Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 54 del v našem katalogu avtorja George Frederick Harris
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Group of Still Life Artist's Materials (1908) je slika avtorja George Frederick Harris, ki pritegne največ pogledov; original se nahaja v muzeju Cyfarthfa Castle Museum - Art Gallery, Merthyr Tydfil. Nato se pogled smeri k Nehemiah Phillips, JP (1913) in Portrait of a Man with a Beard (1890). Med 54 dela umetnika George Frederick Harris v našem katalogu so ta 44 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
The painting presents a collection of objects arranged upon a flat surface, centered around an open book. This central volume lies flat, its pages spread to reveal the interior. Surrounding this focal point, various tools and vessels are positioned in a deliberate arrangement. A pair of scissors rests near the book, accompanied by a magnifying glass with a dark handle. To the sides, a cup, a bottle, and a bowl…
The portrait of Nehemiah Phillips, JP, captures a man caught in a moment of quiet, focused industry. Painted by George Frederick Harris in 1913, the work presents the subject within a formal setting that suggests a life of significant responsibility. He sits at a desk, a pen held in hand, appearing as though he is in the midst of recording important thoughts or perhaps reviewing a legal document. A book…
An elderly man occupies the center of this 1890 oil on canvas, his gaze directed slightly to the right of the viewer. He is dressed in formal attire, consisting of a dark suit and vest that anchor the composition. A full, white beard dominates the lower half of his face, its texture rendered through deliberate, layered brushstrokes. The subject's expression carries a quiet gravity, suggesting a life of experience and…
In this 1896 portrait, George Frederick Harris turns his attention to Rosina Davies, capturing her in a moment of composed stillness. The subject is seated, her form framed by the dark volume of her hair and the intricate textures of her attire. There is a certain gravity to her posture, a sense of a woman who possesses a clear, internal direction. The lighting is soft, falling across the contours of…
This oil on canvas portrait, dated 1904, depicts an elderly man in a three-quarter view. The subject is positioned centrally, with his head and upper body occupying the majority of the frame. He possesses a prominent beard and hair, rendered with visible brushstrokes that define the texture of the individual strands. His facial features are illuminated by a soft, diffused light that originates from the side, casting the contours of…
This work is titled Portrait of a Man (possibly Parker Hagerty) and was executed by the artist George Frederick Harris. Painted in 1908, the portrait offers a quiet glimpse into the character of its subject. The sitter is captured in a moment of stillness, presented through the practiced hand of a painter who understood the nuances of individual presence.
William Evans1890
12
Inspector Rodman (Merthyr Division)1888
13
Portrait of an Unknown Man1890
14
Dr Vincent Andover Wills1887 · Cyfarthfa Castle Museum - Art Gallery
15
Portrait of an Unknown Welsh Soldier1890
16
Portrait of a Woman in Red1890
17
Margaret David1890 · Cynon Valley Museum - Gallery
18
Richard David1890 · Cynon Valley Museum and Gallery
19
Mrs Leticia Rice of Dowlais1896 · Cyfarthfa Castle Museum - Art Gallery
20
Mrs Thomas Rees1896 · Cyfarthfa Castle Museum - Art Gallery
21
Dan Davies (b.1859)1893
22
Portrait of an Unknown Man (possibly Mr Bottomley)1897
23
Mr Thomas Rees1896
24
George Livesey1905 · Cyfarthfa Castle Museum - Art Gallery
25
Day Dreams1903
26
Lord Tredegar (1831–1913)1902
27
Chief Inspector Walter Lewis1903
28
Still Life of Fruit in a Basket, a Pineapple Alongside and Wine Bottle and Glass Behind1901 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
29
Portrait of a Man Sitting
30
Margaret DavidCynon Valley Museum and Gallery
31
Grapes1911
32
Godfrey Charles Morgan (1831–1913), 2nd Baron, 1st Viscount Tredegar1910
33
John Thomas, Clerk to the Council1909 · Brynmawr Town Council
34
The Mother of Rosina Davies1907 · Llyfrgell Genedlaethol Cymru
35
Portrait of an Unknown Gentleman1909 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
36
The King Salutes the Grave of an Unknown Soldier1916
37
Alderman Seymour Berry as Mayor1912
38
Captain Harold James Brown, MC, 12th Battalion, South Wales Borderers during the First World War1917
39
Rosetta Harris, née Lucas1918
40
Portrait of an Unknown Lady1919 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
41
Self Portrait1909
42
Alderman Frederick Phillips, JP
43
Mrs Dan Davies1896
44
Apples and Grapes1894
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
7 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga George Frederick Harris | Slike iz tega seznama |
|---|---|---|---|
 Cyfarthfa Castle Museum - Art Gallery |
Merthyr Tydfil | 5 | Group of Still Life Artist's Materials, Dr Vincent Andover Wills, Mrs Leticia Rice of Dowlais |
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
Aberystwyth | 5 | Rosina Davies (1863–1949), Portrait of a Man (possibly Parker Hagerty), Still Life of Fruit in a Basket, a Pineapple Alongside and Wine Bottle and Glass Behind |
 Cynon Valley Museum and Gallery |
Aberdare | 2 | Richard David, Margaret David |
 Amgueddfa Cymru |
Cardiff | 1 | Mrs William Evans, Glyn Neath |
 Cynon Valley Museum - Gallery |
Aberdare | 1 | Margaret David |
 Brynmawr Town Council |
Bryngarw | 1 | John Thomas, Clerk to the Council |
 Llyfrgell Genedlaethol Cymru |
Aberystwyth | 1 | The Mother of Rosina Davies |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
An elderly man occupies the center of this 1890 oil on canvas, his gaze directed slightly to the right of the viewer. He is dressed in formal attire, consisting of a dark suit and vest that anchor the composition. A full, white beard dominates the lower half of his face, its texture rendered through deliberate, layered brushstrokes. The subject's expression carries a quiet gravity, suggesting a life of experience and…
The painting presents a collection of objects arranged upon a flat surface, centered around an open book. This central volume lies flat, its pages spread to reveal the interior. Surrounding this focal point, various tools and vessels are positioned in a deliberate arrangement. A pair of scissors rests near the book, accompanied by a magnifying glass with a dark handle. To the sides, a cup, a bottle, and a bowl…
The portrait of Nehemiah Phillips, JP, captures a man caught in a moment of quiet, focused industry. Painted by George Frederick Harris in 1913, the work presents the subject within a formal setting that suggests a life of significant responsibility. He sits at a desk, a pen held in hand, appearing as though he is in the midst of recording important thoughts or perhaps reviewing a legal document. A book…
Group of Still Life Artist's Materials (1908), Cyfarthfa Castle Museum - Art Gallery, Merthyr Tydfil. Zatem sledeta Nehemiah Phillips, JP (1913) in Portrait of a Man with a Beard (1890).
52 let: delo Group of Still Life Artist's Materials iz leta 1908, George Frederick Harris pa je bil/a rojen/a leta 1856.
Group of Still Life Artist's Materials, Nehemiah Phillips, JP, Portrait of a Man with a Beard, Rosina Davies (1863–1949), Portrait of a Gentleman with a Beard, Portrait of a Man (possibly Parker Hagerty), Sir Henry Paul Seale (1806–1897), Bt, Mayor of Dartmouth, Portrait of a Middle Aged Sitter, Boy with a Harp in Mrs William Evans, Glyn Neath. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 54 del avtorja George Frederick Harris, datiranih od 1881 do 1919.
Večini v Cyfarthfa Castle Museum - Art Gallery (Merthyr Tydfil), Llyfrgell Genedlaethol Cymru / The National Library of Wales (Aberystwyth) in Cynon Valley Museum and Gallery (Aberdare). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1890s: 16 od 44 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of a Man with a Beard.
Na tej strani je najstarejše delo iz Portrait of a Middle Aged Sitter (1881) in najstarejše iz Portrait of an Unknown Lady (1919).
Portrait (5), Formal (4) in Book (3), na 44 delih na tej strani.
Oil On Canvas, za 5 od 44 del na tej strani.
Academic realism in Contemporary realism, glede na originala na tej strani.
Group of Still Life Artist's Materials, Dr Vincent Andover Wills in Mrs Leticia Rice of Dowlais: v muzeju Cyfarthfa Castle Museum - Art Gallery, Merthyr Tydfil se nahaja 5 del z te strani.
The story of George Frederick Harris is one of profound movement, spanning continents and bridging the gap between the intimate world of portraiture and the grand scale of public muralism. Born in Birmingham, West Midlands, in 1856, Harris’s early years were rooted in the industrial heart of England, yet his spirit was destined for a much broader stage. As a painter of both landscape and portrait, he possessed a rare ability to capture the essence of his subjects, whether through the delicate textures of lace in a formal sitting or the sweeping, atmospheric vistas of the natural world. His early career saw him establishing a significant presence in Wales, where he served as the chairman and secretary of the South Wales Art Society in Cardiff, demonstrating an early commitment to the cultivation of artistic communities.
Harris’s life was characterized by a remarkable series of transitions that mirrored the shifting tides of the late 19th and early 20th centuries. After building a successful business in portraiture and photography in Merthyr Tydfil, he embarked on a transformative journey to Australia in 1920. This migration did not signal an end to his creativity but rather a new chapter of exploration. In the vibrant landscape of Sydney, Harris continued to refine his craft, leaving behind a legacy that connected his Welsh heritage with the burgeoning art scene of the Southern Hemisphere. His personal life was equally rich and complex, marked by significant familial connections; he was the father of the celebrated Australian illustrator Pixie O'Harris, whose whimsical style would later enchant generations of readers.
To observe a work by Harris is to witness a meticulous marriage of technical precision and emotional depth. His approach to portraiture was deeply rooted in the classical tradition, utilizing oil on canvas to create layers of texture that breathed life into his sitters. He had an extraordinary eye for detail, often focusing on the subtle interplay of light and shadow to convey character and status. In works such as his 1896 portrait of Rosina Davies, one can see how he employed a realistic style to highlight elegant floral elements and intricate fabrics, creating a sense of timelessness that remains captivating to the modern viewer.
Beyond the individual, Harris’s work often touched upon the broader social fabric. His ability to translate the anxieties and triumphs of his era into visual language allowed him to move between genres with ease. Whether he was capturing the quiet dignity of a gentleman in a studio setting or the rugged beauty of a landscape, his brushwork remained purposeful and evocative. This versatility ensured that his art was not merely decorative but served as a historical record of the people and places that defined his era. His contributions to public collections, such as those held at the Cyfarthfa Castle Museum & Art Gallery, ensure that his technical mastery continues to be studied by those seeking to understand the evolution of portraiture during this transformative period.
The historical significance of George Frederick Harris lies in his role as a cultural conduit. He was an artist who did not exist in isolation but was deeply embedded in the institutional fabric of the art worlds he inhabited. Through his leadership roles in Wales and his eventual integration into the Australian art landscape, he helped foster the growth of professional societies and the appreciation of fine arts across borders. His life serves as a testament to the itinerant nature of the artist, proving that creativity knows no geographic boundaries.
Today, the works of Harris are cherished not only for their aesthetic beauty but for the window they provide into a bygone era of craftsmanship. His legacy is preserved through:
