Kratek opis
Za oči galerije je najbolj znano sliko umetnika Jacob Xavier Vermoelen delo Dead Game Birds (1754), katere original visi v muzeju Bavarske državne slikopisne zbirke, München. Still Life with Dead Game (1751) in Dead Game Birds (1754) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 6 del avtorja Jacob Xavier Vermoelen v našem katalogu galerija spodaj predstavlja 5 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
Top 10 slik umetnika Jacob Xavier Vermoelen v galeriji
Muzeji, ki hranijo originala umetnika Jacob Xavier Vermoelen
3 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Jacob Xavier Vermoelen | Slike iz tega seznama |
|---|---|---|---|
| München | 2 | Dead Game Birds, Dead Game Birds | |
| 2 | Still Life with Dead Game, Still Life with Dead Game | ||
| Helsinki | 1 | Still life with dogs |
Jacob Xavier Vermoelen, značilna dela vsakega leta
Na tej strani je prikazana celotna datirana kariera umetnika Jacob Xavier Vermoelen skozi obdobje 4 let, od 1751 do 1754: kratek pregled, prikazan letnik za letnikom skozi njegove najslavnejše originalne dela.
Delo po letih
Izberite leto in oglej originale.
Slike umetnika Jacob Xavier Vermoelen: odgovori galerije
Katero sliko avtorja Jacob Xavier Vermoelen je najbolj znana med vsemi?Razkriti odgovor
Dead Game Birds (1754), Bavarske državne slikopisne zbirke, München. Zatem sledeta Still Life with Dead Game (1751) in Dead Game Birds (1754).
Koliko je bil Jacob Xavier Vermoelen let, ko je dokončal Dead Game Birds?Razkriti odgovor
40 let: delo Dead Game Birds iz leta 1754, Jacob Xavier Vermoelen pa je bil/a rojen/a leta 1714.
Koliko dzieł stworzył Jacob Xavier Vermoelen?Razkriti odgovor
Naš katalog vsebuje 6 del avtorja Jacob Xavier Vermoelen, datiranih od 1751 do 1754.
Kje so razpostavljena najbolj znana originala umetnika Jacob Xavier Vermoelen?Razkriti odgovor
Večini v Bavarske državne slikopisne zbirke (München), Uppark in Finnish National Gallery (Helsinki). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Kdaj je Jacob Xavier Vermoelen ustvaril svoja najbolj znana slika?Razkriti odgovor
V obdobju 1751: 2 od 5 del na tej strani je bilo izdelovanih takrat, med njimi pa Still Life with Dead Game.
Kateri so najstarejši in najmlajši znanii dela umetnika Jacob Xavier Vermoelen?Razkriti odgovor
Na tej strani je najstarejše delo iz Still Life with Dead Game (1751) in najstarejše iz Dead Game Birds (1754).
Katera originalna dela umetnika Jacob Xavier Vermoelen ima v svoji zbirki Bavarske državne slikopisne zbirke?Razkriti odgovor
Dead Game Birds in Dead Game Birds: v muzeju Bavarske državne slikopisne zbirke, München se nahaja 2 del z te strani.
Jacob Xavier Vermoelen: umetnik
The Antwerp Apprentice
In the bustling streets of Antwerp, a young man named Jacob Xavier Vermoelen began his path toward the mastery of light and shadow. He entered the studio of Pieter Snyers, a man well-versed in the quiet drama of still life, to learn the secrets of texture and form. By 1733, he had achieved the status of a master within the Antwerp Guild of Saint Luke, marking his official entry into the professional world of Flemish painting. While the records of his early years in his homeland remain somewhat silent, his talent clearly carried him far beyond the borders of the Habsburg Netherlands.
His brushwork was shaped by the traditions of his training, yet he sought a different life in the south. He eventually found himself in Rome, a city that offered a different kind of light and a different kind of audience. It was here that his reputation grew among those who collected the most refined works of the era. His presence in Rome was marked by the patronage of powerful figures, including Cardinal Silvio Valenti Gonzaga, who sought out his specific vision for his own collections.
The Stillness of the Hunt
The works that survive from Vermoelen’s hand are rare and focused, offering a glimpse into a very specific niche of the painter's craft. He did not seek to paint grand landscapes or mythological battles, but instead turned his attention to the quiet, heavy reality of the hunt. His subjects were almost exclusively the remains of birds, captured in moments of profound stillness. These paintings, created primarily between 1748 and 1755, reveal a meticulous eye for the physical details of his subjects.
To understand the nature of his compositions, one might consider the specific elements he chose to portray:
- The heavy, slumped forms of dead birds.
- The textures of feathers and plumage.
- The stark, somber arrangements of game pieces.
His style was deeply influenced by the Antwerp painter David de Coninck, whose own game pieces provided a template for the way Vermoelen handled the weight and presence of his subjects. This influence ensured that even as he worked in the Italian air, his Flemish roots remained visible in the precision of his technique.
A Roman Legacy
Though his output was small, the impact of his work was felt in the private galleries of Rome's elite. He lived out his final years in the city, far from the guild halls of his youth. He died in Rome in 1784, leaving behind a limited but highly specialized body of work that remains a testament to the specialized skill required to render the natural world in such a direct and unadorned manner. His life reflects the movement of many artists of his time, traveling from the northern traditions of Flanders to the heart of Italy to find a lasting place in history.


