Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 30 del v našem katalogu avtorja Hermann Struck
Kratek opis
Za oči galerije je najbolj znano sliko umetnika Hermann Struck delo Moroccan Jew, Jerusalem (1900), katere original visi v muzeju Leo Baeck Institute, New York City. Haifa V (1900) in Jerusalem, Russian Building II (1900) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 30 del avtorja Hermann Struck v našem katalogu galerija spodaj predstavlja 30 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
In the delicate, monochromatic world of Hermann Struck’s Moroccan Jew, Jerusalem, time seems to suspend itself within the fine strokes of a pen. Created in 1900, this exquisite drawing serves as more than just a portrait; it is a profound window into a vanishing era and a specific cultural identity. The subject, captured in a dignified profile, wears the traditional turban and head coverings characteristic of North African Jewish heritage,…
In the delicate, monochromatic strokes of Haifa V, we are transported back to the dawn of the twentieth century, specifically to the year 1900. This evocative drawing serves as more than just a mere depiction of a street; it is a temporal bridge that allows the viewer to step into the rhythmic, unfolding life of Haifa, Israel, at the turn of the century. Through the masterful hand of Hermann Struck,…
In the delicate, monochromatic strokes of Jerusalem, Russian Building II, we are transported back to the turn of the twentieth century, specifically to the year 1900. This evocative drawing by the esteemed German-Jewish artist Hermann Struck serves as more than just a topographical record; it is a soulful meditation on the pulse of a city in transition. Through his masterful command of line and shadow, Struck captures a moment where…
In this evocative black and white etching, titled The Pyramids at Giza in the Distance, the viewer is transported back to the turn of the twentieth century, standing amidst the sands of Egypt. The composition is anchored by the majestic silhouettes of the Great Pyramities, rising from the horizon like silent sentinels of a lost era. Two slender palm trees frame the scene, their organic, swaying forms providing a delicate…
Aus Holland II1907 · Leo Baeck Institute
12
Palm Beach, Florida I1913 · Leo Baeck Institute
13
Central Park, New York1913 · Leo Baeck Institute
14
Fruit Trees in Odenwald1919 · Leo Baeck Institute
15
Jerthe United States1926 · Leo Baeck Institute
16
Stepped Pyramid at Saqqara1939 · Leo Baeck Institute
17
Engadine Lakes1900 · Leo Baeck Institute
18
Patriath1935 · Leo Baeck Institute
19
Duomo and Baptistery, Florence, plate from Hesse1923 · Leo Baeck Institute
20
Jerusalem, Mosque of Omar1900 · Leo Baeck Institute
21
Havana III1913 · Leo Baeck Institute
22
Jerusalem X1916 · Leo Baeck Institute
23
Nablus (Palestine)1900 · Leo Baeck Institute
24
Lake Tiberias II1934 · Leo Baeck Institute
25
Tomb of Giovanni Segantini (1858-1899)1907 · Leo Baeck Institute
26
Jewish Chimney Sweep1915 · Leo Baeck Institute
27
Palestine Sunset1939 · Leo Baeck Institute
28
Two palm trees, plate from Hesse1923 · Leo Baeck Institute
29
Jerusalem, Chapel of the Ascension1905 · Leo Baeck Institute
30
Shabbat KiddushJewish Museum of São Paulo
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Hermann Struck | Slike iz tega seznama |
|---|---|---|---|
 Leo Baeck Institute |
New York City | 29 | Moroccan Jew, Jerusalem, Haifa V, Jerusalem, Russian Building II |
 Jewish Museum of São Paulo |
Sao Paulo | 1 | Shabbat Kiddush |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In the delicate, monochromatic world of Hermann Struck’s Moroccan Jew, Jerusalem, time seems to suspend itself within the fine strokes of a pen. Created in 1900, this exquisite drawing serves as more than just a portrait; it is a profound window into a vanishing era and a specific cultural identity. The subject, captured in a dignified profile, wears the traditional turban and head coverings characteristic of North African Jewish heritage,…
Moroccan Jew, Jerusalem (1900), Leo Baeck Institute, New York City. Zatem sledeta Haifa V (1900) in Jerusalem, Russian Building II (1900).
24 let: delo Moroccan Jew, Jerusalem iz leta 1900, Hermann Struck pa je bil/a rojen/a leta 1876.
Moroccan Jew, Jerusalem, Haifa V, Jerusalem, Russian Building II, The Pyramids at Giza in the Distance, Aus dem Spreewalde II, Portrait of Rabbi Samson Raphael Hirsch (1808-1888), Talmudic Scholar, Fuerstenhaus-Karlshorst, Cactus in The Blind Beggar. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 30 del avtorja Hermann Struck, datiranih od 1900 do 1939.
Večini v Leo Baeck Institute (New York City) in Jewish Museum of São Paulo (Sao Paulo). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1900s: 15 od 30 del na tej strani je bilo izdelovanih takrat, med njimi pa Moroccan Jew, Jerusalem.
Na tej strani je najstarejše delo iz Moroccan Jew, Jerusalem (1900) in najstarejše iz Stepped Pyramid at Saqqara (1939).
Etching (16), Landscape (13) in Black and white (10), na 30 delih na tej strani.
Etching, za 17 od 30 del na tej strani.
Realism, glede na originala na tej strani.
Moroccan Jew, Jerusalem, Haifa V in Jerusalem, Russian Building II: v muzeju Leo Baeck Institute, New York City se nahaja 29 del z te strani.
