Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Kratek opis
Dead Wildfowl (1674) je slika avtorja Jacob Biltius, ki pritegne največ pogledov; original se nahaja v muzeju Statens Museum For Kunst, Kopenhagen. Nato se pogled smeri k Dead Birds (1670) in Snip, hanging (1663). Med 10 dela umetnika Jacob Biltius v našem katalogu so ta 10 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
3 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Jacob Biltius | Slike iz tega seznama |
|---|---|---|---|
| Kopenhagen | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| Leeuwarden | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
Dolga kariera 17 let, od 1663 do 1679: najbolj znani originali umetnika Jacob Biltius, prikazani letopisno.
Izberite leto in oglej originale.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Več od 1670
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum For Kunst, Kopenhagen. Zatem sledeta Dead Birds (1670) in Snip, hanging (1663).
41 let: delo Dead Wildfowl iz leta 1674, Jacob Biltius pa je bil/a rojen/a leta 1633.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall in Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 10 del avtorja Jacob Biltius, datiranih od 1663 do 1679.
Večini v Statens Museum For Kunst (Kopenhagen), Fries Museum (Leeuwarden) in Kunsthandel P. de Boer. Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1663: 2 od 10 del na tej strani je bilo izdelovanih takrat, med njimi pa Snip, hanging.
Na tej strani je najstarejše delo iz Snip, hanging (1663) in najstarejše iz Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679).
Feathers (2) in Dark background (2), na 10 delih na tej strani.
Oil On Canvas, za 2 od 10 del na tej strani.
Dead Wildfowl, Dead Birds in Wildfowl on a Wooden Table: v muzeju Statens Museum For Kunst, Kopenhagen se nahaja 5 del z te strani.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.