1
7 najbolj znanih slik umetnika Hermania Neergaard, galerijska izbira
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 7 del v našem katalogu avtorja Hermania Neergaard
Kratek opis
Med vsemi originali, ki jih je pustil Hermania Neergaard, je najbolj znan En ananas i urtepotte og druer på et stenbord (1825), ki se nahaja v kolekciji Statens Museum For Kunst, Kopenhagen. Takoj za njima sta Vase i græsk stil med iris, syren og kaprifolium (1831) in Vase i græsk stil med blomster, stående på en træstub (1832). Naš katalog vsebuje 7 del umetnika Hermania Neergaard; galerija je ohranila 7 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
1799 – 1875, Copenhagen
Največ del: Statens Museum For Kunst
10 najboljših slik umetnika Hermania Neergaard: izbira galerije
2
3
4
5
6
7
Muzeji, ki hranijo originala umetnika Hermania Neergaard
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Hermania Neergaard | Slike iz tega seznama |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 7 | En ananas i urtepotte og druer på et stenbord, Vase i græsk stil med iris, syren og kaprifolium, Vase i græsk stil med blomster, stående på en træstub |
Hermania Neergaard desetletje za desetletjem: originali, ki definira vsako od njih
Delo po desetletjih
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Vprašanja zbirateljev o slikah umetnika Hermania Neergaard
Za katero delo je Hermania Neergaard najbolj znan/a?Razkriti odgovor
En ananas i urtepotte og druer på et stenbord (1825), Statens Museum For Kunst, Kopenhagen. Zatem sledeta Vase i græsk stil med iris, syren og kaprifolium (1831) in Vase i græsk stil med blomster, stående på en træstub (1832).
Koliko je bil Hermania Neergaard let, ko je nastalo delo En ananas i urtepotte og druer på et stenbord?Razkriti odgovor
26 let: delo En ananas i urtepotte og druer på et stenbord iz leta 1825, Hermania Neergaard pa je bil/a rojen/a leta 1799.
Koliko slik je pustil Hermania Neergaard?Razkriti odgovor
Naš katalog vsebuje 7 del avtorja Hermania Neergaard, datiranih od 1825 do 1845.
V katerih muzejih so razložena remek dela umetnika Hermania Neergaard?Razkriti odgovor
Večini v Statens Museum For Kunst (Kopenhagen). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V katerih letih je Hermania Neergaard naslikal svoja najbolj znana dela?Razkriti odgovor
V obdobju 1840s: 4 od 7 del na tej strani je bilo izdelovanih takrat, med njimi pa Blomstrende planter.
Kakšna sta prva in zadnja znana originala umetnika Hermania Neergaard?Razkriti odgovor
Na tej strani je najstarejše delo iz En ananas i urtepotte og druer på et stenbord (1825) in najstarejše iz Blomstrende planter (1845).
Katera dela umetnika Hermania Neergaard so razstavljena v muzeju Statens Museum For Kunst?Razkriti odgovor
En ananas i urtepotte og druer på et stenbord, Vase i græsk stil med iris, syren og kaprifolium in Vase i græsk stil med blomster, stående på en træstub: v muzeju Statens Museum For Kunst, Kopenhagen se nahaja 7 del z te strani.
Hermania Neergaard: življenje in delo
A Life in Bloom
Born in Copenhagen on 12 August 1799, Hermania Sigvardine Neergaard grew up in the home of a merchant, Hans Peter Neergaard. Her path toward the canvas began under the guidance of Frederik Christian Camradt at his drawing and painting school. This early training provided her with the technical foundation to pursue a career as a flower and still-life painter.
Her debut at the Charlottenborg Spring Exhibitions in 1821 featured a gouache vase of flowers, a technique she had learned by studying the works of her teacher. This first submission set the stage for a long period of professional activity. For over five decades, Neergaard was a regular presence at these exhibitions, contributing 116 works to the Charlottenborg collections until her death in 1875.
Evolution of Style and Subject
As her career progressed, Neergaard moved from the delicate use of gouache to working with oils. Her early compositions often focused on flowers arranged in bowls, baskets, or vases. In these initial years, her work reflected the influence of Camradt, characterized by more compact bouquets and a subdued color palette. She frequently utilized dark backgrounds to create a sharp contrast, allowing white callas or yellow irises to emerge from the shadows.
The later years of her life brought a change in both subject and scale. Inspired by the sculptor Bertel Thorvaldsen, she began incorporating Etruscan vases into her compositions starting in 1831. Her focus expanded beyond cultivated arrangements to include wild flowers and outdoor plants. In these later paintings, the flora often grew to fill the entire surface of the canvas, moving away from the structured stillness of her earlier still lifes.
Legacy and Recognition
Neergaard’s skill earned her a place within influential social and artistic circles. She was associated with Nysø Manor near Præstø and moved in the same circles as Thorvaldsen, who eventually purchased one of her paintings for his own collection. Her ability to capture botanical detail led to her work being acquired by the Danish royal family, including kings Christian VIII and Frederick VII.
Beyond her personal achievements, she supported the art community by teaching flower painting. Today, her botanical studies are preserved in significant institutions, such as the Statens Museum for Kunst. Her paintings remain a record of the botanical interests and artistic traditions of 19th-century Denmark.