Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 24 del v našem katalogu avtorja Henrique Bernardelli
Kratek opis
Med vsemi originali, ki jih je pustil Henrique Bernardelli, je najbolj znan A Tarantela (1886), ki se nahaja v kolekciji Museu Nacional de Belas Artes, Rio de Janeiro. Takoj za njima sta Retrato de Joachim Lebreton (1909) in Interior Scene with a Girl Reading (1881). Naš katalog vsebuje 24 del umetnika Henrique Bernardelli; galerija je ohranila 23 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
The air inside the rustic room feels thick with the heat of the dance and the rhythmic pulse of the music. In the center of a circular composition, two women spin, their bodies caught in the frantic, joyful energy of the Tarantella. Their clothing, flashes of bright white and blue, cuts through the heavy shadows of the dimly lit interior. Every limb follows a swirling, fluid line, pulling the eye…
The gaze of the viewer meets the steady presence of Retrato de Joachim Lebreton, a work that brings the figure of Joachim Lebreton into immediate focus. This portrait, rendered by the hand of Henrique Bernardelli, captures a moment of quiet intensity. The subject remains fixed in time, his features emerging from the shadows of the composition to command attention. It is a study of character that feels deeply personal, as…
Retrato do pianista Artur Napoleão1904 · Museu Nacional de Belas Artes
12
Head of an Indian1925 · Pinacoteca do Estado de São Paulo
13
Landscape of Ouro Preto1881 · Museu de Arte de São Paulo Assis Chateaubriand
14
D. João VI ouvindo o padre José Maurício ao cravo (estudo)Museu Histórico Nacional
15
Portrait (Human Figure 1)Ipiranga Museum
16
Cabeça de cavalo1920 · Museu Histórico Nacional
17
Marshall Deodoro da Fonseca1919 · Museu Histórico Nacional
18
Dom João VI listening to Father José Maurício at the harpsichord (study)1936 · Museu Histórico Nacional
19
Busto de Joaquim Nabuco1950 · Музей Вищого Суду Федерації
20
Fragmento de retratoIpiranga Museum
21
Retirada do Cabo de São Roque1927 · Ipiranga Museum
22
Últimos Momentos de um Bandeirante1932 · Ipiranga Museum
23
Ciclo da Caça ao Índio1922 · Ipiranga Museum
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
6 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Henrique Bernardelli | Slike iz tega seznama |
|---|---|---|---|
 Museu Nacional de Belas Artes |
Rio de Janeiro | 8 | A Tarantela, Retrato de Joachim Lebreton, Vista de Roma |
 Ipiranga Museum |
São Paulo | 6 | Bandeirantes na selva, Portrait (Human Figure 1), Fragmento de retrato |
 Museu Histórico Nacional |
Rio de Janeiro | 4 | D. João VI ouvindo o padre José Maurício ao cravo (estudo), Cabeça de cavalo, Marshall Deodoro da Fonseca |
 Museu de Arte de São Paulo Assis Chateaubriand |
São Paulo | 2 | Interior Scene with a Girl Reading, Landscape of Ouro Preto |
 Pinacoteca do Estado de São Paulo |
Sao Paulo | 2 | Portrait of a Lady, Head of an Indian |
 Музей Вищого Суду Федерації |
Brasília | 1 | Busto de Joaquim Nabuco |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The air inside the rustic room feels thick with the heat of the dance and the rhythmic pulse of the music. In the center of a circular composition, two women spin, their bodies caught in the frantic, joyful energy of the Tarantella. Their clothing, flashes of bright white and blue, cuts through the heavy shadows of the dimly lit interior. Every limb follows a swirling, fluid line, pulling the eye…
The gaze of the viewer meets the steady presence of Retrato de Joachim Lebreton, a work that brings the figure of Joachim Lebreton into immediate focus. This portrait, rendered by the hand of Henrique Bernardelli, captures a moment of quiet intensity. The subject remains fixed in time, his features emerging from the shadows of the composition to command attention. It is a study of character that feels deeply personal, as…
Bust of elderly man, directed to the left. Long face and nose. High forehead. Dark, unruly hair. Thin eyebrows. Brown eyes. Thick mustache and long beard, gray. Left ear visible. Dark jacket and tie sketches, and white shirt. White background. Author
In this evocative study by the Brazilian master Henrique Bernardelli Thierry, we are invited into an intimate, gilded moment of musical devotion. The scene captures a profound intersection of faith, royalty, and artistry as Dom João VI sits in quiet contemplation, listening to Father José Maurício perform at the harpsichord. There is a palpable stillness in the air, a sense of held breath that accompanies the delicate notes of a…
A Tarantela (1886), Museu Nacional de Belas Artes, Rio de Janeiro. Zatem sledeta Retrato de Joachim Lebreton (1909) in Interior Scene with a Girl Reading (1881).
28 let: delo A Tarantela iz leta 1886, Henrique Bernardelli pa je bil/a rojen/a leta 1858.
A Tarantela, Retrato de Joachim Lebreton, Interior Scene with a Girl Reading, Vista de Roma, Messalina, Maternidade, Os Bandeirantes, Model at rest, Portrait of a Lady in Bandeirantes na selva. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 24 del avtorja Henrique Bernardelli, datiranih od 1880 do 1936.
Večini v Museu Nacional de Belas Artes (Rio de Janeiro), Ipiranga Museum (São Paulo) in Museu Histórico Nacional (Rio de Janeiro). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1880s: 7 od 23 del na tej strani je bilo izdelovanih takrat, med njimi pa A Tarantela.
Na tej strani je najstarejše delo iz Messalina (1880) in najstarejše iz Dom João VI listening to Father José Maurício at the harpsichord (study) (1936).
Man (3) in Portrait (3), na 23 delih na tej strani.
Oil On Canvas, za 2 od 23 del na tej strani.
A Tarantela, Retrato de Joachim Lebreton in Vista de Roma: v muzeju Museu Nacional de Belas Artes, Rio de Janeiro se nahaja 8 del z te strani.
