upon this scene is to be invited across the threshold of a bygone era, into the warm glow of an intimate gathering. The Plum-Pudding in Danger presents us with a tableau vivant centered around a magnificent, yielding dessert—a plum pudding, rich with tradition and promise. The composition immediately draws the eye to the table, which serves as both stage and centerpiece for this shared moment of culinary delight.…

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The Zenith of French Glory (1793) avtorja James Gillray

The Zenith of French Glory

1793 · Etching · British Museum, London

The air of 1793 carries a heavy, unsettling weight as we encounter "The Zenith of French Glory; – The Pinnacle of Liberty." This etching, released on February 12, 1793, captures a moment of profound political turbulence. James Gillray, the artist behind this biting work, uses his sharp wit to confront the chaos of the French Revolution. The print functions as a searing indictment of the revolution and its leadership, stripping…

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Sin, Death and the Devil (1792) avtorja James Gillray

Sin, Death and the Devil

1792 · Etching

Sin, Death and the Devil is an etching created by the artist James Gillray in 1792. This work functions as a satirical commentary on the political landscape of late eighteenth-century Britain. The print focuses on the power struggle between Prime Minister William Pitt and Lord Chancellor Edward Thurlow. Through the use of allegory, the artist depicts these political figures within a narrative framework.

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The Blood of the Murdered Crying for Vengeance (1793) avtorja James Gillray

The Blood of the Murdered Crying for Vengeance

1793 · Etching

The scene unfolds through a biting etching titled The Blood of the Murdered Crying for Vengeance. Created by the artist James Gillray, this work emerges from the turbulent atmosphere of about 1793. It captures a moment of intense social and political friction, frozen in the sharp, dramatic lines of the engraver's hand. The print carries a formal dedication, directed toward the Right Honourable the Earl of Chatham. In a gesture…

Slavna platna umetnika James Gillray, od številk 11 do 12

Motivi, ki so očarali James Gillray

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika James Gillray

2 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga James Gillray Slike iz tega seznama
British Museum, LondonBritish Museum London 2 The Plum-Pudding in Danger, The Zenith of French Glory
Bibliothèque Nationale, ParizBibliothèque Nationale Pariz 1 Long Live the Constitution, One and In(di)visible

James Gillray skozi leta: edinstvena originala vsakega dela

14 let razprave med prvim in zadnjim datiranim originalom umetnika James Gillray, ki so prikazani tukaj, 1792 in 1805: vsako leto ima svoje mesto spodaj.

Delo po letih

Izberite leto in oglej originale.

Slike umetnika James Gillray: vprašanja za galerijo

Katero je najbolj znano delo umetnika James Gillray?Razkriti odgovor

The Plum-Pudding in Danger (1805), British Museum, London. Zatem sledeta The Zenith of French Glory (1793) in Long Live the Constitution, One and In(di)visible (1800).

Pri kateri dobe je James Gillray ustvaril The Plum-Pudding in Danger?Razkriti odgovor

49 let: delo The Plum-Pudding in Danger iz leta 1805, James Gillray pa je bil/a rojen/a leta 1756.

Katera desetina slik avtorja James Gillray je najbolj znana?Razkriti odgovor

The Plum-Pudding in Danger, The Zenith of French Glory, Long Live the Constitution, One and In(di)visible, Sin, Death and the Devil, The Blood of the Murdered Crying for Vengeance, Dublures of Characters, Short bodied gillray fashion caricature, The whore's last shift, Light expelling darkness in A group of French savants huddle together at the top. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko je znanih del avtorja James Gillray?Razkriti odgovor

Naš katalog vsebuje 13 del avtorja James Gillray, datiranih od 1792 do 1805.

Kje si lahko ogledate najslavnejše originale umetnika James Gillray?Razkriti odgovor

Večini v British Museum (London) in Bibliothèque Nationale (Pariz). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerem obdobju je James Gillray ustvaril svoja najbolj znana dela?Razkriti odgovor

V obdobju 1793: 2 od 12 del na tej strani je bilo izdelovanih takrat, med njimi pa The Zenith of French Glory.

Katero znano sliko je naslikal James Gillray najprej in katero najpozdneje?Razkriti odgovor

Na tej strani je najstarejše delo iz Sin, Death and the Devil (1792) in najstarejše iz The Plum-Pudding in Danger (1805).

Katere teme je James Gillray najprej ravnate?Razkriti odgovor

Guillotine (2), People (2) in Clouds (2), na 12 delih na tej strani.

S katerimi materiali je James Gillray najpogosteje slikal?Razkriti odgovor

Etching, za 5 od 12 del na tej strani.

Katere originale James Gillray lahko vidim v muzeju British Museum?Razkriti odgovor

The Plum-Pudding in Danger in The Zenith of French Glory: v muzeju British Museum, London se nahaja 2 del z te strani.

James Gillray: portret umetnika

The Father of the Political Cartoon

In the vibrant and often turbulent landscape of late eighteenth-century Britain, few figures wielded as much satirical power as James Gillray. Often hailed as the "father of the political cartoon," Gillray possessed a singular ability to capture the anxieties, follies, and grand ambitions of his era through the medium of etching. Born in Chelsea, United Kingdom, he emerged from a background of meticulous craftsmanship, having first mastered the art of letter-engraving. This foundational skill in precise linework would later become the backbone of his legendary career, allowing him to translate complex political maneuvers into biting, visually arresting caricatures that resonated deeply with the public consciousness.

His artistic development was profoundly shaped by the works of William Hogarth, whose influence provided a blueprint for using art as a vehicle for social commentary. However, Gillray moved beyond mere observation, injecting his work with an unprecedented level of inventiveness and a keen sense of the ludicrous. His output, primarily published between 1792 and 1810, became a vital part of the British visual lexicon. Through his etchings—and occasionally utilizing aquatint and stipple techniques—he created a world where historical figures like Napoleon, George III, and various prime ministers were stripped of their dignity and recast as characters in a grand, often grotesque, theatrical drama.

Mastery of Satire and Technique

The brilliance of Gillray’s work lies in the seamless marriage of technical execution and narrative depth. While his subject matter was often topical and ephemeral, his mastery of the etching process ensured a lasting impact. His prints are characterized by intricate details and bold lines, capable of conveying both immense physical detail and profound emotional intensity. Whether he was employing a stark black and white palette to reflect the grim realities of war or using subtle tonal variations to capture the warmth of a domestic scene, his technical versatility allowed him to manipulate the viewer's mood with surgical precision.

His approach to composition often utilized dramatic focal points to drive home his critiques. In works such as "The Zenith of French Glory," he used symbolic imagery—such as skeletal soldiers and grim metaphors—to voice a searing indictment of the French Revolution. Conversely, in pieces like "The Plum-Pudding in Danger," he demonstrated an ability to capture the quiet drama of conviviality and the material reality of Regency life. This duality—the ability to be both a ferocious political attacker and a nuanced observer of social ritual—is what elevated his work from mere caricature to high art.

Legacy and Historical Significance

The historical significance of James Gillray cannot be overstated. He did not merely record history; he helped shape the perception of it. His prints served as a mirror to the British psyche, reflecting the fears of revolution, the tensions of international conflict, and the shifting social hierarchies of the age. The enduring power of his imagery is evidenced by the fact that many of his most famous works are preserved in prestigious institutions like the National Portrait Gallery in London and Tate Britain.

Beyond his immediate era, Gillray’s influence persists in the very DNA of modern political cartooning. He established a standard for visual wit and social critique that continues to inspire satirists today. His life's work remains a testament to the power of the printed image to challenge authority, expose hypocrisy, and immortalize the complex spirit of an age defined by transformation.