Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 215 del v našem katalogu avtorja Frederick Goodall
Kratek opis
Hunt the Slipper (1860) je slika avtorja Frederick Goodall, ki pritegne največ pogledov; original se nahaja v muzeju Sheffield City Art Galleries, Sheffield. Nato se pogled smeri k The Holy Well (1843) in The Village Holiday (1847). Med 215 dela umetnika Frederick Goodall v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
The painting Hunt the Slipper by Frederick Goodall captures a moment of communal movement. Created in 1860, this work presents a landscape format that stretches the viewer's gaze across a rural scene. It is an oil on panel, a medium that holds the light of a mid-nineteenth-century afternoon within its grain.
The Holy Well is an oil painting by the English painter Frederick Goodall. Created about 1843, this work depicts a group of figures gathered around a stone well situated within a wooded, rustic setting. The scene includes a stone cross and the remains of an archway in the background, establishing a setting defined by religious and historical elements.
The Village Holiday by Frederick Goodall captures a lively moment of communal celebration. This 1847 oil painting presents a genre scene where the rhythms of rural life take center stage. Within the frame, traditional festivities unfold in an English village, looking back to a time of simple, shared joy. The atmosphere feels thick with the energy of a community gathered together, momentarily stepping away from the toil of daily existence…
In Market People of Brittany in a Boat, Frederick Goodall centers the composition around a wooden boat that occupies most of the frame's central area. This vessel is filled with various people and goods. To the left of the boat, a shoreline featuring reeds and vegetation is visible. On the right side, a distant bank or coastline is suggested, providing a sense of scale to the water. The horizon line…
A Halt at a Brittany Well is an oil on canvas by Frederick Goodall. Painted about 1844, the work captures a quiet moment of rest in the rural landscape of Brittany, France. The scene focuses on a man, a woman, and a child pausing by an old stone well, accompanied by a horse and cart. It is a study of stillness amidst the daily rhythms of provincial life.
Mother and Children is an oil on panel work by the English artist Frederick Goodall. Executed in 1851, the painting belongs to a period in the artist's career preceding his extensive travels to Egypt. Goodall, who lived from 1822 to 1904, established himself within the London art establishment through numerous exhibitions at the Royal Academy.
An Episode in the Happier Days of Charles I is an oil on canvas history painting by the British artist Frederick Goodall. Executed in 1853, the work represents a significant contribution to the mid-Victorian interest in historical narrative and royal portraiture. The piece reflects the technical precision Goodall developed through his early training and his subsequent reputation for large-scale figure subjects.
The Heath Cart by Frederick Goodall, created about 1850, centers its composition on a wooden cart and its occupants. A donkey pulls the vehicle across a rugged, uneven landscape, establishing a focal point amidst the surrounding terrain. The figures within the cart are positioned to suggest family unity and the shared nature of their labor. This arrangement emphasizes the human element within a vast, pastoral setting.
A mother sits upon a patterned rug, her body curved around the small, pale weight of her infant. The scene is set within a room that breathes the air of the Middle East or North Africa, a space defined by soft shadows and the stillness of a private moment. Light spills from an unseen source to the left, catching the smooth curve of a baby's cheek and the gentle slope…
In High Society Couple, Frederick Goodall presents a quiet, composed scene from the height of Victorian social life. Painted about 1861, the work captures a man and woman positioned within an arched doorway, their presence framed by the architecture of a refined urban setting. They are accompanied by servants, a detail that subtly acknowledges the social hierarchies and domestic structures of the era. A small dog sits at the bottom…
Rachel1867 · Narodna galerija Viktorije
12
the marriage procession1870
13
A Helping Hand, Cairo1870
14
Interior of a Coffee Shop, Cairo1870
15
The Marriage Procession1870 · Touchstones Rochdale Arts And Heritage Centre
16
Getting in the Sugar Cane, River Nile1875 · Grundy Art Gallery
17
Mother and Child1875 · Petit Palais
18
The Flight into Egypt1884 · Te Whare O Rehua Sarjeant Gallery
19
Memphis1882
20
Egyptian Woman and Child1879 · Russell
21
Leading the Flock1889
22
Davids Promise to Bathsheba
23
Egyptian nomad
24
Early Morning in the Wilderness of Shur
25
La Porte du Desert
26
Puritan and Cavalier1886 · Walker Art Gallery
27
Old and Young Come Forth To Play1847
28
Leaving a Church, Brittany1840 · Wolverhampton Art Gallery
29
Gypsy Encampment1848 · Towner Gallery
30
Entering a Church, Britanny1840 · Wolverhampton Art Gallery
31
Ruins of Egypt1849
32
the swing1853
33
tired gleaners1855
34
William Edward Dighton (1822–1853) in Middle Eastern Dress1852 · Metropolitanski muzej umetnosti
35
William Edward Dighton (1822 1853) in Middle Eastern Dress1852
36
A Letter from Papa1855
37
summer song1863
38
arab boy resting1858
39
Portrait of a Middle Eastern Girl1859
40
Felice Ballarin Reciting Tasso to the People of Chioggia1858 · Sheffield City Art Galleries
41
Highland Jessie (also known as The Campbells are Coming)1858
42
The Drinking Trough A Scene in Brittany1857
43
The Rising of the Nile1865
44
rebekah
45
Widow of Nain1874
46
the water bearers1878
47
The Distaff Worker1878 · Nottingham Castle Museum And Art Gallery
48
A New Light in the Harem - Oil on Canvas -1885
49
A View of Eton from Windsor Castle1889 · Kraljeva zbirka
50
the young arab outpost - oil on canvas -1889
51
Puritan and Cavalier1886
52
portrait1891
53
Horatio Herbert Kitchener, 1st Earl Kitchener of Khartoum1890 · National Portrait Gallery
54
Spinners and weavers1894
55
Rica his daughter1894
56
The Ploughman and the Shepherdess Time of the Evening Prayer1897
57
Female Riding Camel1893
58
Landscape Near Folkestone, Kent1900
59
Rachel
60
fruit woman
61
Thomas Cranmer At The Traitor's Gate
62
The homely meal
63
the flight into egypt
64
A woman of Cairo
65
untitled
66
a fairy scene
67
flower girls
68
jessies dream
69
miranda frederick goodall
70
an arabian dealerPetit Palais
71
a letter from papa
72
the irish piper
73
sheik distributing alms
74
the grand bazaar
75
A Dream of Paradise
76
an eygptian flower girl
77
Figures and Goats by an Oasis
78
The Song of the Nubian Slave
79
Musicians
80
Bazaar scene
81
Leaving the Village
82
Market Day
83
Femme à la cruche
84
The Light of the Rising Sun upon the Pyramids of Ghizeh
85
Irish Cabin Interior
86
Maternal Affection
87
The Irish Piper
88
The children of Charles I illustration from Hutchinsons Story of the British Nation1923
89
An Arab home1893 · Art Gallery of New South Wales
90
Trespassers
91
travellers in the desert
92
Arab travellers at sunset a town beyond
93
Scen at a well
94
Arabs in the Desert
95
driving ducks
96
At the well
97
an eastern shepherdess
98
Overflow of the Nile
99
By the Nile
100
the pipe smoker
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Frederick Goodall | Slike iz tega seznama |
|---|---|---|---|
 Sheffield City Art Galleries |
Sheffield | 3 | Hunt the Slipper, The First Born, Felice Ballarin Reciting Tasso to the People of Chioggia |
 Petit Palais |
Pariz | 2 | Mother and Child, an arabian dealer |
 Wolverhampton Art Gallery |
Wolverhampton | 2 | Leaving a Church, Brittany, Entering a Church, Britanny |
 National Gallery of Ireland |
Dublin | 1 | The Holy Well |
 Fitzwilliam Museum |
1 | The Heath Cart | |
 Narodna galerija Viktorije |
Melbourne | 1 | Rachel |
 Touchstones Rochdale Arts And Heritage Centre |
Rochdale | 1 | The Marriage Procession |
 Grundy Art Gallery |
Blackpool | 1 | Getting in the Sugar Cane, River Nile |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The Holy Well is an oil painting by the English painter Frederick Goodall. Created about 1843, this work depicts a group of figures gathered around a stone well situated within a wooded, rustic setting. The scene includes a stone cross and the remains of an archway in the background, establishing a setting defined by religious and historical elements.
Mother and Children is an oil on panel work by the English artist Frederick Goodall. Executed in 1851, the painting belongs to a period in the artist's career preceding his extensive travels to Egypt. Goodall, who lived from 1822 to 1904, established himself within the London art establishment through numerous exhibitions at the Royal Academy.
The painting Hunt the Slipper by Frederick Goodall captures a moment of communal movement. Created in 1860, this work presents a landscape format that stretches the viewer's gaze across a rural scene. It is an oil on panel, a medium that holds the light of a mid-nineteenth-century afternoon within its grain.
In the marriage procession, Frederick Goodall presents a scene of Middle Eastern travelers and a camel caravan. The composition is vertically oriented, directing the viewer's gaze upward from the foreground figures toward distant buildings and palm trees. A group of men occupies the center, riding atop a richly decorated camel. Among them, one man prominently carries drums while another plays a pipe, establishing a sense of movement and ritual. Several…
In this work, titled The Flight into Egypt, Frederick Goodall presents a quiet moment of biblical history. Painted about 1884, the scene captures a period of profound transition. The subject matter focuses on the necessity of movement, touching upon themes of migration, refuge, and endurance as the figures navigate a landscape of uncertainty.
Hunt the Slipper (1860), Sheffield City Art Galleries, Sheffield. Zatem sledeta The Holy Well (1843) in The Village Holiday (1847).
38 let: delo Hunt the Slipper iz leta 1860, Frederick Goodall pa je bil/a rojen/a leta 1822.
Hunt the Slipper, The Holy Well, The Village Holiday, Market People of Brittany in a Boat, A Halt at a Brittany Well, Mother and Children, The Happier Days of Charles I, The Heath Cart, The First Born in High Society Couple. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 215 del avtorja Frederick Goodall, datiranih od 1840 do 1900.
Večini v Sheffield City Art Galleries (Sheffield), Petit Palais (Pariz) in Wolverhampton Art Gallery (Wolverhampton). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1850s: 13 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Mother and Children.
Na tej strani je najstarejše delo iz Leaving a Church, Brittany (1840) in najstarejše iz Landscape Near Folkestone, Kent (1900).
Landscape (8), Woman (8) in Victorian art (8), na 100 delih na tej strani.
Oil On Canvas, za 16 od 100 del na tej strani.
Hunt the Slipper, The First Born in Felice Ballarin Reciting Tasso to the People of Chioggia: v muzeju Sheffield City Art Galleries, Sheffield se nahaja 3 del z te strani.
London, leto 1822. Frederick Goodall vstopa v svet natančnih črt in tehničnega znanja kot drugi sin Edwarda Goodalla, mojstra graviranja v jeklu. Ta družinska povezanost z mehaniko graviranja mu podarja temeljno razumevanje za detajl, ki bo kasneje postal ključen del njegove umetnosti. S svojo formalno izobraževanje si pridobiva na akademiji Wellington Road, v obdobju študija, ki ga pripravi na zahtevnosti profesionalnega umetniškega predstavljanja.
Prehod iz študentskih let v profesionalni svet se zgodi z presenetljivo hitrostjo. Komaj pri šestnajstih letih Goodall pridobi pomembno naročnino od Isambarda Brunela. Naloga obsega dokumentiranje gradnje tunla Rotherhithe skozi šest akvarelnih slik. Ta dela ne služijo le kot zapis inženirskega podviga; postavljajo njegov razvijajoči se talent na javno odra
Goodallova umetniška pot se začne z izjemenim zgodnjim uspehom, ki je napovedal svetovno priznanje. Ko je bil star le šestnajst let, je ustvaril šest akvarelnih slik, ki dokumentirajo gradnjo Brunelovega Tamželskega tunla, kar je bila njegova prva pomembna naročnina. Ti deli so leta 1838 našli svojo pot v Royal Academy, kar je predstavljalo ključni trenutek v njegovem razvoju. Ta zgodnji zagon se je prelival v njegovo delo z oljami, kjer je njegova prva izvedba v tem mediju prinesla srebrno medaljo Society of Arts. V Londonu je hitro vzpostavil svojo prisotnost v umetniškem okolju, saj je med letoma 1838 in 1859 svoje dela razstavljal na Royal Academy kar 27-krat.
Z rastjo njegovega ugleda se je sledilo tudi uradno institucionalno priznanje. Leta 1852 je postal družno član (ARA) Royal Academy, njegova pot napredovanja pa se je nadaljevala, dokler leta 1863 ni dosegel statusa polnopravnega akademika (RA). Njegov vpliv v okvirih akademije je ostal stabilen skozi desetletja; v obdobju 46 let je v tej prestižni instituciji razstavil skupno 170 slik. Njegovo umetniško delo se je pogosto osredotočalo na velike figurativne motive, ki so segali od kompleksnih zgodovinskih zapetij do živahnih, sodobnih prizorov iz egiptskega življenja.
Egiptanska tema prevladuje v Goodallovem umetniškem opusu. Med njegovim prvim obiskom leta 1858 je v Kairu delil hišo in studio z umetnikom Carl Haag. Skupaj so skicirali na ulicah in na obrobah mesta, kar je označilo ključni prelom v njegovem delu – usmeritev v etnografsko podrobnost, ki bo kasneje definirala njegovo umetniško pot. Goodall ni le opazoval iz daljave; z popolno predanosti je taboril s beduinskimi plemeni, da bi na platnu ujel avtentične teksture in ritemski tok njihovega življenja.
Leta 1870 se je vrnilo v Egipt, a ta drugi obisk je prinesel še globljo povezanost z temi. Tokrat je živel v Sakari, blizu piramid, kjer je njegova želja po natančnosti postala skoraj obsesivna. Da bi zagotovil popolno verodostojnost pri upodobljanju živali, je v Anglijo prinesel ovce in koze, da bi jih lahko v studiu natančno preučeval. S tem je iščal tisto specifično svetlobo in gibanje pustinjskega prostora, pri čemer se je odmaknil od vsem znano pokrajine svojega mladosti, da bi z intenzivnim skrbništvom dokumentiral kulturo, ki jo je videl z neposredno strastjo.
Leta 1846 se Frederick Goodall odloči za zaklad, ki ga tesno povezuje s tehničnimi tradicijami graviranja. Poveže se z Anne Thomson, hčerko gravirja Jamesa Thomsonja. Skupaj sta ustvarila dom, ki je postal pomembno središče umetničnih talentov. Njihovih pet otrok je odraslo v okolju, ki ga je opredeloval vizualni raziskovalni proces; med njimi sta bila Frederick Trevelyan in Howard Goodall, oba pa sta skozi življenje sledila umetniški poti.
Stabilnost tega družinskega življenja se spremeni leta 1869, ko Anne umre. Po obdobju žalosti sledi druga poroka, sklenjena leta 1872. Njegova nova žena, Alice May Tarry, je sama umetnica. Ta zveza nadaljuje vzorec, kjer je domače življenje tesno prepleten s slikarskim delom in profesionalnimi umetniškimi krogi.
Višina Goodallovega družbenega statusa je bila zaznamovana z izgradnijo hiše Grims Dyke v Harrow Wealdu. Hiša, zgrajena med letoma 1870 in 1872, je postala središče njegovega družbenega kroga, kjer so ga obiskovali ugledni gosti, vključno s princom Wales
To obdobje predstavlja vrhunec njegove domovne in profesionalne stabilnosti, kar predstavlja močan kontrast finančnim nihanjom, ki so sledila. Pozna leta prinašajo oster upad. Do leta 1902 se je umetnik soočil z bolečo realnostjo bankrot
Prospernost, ki je nekoč definiral njegovo kariero, je izginila in pustila zapuščino, ki je bila zaznamovana tako s pomembnimi dosežki kot s nenadnim finančnim težavami. Umrl je 29. julija 1904. Njegovi ostanki počivajo v družinski grobnici na zahodni strani pokopališča Highgate.
