Kratek opis
The Artist Painting Queen Victoria (1895) je slika avtorja Frederic Marlett Bell-Smith, ki pritegne največ pogledov; original se nahaja v muzeju Narodna galerija Kanade, Ottawa. Nato se pogled smeri k Daybreak (1886) in Mists and Glaciers of the Selkirks (1911). Med 8 dela umetnika Frederic Marlett Bell-Smith v našem katalogu so ta 6 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
10 najboljjših slik umetnika Frederic Marlett Bell-Smith skozi oči galerije
Muzeji, ki hranijo originala umetnika Frederic Marlett Bell-Smith
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Frederic Marlett Bell-Smith | Slike iz tega seznama |
|---|---|---|---|
| Ottawa | 6 | The Artist Painting Queen Victoria, Daybreak, Mists and Glaciers of the Selkirks |
Frederic Marlett Bell-Smith skozi desetetja: vsak unikatni original za vsako obdobje
Delo po desetletjih
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Slike umetnika Frederic Marlett Bell-Smith: vprašanja za galerijo
Katero je najbolj znano delo umetnika Frederic Marlett Bell-Smith?Razkriti odgovor
The Artist Painting Queen Victoria (1895), Narodna galerija Kanade, Ottawa. Zatem sledeta Daybreak (1886) in Mists and Glaciers of the Selkirks (1911).
Pri kateri dobe je Frederic Marlett Bell-Smith ustvaril The Artist Painting Queen Victoria?Razkriti odgovor
49 let: delo The Artist Painting Queen Victoria iz leta 1895, Frederic Marlett Bell-Smith pa je bil/a rojen/a leta 1846.
Koliko je znanih del avtorja Frederic Marlett Bell-Smith?Razkriti odgovor
Naš katalog vsebuje 8 del avtorja Frederic Marlett Bell-Smith, datiranih od 1886 do 1916.
Kje si lahko ogledate najslavnejše originale umetnika Frederic Marlett Bell-Smith?Razkriti odgovor
Večini v Narodna galerija Kanade (Ottawa). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V katerem obdobju je Frederic Marlett Bell-Smith ustvaril svoja najbolj znana dela?Razkriti odgovor
V obdobju 1900s: 2 od 6 del na tej strani je bilo izdelovanih takrat, med njimi pa Sunny Sandown, Isle of Wight.
Katero znano sliko je naslikal Frederic Marlett Bell-Smith najprej in katero najpozdneje?Razkriti odgovor
Na tej strani je najstarejše delo iz Daybreak (1886) in najstarejše iz St. Mary-le-Strand (1916).
Katere originale Frederic Marlett Bell-Smith lahko vidim v muzeju Narodna galerija Kanade?Razkriti odgovor
The Artist Painting Queen Victoria, Daybreak in Mists and Glaciers of the Selkirks: v muzeju Narodna galerija Kanade, Ottawa se nahaja 6 del z te strani.
Frederic Marlett Bell-Smith: portret umetnika
A Life in Canadian Landscapes
Frederic Marlett Bell-Smith was a Canadian landscape painter who emigrated from England to British North America in 1866. After studying at the South Kensington School of Art, he worked as an artist and photographer in Montreal, where he helped his father, John Bell-Smith, found the Society of Canadian Artists in 1867. His career saw him move through Hamilton, Ontario, and Toronto, and he spent time teaching art classes at various institutions, including the Ontario College of Art and the Toronto Art School. In 1896, he traveled to Paris to study at the Académie Colarossi.
Bell-Smith became well known for his depictions of the Canadian Rockies and the Selkirk Range, as well as works featuring Quebec and Maine. In 1886, he traveled to the Canadian west to paint vistas of the area, frequently returning to work near Lake Louise. He was a founding member of several prestigious organizations, including the Royal Canadian Academy of Arts and the Ontario Society of Artists.
Notable Works and Portraits
Beyond his landscapes, Bell-Smith captured scenes of late Victorian and Edwardian life. One of his most famous paintings, Lights of a City Street, portrays the intersection of Yonge and King Streets in Toronto in 1894. This work features the artist himself as a man buying a newspaper, his son as a man raising his hat, and a local constable named Bill Redford as the policeman.
Bell-Smith also achieved distinction in portraiture. He secured a sitting with Queen Victoria, who permitted him to position her as he wished during a cordial session that lasted over an hour. This achievement followed his ability to obtain sittings with Princesses Beatrice and Louise. His later work was characterized by warm accents and a sensitivity to French Impressionism.

