Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 59 del v našem katalogu avtorja Henry Inman
Kratek opis
Med vsemi originali, ki jih je pustil Henry Inman, je najbolj znan Tenskwatawa (1831), ki se nahaja v kolekciji National Portrait Gallery, Washington, D.C.. Takoj za njima sta Portrait of Mrs. James W. Wallack (1828) in John Wesley Jarvis (1822). Naš katalog vsebuje 59 del umetnika Henry Inman; galerija je ohranila 57 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
This oil on canvas portrait depicts Tenskwatawa, a Shawnee prophet and holy man who lived from approximately 1775 to 1837. The subject is the brother of the Shawnee leader Tecumseh. The work is dated 1831. It was executed by the American artist Henry Inman, who was born in 1801.
The Portrait of Mrs. James W. Wallack is an oil on canvas painted by Henry Inman. Created in the United States, this work captures the likeness of Susan Johnstone, known as Mrs. James W. Wallack. The portrait emerged from the artist's brush circa 1828.
Henry Inman presents a formal portrait of John Wesley Jarvis, executed around 1822. The sitter is captured in a three-quarter view, positioned centrally against a nebulous, atmospheric background. This work emerged during a period when Inman was refining his technical precision under the mentorship of established masters in New York City.
In this close-up bust portrait, Henry Inman focuses the viewer's attention entirely on the subject's face and upper torso. The composition is centered, with the woman's head turned toward the viewer. While her body faces forward, her gaze is directed slightly off to the left, creating a sense of quiet engagement. The background remains plain and dark, isolating the figure and emphasizing her presence within the frame.
This artwork is a portrait of John Wesley Jarvis, executed by the artist Henry Inman. The work dates to 1822. The subject is presented as a single individual, depicted as a dignified gentleman.
Henry Inman created Children in the Park in 1824. This watercolor engraving captures a quiet moment of companionship. Two children walk through a wooded or park-like setting, their figures moving through the soft light of a shaded grove. The scene is a small, intimate window into a private afternoon.
In the Portrait of Clara Fisher, Henry Inman presents a single female figure that commands the space with a quiet, steady presence. This three-quarter length portrait captures her in a moment of poised stillness, positioned slightly off-center to create a sense of natural, unforced grace. She does not meet the viewer's gaze directly; instead, her eyes are turned toward the left of the frame, as if lost in a private…
Alethea Lenox sits within an oval frame, her presence commanding a quiet, steady attention. She faces the viewer directly, her expression poised and calm, as if she has just paused in a moment of private reflection. The light catches the curve of her neck and the soft contours of her face, emerging from a deep, shadowy background that pushes her forward into the viewer's space. She wears a gown of…
Henry Inman captures the subject in a three-quarter view, facing toward the right of the frame. The portrait presents an elderly man, Henry Rutgers, rendered with the precision of classical realism. A stark black coat and a bright white cravat anchor the composition, providing a sharp contrast to the warm, muted tones of the background. Deep browns, ochre, and burnt sienna define the space behind him, creating a sense of…
In this intimate oil portrait, we encounter Mrs. Robert Lenox (Rachel Carmer, 1763-1843), a work executed by the American artist Henry Inman. The painting offers a quiet study of Rachel Carmer, capturing her presence with a sense of dignity that reflects her social standing during the early nineteenth century. It is a piece that invites a closer look at the individual behind the name, presenting a woman of character through…
Frances Wright (1795–1852)1824 · New York Historical Society
12
Portrait of a Lady1825 · Metropolitanski muzej umetnosti
13
Portrait of a Gentleman1830 · Metropolitanski muzej umetnosti
14
Mary Ward Betts1834 · Cleveland Museum of Art
15
Frederic Betts; Mary Ward Betts1834 · Cleveland Museum of Art
16
Emma Embury1833 · National Portrait Gallery
17
Eleazer Parmly1835 · National Portrait Gallery
18
Mr. Hackett, in the Character of Rip Van Winkle1832 · National Portrait Gallery
19
David Paul Brown1832 · Pennsylvania Academy of Fine Arts
20
Georgianna Buckham and Her Mother (Anna Traphagen Buckham)1839 · Muzej fine arts
21
Tshi-Zun-Hau-Kau (He-Who-Runs-with-Deer), Winnebago1832 · Fine Arts Museums of San Francisco
22
Cornelia Rutgers Livingston1833 · New Britain Museum of American Art
23
Mrs. John Bishop Hall (d. 1901)1839 · New York Historical Society
24
John Bishop Hall (1807–1889)1839 · New York Historical Society
25
Anthony Morris (1791-1839) or Herman Morris (1794-1849)1838 · New York Historical Society
26
Martin Van Buren (1782-1862)1835 · New York Historical Society
27
The Reverend Hooper Cumming (1787–1825)1832 · New York Historical Society
28
William Charles Macready as William Tell1826 · Metropolitanski muzej umetnosti
29
Daniel Huntington1842 · National Portrait Gallery
30
Major George Washington Whistler1843 · Cincinnati Art Museum
31
John Church Hamilton1825 · Detroit Institute of Arts
32
Martin Van Buren1837 · Metropolitanski muzej umetnosti
33
Mrs. Charles Cummings (Rebecca Pittard)1825 · Metropolitanski muzej umetnosti
34
Lieutenant Philip Augustus Stockton1833 · Detroit Institute of Arts
35
The Young Fisherman1829 · Metropolitanski muzej umetnosti
36
Black Hoof1831 · National Portrait Gallery
37
Ebenezer Martin1838 · Smithsonian American Art Museum
38
Mr. Rutherford1820 · Smithsonian American Art Museum
39
John Inman1830 · Metropolitanski muzej umetnosti
40
Portrait of a Lady1827 · Metropolitanski muzej umetnosti
41
Portrait of a Gentleman1825 · Smithsonian American Art Museum
42
Unidentified Lady1835 · New York Historical Society
43
A Gentleman of the Wilkes Family1838 · Metropolitanski muzej umetnosti
44
Henry G. Stebbins1838 · Metropolitanski muzej umetnosti
45
George Pope Morris1836 · National Gallery of Art
46
Dr. George Ackerly1835 · Smithsonian American Art Museum
47
Portrait of a Woman1840 · Georgia Museum of Art
48
Janet Halleck Drake1825 · Metropolitanski muzej umetnosti
49
Portrait of a Young ManNew York Historical Society
50
Hayne Hudjihini, Eagle of Delight1832 · Metropolitanski muzej umetnosti
51
John MarshallLibrary of Virginia
52
James Bogert, Jr.1835 · Metropolitanski muzej umetnosti
53
No-Tin (Wind)
54
Pes-Ke-Le-Cha-Co1832 · Metropolitanski muzej umetnosti
55
Angelica Singleton Van Buren (Mrs. Abraham Van Buren)1842
56
Dismissal of School on an October Afternoon1845 · Muzej fine arts
57
Rip Van Winkle Awakening from his Long Sleep1823 · National Gallery of Art
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Henry Inman | Slike iz tega seznama |
|---|---|---|---|
 Metropolitanski muzej umetnosti |
New York | 15 | Portrait of a Lady, Portrait of a Lady, Portrait of a Gentleman |
 New York Historical Society |
New York City | 11 | Alethea Lenox (1807-1878), Henry Rutgers (1745–1830), Mrs. Robert Lenox (Rachel Carmer, 1763-1843) |
 National Portrait Gallery |
Washington, D.C. | 6 | Tenskwatawa, Emma Embury, Eleazer Parmly |
 Smithsonian American Art Museum |
Washington, D.C. | 5 | John Wesley Jarvis, Ebenezer Martin, Mr. Rutherford |
 Detroit Institute of Arts |
Detroit | 3 | Children in the Park, John Church Hamilton, Lieutenant Philip Augustus Stockton |
 Cleveland Museum of Art |
Cleveland | 2 | Mary Ward Betts, Frederic Betts; Mary Ward Betts |
 Muzej fine arts |
Boston | 2 | Georgianna Buckham and Her Mother (Anna Traphagen Buckham), Dismissal of School on an October Afternoon |
 National Gallery of Art |
Washington | 2 | George Pope Morris, Rip Van Winkle Awakening from his Long Sleep |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The Portrait of Mrs. James W. Wallack is an oil on canvas painted by Henry Inman. Created in the United States, this work captures the likeness of Susan Johnstone, known as Mrs. James W. Wallack. The portrait emerged from the artist's brush circa 1828.
This oil on canvas portrait depicts Tenskwatawa, a Shawnee prophet and holy man who lived from approximately 1775 to 1837. The subject is the brother of the Shawnee leader Tecumseh. The work is dated 1831. It was executed by the American artist Henry Inman, who was born in 1801.
This 1842 portrait captures more than a mere likeness; it seeks to reveal the inner dignity and intellect of the young man. The composition relies on the interplay of light and shadow to breathe life into his features, creating a psychological depth that feels intimate. There is a quietude in his expression, a sense of a moment frozen in time, where the viewer is invited to wonder about the thoughts…
Tenskwatawa (1831), National Portrait Gallery, Washington, D.C.. Zatem sledeta Portrait of Mrs. James W. Wallack (1828) in John Wesley Jarvis (1822).
30 let: delo Tenskwatawa iz leta 1831, Henry Inman pa je bil/a rojen/a leta 1801.
Tenskwatawa, Portrait of Mrs. James W. Wallack, John Wesley Jarvis, Portrait of a Lady, John Wesley Jarvis, Children in the Park, Portrait of Clara Fisher, Alethea Lenox (1807-1878), Henry Rutgers (1745–1830) in Mrs. Robert Lenox (Rachel Carmer, 1763-1843). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 59 del avtorja Henry Inman, datiranih od 1820 do 1845.
Večini v Metropolitanski muzej umetnosti (New York), New York Historical Society (New York City) in National Portrait Gallery (Washington, D.C.). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1830s: 30 od 57 del na tej strani je bilo izdelovanih takrat, med njimi pa Tenskwatawa.
Na tej strani je najstarejše delo iz Portrait of a Lady (1820) in najstarejše iz Dismissal of School on an October Afternoon (1845).
Man (20), Portrait (15) in Woman (11), na 57 delih na tej strani.
Oil On Canvas, za 23 od 57 del na tej strani.
Academic realism in Romanticism, glede na originala na tej strani.
Portrait of a Lady, Portrait of a Lady in Portrait of a Gentleman: v muzeju Metropolitanski muzej umetnosti, New York se nahaja 15 del z te strani.
V razvijajoči se pokrajini ameriške umetnosti devetnadsetega stoletja je malo osebnosti tako intimno zajela razvijajočo se identiteto mladega naroda kot Henry Inman. Rodjen leta 1801 v Utiki v državi New York, v družini angleških immigrantov, je bil Inman plod tako tradicije starega sveta kot ambicij novega sveta. Njegove zgodnje leta v naselju Utica so mu dala temelj marljivosti, vendar je šele selitev v živahno, razvijajočo se metropo_lo New York City leta 1812 resnično razžarila njegovo umetniško usodo. Pod mentorstvom uveljavljenih mojstrov, kot sta John Wesley Jarvis in
Inmanova umetniška pot nikoli ni bila omejena na en sam žanr; bila je večstranska raziskava ameriške izkušnje. Čeprav je imel izjemno talento za zajemanje tihih, vsakdanjih trenutkov življenja skozi svoje žanrske scene — zlasti svoje vzburjajoče prikaze “Rip Van Winkle” in “The News Boy” — je njegovo srce pripadalo študiji človeškega značaja. Njegovi portreti niso bili le navadne podobnosti; bili so psihološke študije, ki so temeljile na razkrivanju notranje dostojnosti in intelektualne globine svojih motivov. Skozi natančno uporabo svetlobe in sence je v obraze najbolj vplivnih oseb tega obdobja vdihnil življenje, s čimer je ustvaril vizualni zapis vodstva in intelekta, ki ostaja ključen za naše razumevanje ameriške zgodovine.
Morda najgloblje poglavje Inmanove kariere leži v njegovem monumentalnem prispevku k ohranjanju dediščine domorodcev Amerike. V sodelovanju z slavnim litografom Thomasom L. McKenneyjem je Inman prevzel Herkulovo naloga izdelave dela "The History of the Indian Tribes of North America." Ta podvzig je od njega zahteval natančno kopiranje več kot sto oljnih slik, ki so jih prvotno izvedli Charles Bird King. To ni bila le tehnična vaja pri reprodukciji; bila je dejstvo zgodovinskega ohranjanja. Skozi svoje trudne delo je Inman pomagal zagotoviti, da so podobnosti in kulturna dostojnost voditeljev ameriških domorodcev ostali vrezani v trajne letopise ameriške umetnostne zgodovine.
To obdobje njegovega življenja je pokazalo globoko empatijo in usklajenost z intelektualnimi tokovi njegove dobe, ki so si želeli dokumentirati kompleksnost spreminjajoče se kontinenta. Njegova sposobnost, da je veličastnost teh prvotnih del prevedel v format, dostopen širšemu občinku, je utrdila njegovo ugled umetnika z pomembno družbeno in zgodovinsko odgovornostjo. S tem je premostil razkorak med umetnostjo in etnografskim zapisom, kar ga je postavilo v ključno vlogo v zgodnji ameriški gibanju za kulturno dokumentacijo.
Širina Inmanove portretne umetnosti služi kot Who's Who devetnajstcentrične ameriške pomembnosti. Njegova platna so prikazovala izjemno nabor pomembnih oseb, vključno s:
Poza posameznimi platni, se je Inmanov vpliv razširil celo na institucije, ki so oblikovale ameriško umetnost. Njegova vloga pri ustanovitvi National Academy of Design poudarja njegovo predanost vzpostavljanju formalne strukture za umetnično odličnost v Združenih državah. Čeprav je bilo njegovo življenje tragično kratko in se je končalo leta 1846, ostaja vpliv njegovega dela neizbrižljiv. Za seboj je pustil dediščino, ki jo definira redka kombinacija tehnične virtuoznosti in globoke spoštljivosti do motivov, ki jih je portretiral, s čimer je zagotovil, da obrazi preteklosti še naprej govorijo generacijam prihodnosti.
