Portret Graciela Iturbide

Slike avtorja Graciela Iturbide: 25 najbolj znanih del skozi oči galerije

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 26 del v našem katalogu avtorja Graciela Iturbide

Kratek opis

Za oči galerije je najbolj znano sliko umetnika Graciela Iturbide delo Pachuco, Mexico City (1972), katere original visi v muzeju National Museum of Women in the Arts, Washington, D.C.. Jardín Botánico (Botanical Garden), Oaxaca (1998) in Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán (1979) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 26 del avtorja Graciela Iturbide v našem katalogu galerija spodaj predstavlja 25 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.

rojen 1942, Meksiko Documentary photography Največ del: National Museum of Women in the Arts
Pachuco, Mexico City (1972) avtorja Graciela Iturbide1. Pachuco, Mexico City 1972 Jardín Botánico (Botanical Garden), Oaxaca (1998) avtorja Graciela Iturbide2. Jardín Botánico (Botanical Garden), Oaxaca 1998 Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán (1979) avtorja Graciela Iturbide3. Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán 1979

Top 10 slik umetnika Graciela Iturbide v galeriji

1
Pachuco, Mexico City (1972) avtorja Graciela Iturbide

Pachuco, Mexico City

1972 · Black and White Photography · National Museum of Women in the Arts, Washington, D.C.

In the heart of 1972 Mexico City, Graciela Iturbide captured more than just a fleeting moment; she immortalized an identity. Her seminal photograph, "Pachuco," serves as a profound window into the burgeoning spirit of youthful rebellion that pulsed through the urban landscape following Mexico's Cultural Revolution. The subject, a young man embodying the pachuco subculture, stands before us not merely as a person, but as a symbol of stylistic resistance…

O tem originalu
2
Jardín Botánico (Botanical Garden), Oaxaca (1998) avtorja Graciela Iturbide

Jardín Botánico (Botanical Garden), Oaxaca

1998 · Gelatin Silver Print · National Museum of Women in the Arts, Washington, D.C.

In the heart of Oaxaca’s arid landscape, Graciela Iturbide captures a moment of profound stillness in her 1998 masterpiece, Jardín Botánico (Botanical Garden), Oaxaca. This striking black and white photograph presents a captivating scene where three cactus sculptures rise like sentinels against a vast, uncluttered sky. The composition is defined by a powerful verticality, as the cacti pierce the horizon, inviting the viewer into a deep contemplation of the relationship…

Zgodba, ki skriva to unikatno umetniško delo
3
Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán (1979) avtorja Graciela Iturbide

Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán

1979 · Gelatin Silver Print · National Museum of Women in the Arts, Washington, D.C.

In the profound stillness of Graciela Iturbide’s 1979 masterpiece, "Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán," we are invited into a world where the boundaries between the human spirit and the natural realm dissolve. This iconic silver gelatin print is far more than a photographic record; it is a poetic meditation on cultural identity, captured during Iturb andide's deep immersion into the indigenous traditions of Mexico.…

O tem originalu
4
Autoretrato como Seri (Self-Portrait as Seri) (1979) avtorja Graciela Iturbide

Autoretrato como Seri (Self-Portrait as Seri)

1979 · Gelatin Silver Print · National Museum of Women in the Arts, Washington, D.C.

In the quiet, monochrome depths of Graciela Iturbide’s Autoretrato como Seri (Self-Portrait as Seri), we encounter more than a mere photograph; we enter a profound meditation on the boundaries of the self. Created in 1979, this striking black-and-white masterpiece serves as a visual bridge between the artist's personal identity and the ancestral traditions of the Seri people of Sonora, Mexico. Iturbide does not simply document a culture; she inhabits it,…

Zgodba, ki skriva to unikatno umetniško delo
5
Peregrinación (Procession), Chalma (1984) avtorja Graciela Iturbide

Peregrinación (Procession), Chalma

1984 · Gelatin Silver Print · National Museum of Women in the Arts, Washington, D.C.

In the profound stillness of Graciela Iturbide’s 1984 masterpiece, Peregrinación (Procession), Chalma, the viewer is not merely an observer but a participant in a sacred ritual. Captured in a stark, evocative black and white gelatin silver print, this photograph serves as a crystallized moment of Mexican cultural identity. The image depicts a dense procession of pilgrims journeying toward the sanctuary of Chalma, a site where ancient Aztec spiritualism and Christian…

Poglejte bližje to delo
7
Torito (Little Bull), Coyoacán, Mexico City (1982) avtorja Graciela Iturbide

Torito (Little Bull), Coyoacán, Mexico City

1982 · Acrylic On Canvas · National Museum of Women in the Arts, Washington, D.C.

Captivating Subject and Cultural Significance This striking artwork presents a monochromatic depiction of a bull’s head, mounted on a bicycle frame, blending elements of sculpture and photography to evoke powerful cultural symbolism. The bull, a revered animal in Mexican tradition, symbolizes strength, resilience, and cultural identity. Its prominent horns and fierce expression invite viewers to reflect on themes of tradition, sacrifice, and communal heritage. The mounted presentation suggests a narrative…

O tem originalu
8
Ciudad de México (1969) avtorja Graciela Iturbide

Ciudad de México

1969 · Srebrni želatinski tisk · National Museum of Women in the Arts, Washington, D.C.

Ciudad de México (Mexico City) – Graciela Iturbide’s Poetic Reflection Graciela Iturbide's "Ciudad de México" transcends mere documentation; it embodies a profound meditation on identity, mortality, and the spirit of her homeland. Captured in 1969 as gelatin silver print, this image stands as an emblem of Mexican visual culture and continues to resonate with viewers today. The photograph isn’t simply what is seen but how it feels—a quiet contemplation punctuated…

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9
Inmaculada (Immaculate Girl), Xochimilco (1984) avtorja Graciela Iturbide

Inmaculada (Immaculate Girl), Xochimilco

1984 · Acrylic On Canvas · National Museum of Women in the Arts, Washington, D.C.

Inmaculada (Immaculate Girl), Xochimilco – A Hymn to Innocence Amidst Vibrant Ritual Graciela Iturbide’s “Inmaculada,” created in 1984, transcends mere photography; it's a profound meditation on faith, identity, and the enduring beauty of Mexican culture. Captured against the backdrop of Xochimilco’s canals—a UNESCO World Heritage Site steeped in tradition—the image portrays a young girl standing before an expansive mural depicting an angelic figure adorned with intricate floral motifs, skulls, and…

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10
Cuatro pescaditos (Four Little Fish), Juchitán (1986) avtorja Graciela Iturbide

Cuatro pescaditos (Four Little Fish), Juchitán

1986 · Black and White Photography · National Museum of Women in the Arts, Washington, D.C.

In the quiet, sun-drenched corners of Oaxaca, Mexico, Graciela Iturbide captures more than just a moment; she captures a soul. Her 1986 masterpiece, Cuatro Pescaditos (Four Little Fish), Juchitán, serves as a profound distillation of Zapotec culture and the enduring beauty found within the rhythms of everyday life. This black-and-white photograph is far more than a mere documentary record; it is a poignant meditation on identity and dignity. Through her…

O tem originalu

Slikarska dela umetnika Graciela Iturbide, uvrščena od 11 do 25

11Untitled (Family in a Hammock) (1960) avtorja Graciela IturbideUntitled (Family in a Hammock)1960 · USC Fisher Museum of Art 12Carmen, La Mixteca (1992) avtorja Graciela IturbideCarmen, La Mixteca1992 · National Museum of Women in the Arts 13El baño de Frida (Frida’s Bathroom), Coyoacán (2005) avtorja Graciela IturbideEl baño de Frida (Frida’s Bathroom), Coyoacán2005 · National Museum of Women in the Arts 14Saguaro, Sonoran Desert (1979) avtorja Graciela IturbideSaguaro, Sonoran Desert1979 · National Museum of Women in the Arts 15El baño de Frida (Frida’s Bathroom), Coyoacán (2005) avtorja Graciela IturbideEl baño de Frida (Frida’s Bathroom), Coyoacán2005 · National Museum of Women in the Arts 16Ascensíon (Ascension), Chalma (1984) avtorja Graciela IturbideAscensíon (Ascension), Chalma1984 · National Museum of Women in the Arts 17El baño de Frida (Frida’s Bathroom), Coyoacán (2005) avtorja Graciela IturbideEl baño de Frida (Frida’s Bathroom), Coyoacán2005 · National Museum of Women in the Arts 18Photographer, Chiapas (1975) avtorja Graciela IturbidePhotographer, Chiapas1975 · Muzej fine arts 19Mujer ángel (Angel Woman), Sonoran Desert (1979) avtorja Graciela IturbideMujer ángel (Angel Woman), Sonoran Desert1979 · National Museum of Women in the Arts 20Angelita, Sonoran Desert (1979) avtorja Graciela IturbideAngelita, Sonoran Desert1979 · National Museum of Women in the Arts 21Dance, Juchitán (1986) avtorja Graciela IturbideDance, Juchitán1986 · National Museum of Women in the Arts 22Magnolia con sombrero (Magnolia with Sombrero), Juchitán (1986) avtorja Graciela IturbideMagnolia con sombrero (Magnolia with Sombrero), Juchitán1986 · National Museum of Women in the Arts 23Pájaros en el poste, Carretera (Birds on the Post, Highway), Guanajuato (1990) avtorja Graciela IturbidePájaros en el poste, Carretera (Birds on the Post, Highway), Guanajuato1990 · National Museum of Women in the Arts 24Cayó del cielo (Fallen from heaven), Chalma (1989) avtorja Graciela IturbideCayó del cielo (Fallen from heaven), Chalma1989 · National Museum of Women in the Arts 25Novia Muerte (Death Bride), Chalma (1990) avtorja Graciela IturbideNovia Muerte (Death Bride), Chalma1990 · National Museum of Women in the Arts

Motivi, ki so očarali Graciela Iturbide

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Mexican culture 5 delo

Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán (1979), Graciela Iturbide #3 Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán 1979 · National Museum of Women in the Arts Los pollos (Chickens), Juchitán (1979), Graciela Iturbide #6 Los pollos (Chickens), Juchitán 1979 · National Museum of Women in the Arts Ciudad de México (1969), Graciela Iturbide #8 Ciudad de México 1969 · National Museum of Women in the Arts Inmaculada (Immaculate Girl), Xochimilco (1984), Graciela Iturbide #9 Inmaculada (Immaculate Girl), Xochimilco 1984 · National Museum of Women in the Arts

Black and white 4 delo

Jardín Botánico (Botanical Garden), Oaxaca (1998), Graciela Iturbide #2 Jardín Botánico (Botanical Garden), Oaxaca 1998 · National Museum of Women in the Arts Saguaro, Sonoran Desert (1979), Graciela Iturbide #14 Saguaro, Sonoran Desert 1979 · National Museum of Women in the Arts El baño de Frida (Frida’s Bathroom), Coyoacán (2005), Graciela Iturbide #15 El baño de Frida (Frida’s Bathroom), Coyoacán 2005 · National Museum of Women in the Arts El baño de Frida (Frida’s Bathroom), Coyoacán (2005), Graciela Iturbide #17 El baño de Frida (Frida’s Bathroom), Coyoacán 2005 · National Museum of Women in the Arts

Symbolic imagery 3 delo

El baño de Frida (Frida’s Bathroom), Coyoacán (2005), Graciela Iturbide #13 El baño de Frida (Frida’s Bathroom), Coyoacán 2005 · National Museum of Women in the Arts Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán (1979), Graciela Iturbide #3 Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán 1979 · National Museum of Women in the Arts Los pollos (Chickens), Juchitán (1979), Graciela Iturbide #6 Los pollos (Chickens), Juchitán 1979 · National Museum of Women in the Arts

Indigenous culture 3 delo

Autoretrato como Seri (Self-Portrait as Seri) (1979), Graciela Iturbide #4 Autoretrato como Seri (Self-Portrait as Seri) 1979 · National Museum of Women in the Arts Cuatro pescaditos (Four Little Fish), Juchitán (1986), Graciela Iturbide #10 Cuatro pescaditos (Four Little Fish), Juchitán 1986 · National Museum of Women in the Arts Carmen, La Mixteca (1992), Graciela Iturbide #12 Carmen, La Mixteca 1992 · National Museum of Women in the Arts

Muzeji, ki hranijo originala umetnika Graciela Iturbide

3 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Graciela Iturbide Slike iz tega seznama
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 23 Pachuco, Mexico City, Jardín Botánico (Botanical Garden), Oaxaca, Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán
USC Fisher Museum of Art, Los AngelesUSC Fisher Museum of Art Los Angeles 1 Untitled (Family in a Hammock)
Muzej fine arts, BostonMuzej fine arts Boston 1 Photographer, Chiapas

Graciela Iturbide, ena značilna slika na desetletje

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Slike umetnika Graciela Iturbide: odgovori galerije

Katero sliko avtorja Graciela Iturbide je najbolj znana med vsemi?Razkriti odgovor

Pachuco, Mexico City (1972), National Museum of Women in the Arts, Washington, D.C.. Zatem sledeta Jardín Botánico (Botanical Garden), Oaxaca (1998) in Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán (1979).

Koliko je bil Graciela Iturbide let, ko je dokončal Pachuco, Mexico City?Razkriti odgovor

30 let: delo Pachuco, Mexico City iz leta 1972, Graciela Iturbide pa je bil/a rojen/a leta 1942.

Katera je 10 najboljjših slik umetnika Graciela Iturbide?Razkriti odgovor

Pachuco, Mexico City, Jardín Botánico (Botanical Garden), Oaxaca, Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán, Autoretrato como Seri (Self-Portrait as Seri), Peregrinación (Procession), Chalma, Los pollos (Chickens), Juchitán, Torito (Little Bull), Coyoacán, Mexico City, Ciudad de México, Inmaculada (Immaculate Girl), Xochimilco in Cuatro pescaditos (Four Little Fish), Juchitán. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko dzieł stworzył Graciela Iturbide?Razkriti odgovor

Naš katalog vsebuje 26 del avtorja Graciela Iturbide, datiranih od 1960 do 2005.

Kje so razpostavljena najbolj znana originala umetnika Graciela Iturbide?Razkriti odgovor

Večini v National Museum of Women in the Arts (Washington, D.C.), USC Fisher Museum of Art (Los Angeles) in Muzej fine arts (Boston). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

Kdaj je Graciela Iturbide ustvaril svoja najbolj znana slika?Razkriti odgovor

V obdobju 1970s: 8 od 25 del na tej strani je bilo izdelovanih takrat, med njimi pa Pachuco, Mexico City.

Kateri so najstarejši in najmlajši znanii dela umetnika Graciela Iturbide?Razkriti odgovor

Na tej strani je najstarejše delo iz Untitled (Family in a Hammock) (1960) in najstarejše iz El baño de Frida (Frida’s Bathroom), Coyoacán (2005).

Kateri motivi so bili za Graciela Iturbide najbolj značilni?Razkriti odgovor

Mexican culture (5), Black and white (4) in Symbolic imagery (3), na 25 delih na tej strani.

Pri katerem medijem je Graciela Iturbide delal največ?Razkriti odgovor

Gelatin Silver Print, za 8 od 25 del na tej strani.

S katerim umetnostnim slogom je povezan Graciela Iturbide?Razkriti odgovor

Documentary photography in Contemporary realism, glede na originala na tej strani.

Katera originalna dela umetnika Graciela Iturbide ima v svoji zbirki National Museum of Women in the Arts?Razkriti odgovor

Pachuco, Mexico City, Jardín Botánico (Botanical Garden), Oaxaca in Nuestra Señora de las Iguanas (Our Lady of the Iguanas), Juchitán: v muzeju National Museum of Women in the Arts, Washington, D.C. se nahaja 23 del z te strani.

Graciela Iturbide: umetnik

Življenje, vrezano v svetlo: Poetična vizija Graciele Iturbide

Graciela Iturbide, rojena v Mexico Cityju leta 1942, je več kot le fotografinja; je vizualna poetka, katere črno-bele slike resonirajo z dušo njene države in univerzalno človeško izkušnjo. Obvladovanje najstarejšega iz trinajstih otrok v globoko tradicionalni katoliški družini ji je vdel ostre opazovalne veščine – tiho pozornost do nianc življenja, ki bo kasneje definiral skozi njeno umetniško prakso. Amaterska fotografija njenega očeta, ki je dokumentiral vsakdanje družinske trenutke, je v njej vzbudila zgodnje fascinacije z medijem, s čimer je preoblikovala preproste posnetke v dragocene spomine in položila temelje Iturbideino lastno raziskovanje oblikovanja slik. Te oblikovalne leta niso bila le učenje tehnike; bila so razumevanje tega, kako lahko fotografije zajamejo identiteto, ohranijo zgodovino in vzbudijo globoke čustva.

Od žalosti do razodetja: Iskanje glasu skozi objektiv

Ključni trenutek se je pojavil leta 1970 s tragično izgubo njene šestletne hčerke Claudie. Ta uničujoč dogodek je nepopravljivo spremenil Iturbidino pot in jo spodbudil k iskanju tolažbe in smisla skozi umetniško izražanje. Sprva privlačen filmski proces v Centro Universitario de Estudios Cinematográficos na Universidad Nacional Autónoma de México, je kmalu odkrila, da nežna fotografija ponuja bolj neposreden kanal za njeno razvijajočo se vizijo. Ključno mentorstvo z Manuelom Álvarez Bravojem med letoma 1970 in 1971 se je izkazalo za preobrazbno. Ni jo učil le tehničnih veščin; prenašal je filozofijo potrpljivosti, spodbujal Iturbide, naj čaka na odločilni trenutek – tisto bežajočo sekundo, ko se vsi elementi uskladijo, da ustvarijo sliko, prepojeno z močjo in pomembnostjo. Ta obdobje je označilo preobrat, ki je utrdil njeno predanost fotografiji kot sredstvu za procesiranje žalosti, raziskovanje kompleksnih tem in dokumentiranje sveta okoli nje.

Odmevi tradicije: Dokumentiranje meksičke duše

Iturbidino del zaznamuje poetična senzibilnost in evokativna črno-bela podoba. Ona fotografij ne $\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text{$\\text, ki je vključuje žensko v Oaxaci, obkoljeno z iguanoj, postane močan simbol indigenousne duhovnosti in ženske moči. Podobno "El baño de Frida (Fridina kopalnica), Coyoacán" ponuja intimen vpogled v osebno zatočišče Fride Kahlo in razkriva plasti simbolike znotraj njenega zasebnega prostora.

Dedstvo, utrjeno v priznanju

Skrz skozi svojo kariero je Graciela Iturbide prejela pomembna priznanja za svoj prispevek k fotografiji. Leto 1971 je prejela nagrado W. Eugene Smith Grant in pridobila štipendijo na Guggenheim College, kar je zagotovilo ključno podporo njenim umetniškim prizadevanjem. Njena serija, ki dokumentira Indijance Seri v Sonori, stoji kot spomen njeni predanosti ohranjanju kulturne dediščine, saj zajema njihov edinstven način življenja in globoko povezanost z desertnim okoljem. Druga izstopajoča dela, kot sta „Photographer, Chiapas“ in „Inmaculada (Nedolžna deklica), Xochimilco“, further dokazują njeno sposobnost iskanja lepote in smisla v vsakdanjih scenah. Iturbidinin vpliv sega daleč čez meje Meksike; njeno del je bilo izloženo mednarodno in se nahaja v prestižnih muzejskih zbirkah, kot sta San Francisco Museum of Modern Art in The J. Paul Getty Museum. Odprla je pot drugim latinomaškim fotografinjam, s čimer je izzivala konvencionalne predstavitve meksičke kulture in navdihnila novo generacijo umetnikov s svojo zavezanošću k družbeni dokumentaciji, poetični viziji in neomajni spoštovanje do kulturne raznolikosti. Graciela Iturbide ne dokumentira le Meksike; ona razkriva njeno dušo.
Vsa dela avtorja Graciela Iturbide: 26 →