Kratek opis
George Dyer, with his dog, Daphne (1819) je slika umetnika Henry Hoppner Meyer, ki pritegne največ pogledov; original se nahaja v muzeju Fitzwilliam Museum. Med 1 dela umetnika Henry Hoppner Meyer v našem katalogu so ta 1 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
10 najboljjših slik umetnika Henry Hoppner Meyer skozi oči galerije
Muzeji, ki hranijo originala umetnika Henry Hoppner Meyer
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Henry Hoppner Meyer | Slike iz tega seznama |
|---|---|---|---|
| 1 | George Dyer, with his dog, Daphne |
Henry Hoppner Meyer skozi leta: edinstvena originala vsakega dela
Vsi originali umetnika Henry Hoppner Meyer z navedenim letom, ki so prikazani tukaj, pripadajo letu 1819: razvrščeni so glede na stopnjo znanosti.
Slike umetnika Henry Hoppner Meyer: vprašanja za galerijo
Katero je najbolj znano delo umetnika Henry Hoppner Meyer?Razkriti odgovor
George Dyer, with his dog, Daphne (1819)
Pri kateri dobe je Henry Hoppner Meyer ustvaril George Dyer, with his dog, Daphne?Razkriti odgovor
39 let: delo George Dyer, with his dog, Daphne iz leta 1819, Henry Hoppner Meyer pa je bil/a rojen/a leta 1780.
Koliko je znanih del avtorja Henry Hoppner Meyer?Razkriti odgovor
Naš katalog vsebuje 1 del avtorja Henry Hoppner Meyer.
Kje si lahko ogledate najslavnejše originale umetnika Henry Hoppner Meyer?Razkriti odgovor
Večini v Fitzwilliam Museum. Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Henry Hoppner Meyer: portret umetnika
A Life in Portraiture and Engraving
Henry Hoppner Meyer was a British portrait painter and an engraver specializing in stipple and mezzotint. Born in London, he began his artistic journey at Christ’s Hospital, where he studied drawing under Benjamin Green. His formal training continued through a seven-year apprenticeship to the engraver Benjamin Smith, and he later refined his skills in engraving under Francesco Bartolozzi at the Royal Academy Schools.
His professional career saw him exhibiting small portrait-paintings at the Royal Academy starting in 1802. Beyond his paintings, he gained recognition for producing mezzotint and stipple engravings of prominent figures. His notable engraved portraits include:
In 1824, he became a founding member of the Society of British Artists, eventually serving as its President from 1828 to 1829.
Technique and Legacy
Meyer’s technical versatility allowed him to leave a mark on various mediums. His stipple engraving of Charles Lamb was displayed at the India Office between 1820 and 1850. He also achieved international recognition through his detailed portrait of D. Pedro as Regent of Portugal, a work printed for an edition of Portugal's second Constitution in 1832.
In his later years, Meyer operated a studio in Fitzrovia, London, where he took on private pupils in portraiture and stipple engraving. His students included Jane Waterhouse and Thomas Fairchild. His works are preserved in several significant institutions, including: