Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 259 del v našem katalogu avtorja Franz Ritter Von Stuck
Kratek opis
Med vsemi originali, ki jih je pustil Franz Ritter Von Stuck, je najbolj znan Greh (1893), ki se nahaja v kolekciji Bavarske državne slikopisne zbirke, München. Takoj za njima sta Lucifer (1890) in Ranjena Amazonka (1904). Naš katalog vsebuje 259 del umetnika Franz Ritter Von Stuck; galerija je ohranila 100 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
Greh je slika iz leta 1893, ki jo je ustvaril nemški umetnik Franz von Stuck. V tem delu umetnik predstavlja figuro Eve, prikazano nude in zapleteno z velikim zavijem zvezdne kače, ki se okoli njenega telesa prepleta v dramatičnem objemu. Ta specifična motivacija se je rodila iz njegove predhodne raziskave tem, ki se je razvila iz Stuckove slike Sensualnost (Die Sinnlichkeit) iz leta 1889.
Leta 1890 je Franz von Stuck ustvaril Luciferja kot sliko na platnu z oljami, delo, ki tesno utrjuje njegovo obdobje "temne monumentalnosti". Figura izhaja iz praznine; to je sedeči človek-demon, ujeti v trenutku težke, razmišljajoče tišine. Je bitje mišic in senč, katerega obliko dajo napetosti telesa, ki je hkrati človeško in nekaj precej bolj starodavnega. Njegov pogled je neodvratljiv, prodoren skozi temnoto, ki se neposredno sreča z gledalcem.
V hrešpivo vzbudivi Ranjeni Amazonki, ustvarjeni leta 1904, nas Franz Ritter von Stuck vabi v trenutek globoke ranljivosti in surovega konflikta. Slika prikazuje nago žensko figuro, Amazonko, zajeto v stanju intenzivne bolečine. Kleči na tleh, njeno telo pa nosi znamenje bitke z vidno rano pod prsmi. Ko se brani pred nevidnimi grozotami, so njene roke dvignjene proti obrazu, kar izraža občutek obupane obrambe. Kompozicijo utrjuje osupljiv, vibranten rdeč krog, ki…
Franz Ritter von Stuck: The Sin The dark, decadent art of Franz Ritter von Stuck is ushered into the light for its first American retrospective. Jo-Ann Birnie Danzker, curator at the Frye Art Museum, hopes that it will lead to a reevaluation of Stuck’s importance as an artist in his own right – his work seemed old-fashioned and irrelevant to a generation that had endured World War I. Stuck's reputation…
Franz von Stuck presents the fallen angel in Lucifer, an oil on canvas executed between 1890 and 1891. The figure is rendered as a seated, naked, and brooding presence within an undefined dark space. This depiction of a central figure from Christian mythology emphasizes an intense, muscular physicality. The subject's posture is heavy, conveying a sense of profound melancholy and internal struggle.
To stand before Franz Ritter von Stuck’s Wine is to step directly into the charged, evocative atmosphere of late 19th-century German Symbolism. This piece from 1889 is far more than a mere depiction; it is an emotional tableau, a meditation on human connection, nature's embrace, and perhaps, the intoxicating mystery of desire itself. The composition immediately draws the eye to the central drama: a nude male figure clinging with desperate…
, also known as Die Sünde, is an oil on canvas work by the German artist Franz von Stuck. Created in 1912, this piece represents one of several versions of this specific theme developed by the artist. The work is a significant example of the Symbolist movement, focusing on psychological depth and dramatic tension.
In the twilight of the nineteenth century, few images captured the psychological tremors of the era as profoundly as Franz Ritter von Stuck’s "The Kiss of the Sphinx." Completed in 1895, this masterpiece serves as a haunting cornerstone of German Symbolism, inviting the viewer into a realm where the boundaries between the physical and the metaphysical dissolve. The painting presents a dramatic tableau of a sensual encounter, set against the…
In the 1920 painting titled Sisyphus, the artist Franz von Stuck depicts a man engaged in a repetitive physical struggle. The subject is shown in the process of pushing a large boulder up a steep incline. The man is positioned with the weight of the rock resting directly upon his back. He wears a simple loincloth, leaving his muscular form exposed as he labors against the terrain. One hand is…
In this work, titled Glow Worms, we encounter a piece from 1898 by the German artist Franz von Stuck. It is a quiet moment captured in oil on canvas, reflecting the specific sensibilities of the late nineteenth century. The artist, who was born in Tettenweis, Germany, brings a particular sense of atmosphere to this nocturnal scene, moving away from the rigid academicism of his era toward something more personal and…
Wild Chase1889 · Lenbachhaus
12
Inferno1908 · Metropolitanski muzej umetnosti
13
Portrait of Frau Feez
14
The Guardian of Paradise1889 · Museum Villa Stuck
15
von Lucifer
16
Gertrud Littmann1911 · Bavarske državne slikopisne zbirke
17
Amazon and Centaur
18
Faun and Nymph (Teasing)1892 · Narodna galerija v Pragi
19
Florentine Lady1901
20
Professor Lujo Brentano1914 · Bavarske državne slikopisne zbirke
21
The Murderer1891
22
Sin1893
23
Junge
24
Crucifixion1913 · Museum der bildenden Künste
25
Salome1906 · Lenbachhaus
26
The Architect Max Littmann1903 · Bavarske državne slikopisne zbirke
27
Young Girl with Wreath (Bust, octagonal)1862
28
a Lady Monna Vanna1879 · Stadtisches Museum
29
Portrait of the Artist's Wife1888
30
Children Sledding1888
31
Double Portrait of Two Girls1888
32
Portrait of a Lady in Profile1888
33
Female Portrait (Back View and Profile)1888
34
Female Portrait1888
35
Female Nude, Venus1888
36
Self-Portrait in Profile1888 · Stadtisches Museum
37
Sphinx1892
38
Lost1891
39
bathing nymph + looking Satyr1888
40
portrait of Tilla Durieux as line1888
41
Susanna and the two eldermen1888
42
Helios1888
43
girl with wreath of violets1888
44
Portrait of a man1888
45
Female head1888
46
A crying nix - woman1888
47
Head of Medusa1892
48
Portrait of Beethoven
49
Drunken Cantaur1889
50
Boy Bacchus Riding on a Panther
51
Innocentia1889
52
Sensuality1897
53
Franz and Mary Stock in the Studio1902
54
Portrait of a Girl1899
55
Portrait of the Artist's Daughter1903
56
Portrait of His Wife1903
57
Portrait of a Woman (Wife of the Artist)1903
58
Runner1903
59
Portrait of a Woman (his wife) (Lady's Portrait)1903
60
Portrait of a lady1902
61
Head of a girl1903
62
Portr. of a lady1903
63
Half-length. ............1903
64
dancers1903
65
Lady with head-dress1903
66
Wind + wave1903
67
The see - saw1903
68
Rape of a maremaid1902
69
head of a girl1903
70
Susanna in the bath1904 · Kunstmuseum
71
Bacchanal1905
72
The Ride1903
73
The Kiss of the Sphinx1905
74
The Artist's Daughter with Cornflowers in Her Hair1909 · Westfälisches Landesmuseum
75
"The swing of love"1909
76
Portrait of a girl1907
77
Portrait of lady between Doric columns1906
78
Bathsheba1912 · National Museum of Fine Arts
79
Phryne1917 · Portland Art Museum
80
Spanish duel "the deal"1917
81
Pygmalion1926
82
Wind and Waves (unfinished)1928
83
The Struggle for Woman
84
Pietà1891 · Städelsches Kunstinstitut und Städtische Galerie
85
Fighting Centaurs1894 · Städelsches Kunstinstitut und Städtische Galerie
86
Fighting Fauns1889 · Bavarske državne slikarske zbirke
87
Encounter1921 · Bavarske državne slikopisne zbirke
88
The Spring1902 · Muzej lepih umetnosti
89
Mary with a red hat1902
90
War1894 · Bavarske državne slikopisne zbirke
91
Ostrich Hunt1919 · Bavarske državne slikopisne zbirke
92
The DinerBavarske državne slikopisne zbirke
93
Evening Star
94
Portrait of Marie Stuck
95
The Wild Hunt1899 · Musée d'Orsay
96
Pallas Athene1898
97
children on sledges1888
98
Landscape with Waterfall1896 · Bavarske državne slikopisne zbirke
99
Dancers1896
100
Fighting Amazon1897 · Lenbachhaus
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Franz Ritter Von Stuck | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 9 | Greh, Gertrud Littmann, Professor Lujo Brentano |
 Lenbachhaus |
München | 4 | Wild Chase, Salome, Fighting Amazon |
 Muzej lepih umetnosti |
Budimpešta | 2 | The Kiss of the Sphinx, The Spring |
 Stadtisches Museum |
Gelsenkirchen | 2 | a Lady Monna Vanna, Self-Portrait in Profile |
 Städelsches Kunstinstitut und Städtische Galerie |
Frankfurt | 2 | Pietà, Fighting Centaurs |
 Alte Nationalgalerie |
Berlin | 4 | The Sin |
 Museum Villa Stuck |
München | 3 | The Guardian of Paradise |
 Narodna galerija v Sofiji |
Sofija | 1 | Lucifer |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
To stand before Franz Ritter von Stuck’s Wine is to step directly into the charged, evocative atmosphere of late 19th-century German Symbolism. This piece from 1889 is far more than a mere depiction; it is an emotional tableau, a meditation on human connection, nature's embrace, and perhaps, the intoxicating mystery of desire itself. The composition immediately draws the eye to the central drama: a nude male figure clinging with desperate…
Greh je slika iz leta 1893, ki jo je ustvaril nemški umetnik Franz von Stuck. V tem delu umetnik predstavlja figuro Eve, prikazano nude in zapleteno z velikim zavijem zvezdne kače, ki se okoli njenega telesa prepleta v dramatičnem objemu. Ta specifična motivacija se je rodila iz njegove predhodne raziskave tem, ki se je razvila iz Stuckove slike Sensualnost (Die Sinnlichkeit) iz leta 1889.
V hrešpivo vzbudivi Ranjeni Amazonki, ustvarjeni leta 1904, nas Franz Ritter von Stuck vabi v trenutek globoke ranljivosti in surovega konflikta. Slika prikazuje nago žensko figuro, Amazonko, zajeto v stanju intenzivne bolečine. Kleči na tleh, njeno telo pa nosi znamenje bitke z vidno rano pod prsmi. Ko se brani pred nevidnimi grozotami, so njene roke dvignjene proti obrazu, kar izraža občutek obupane obrambe. Kompozicijo utrjuje osupljiv, vibranten rdeč krog, ki…
, also known as Die Sünde, is an oil on canvas work by the German artist Franz von Stuck. Created in 1912, this piece represents one of several versions of this specific theme developed by the artist. The work is a significant example of the Symbolist movement, focusing on psychological depth and dramatic tension.
In the 1920 painting titled Sisyphus, the artist Franz von Stuck depicts a man engaged in a repetitive physical struggle. The subject is shown in the process of pushing a large boulder up a steep incline. The man is positioned with the weight of the rock resting directly upon his back. He wears a simple loincloth, leaving his muscular form exposed as he labors against the terrain. One hand is…
Greh (1893), Bavarske državne slikopisne zbirke, München. Zatem sledeta Lucifer (1890) in Ranjena Amazonka (1904).
30 let: delo Greh iz leta 1893, Franz Ritter Von Stuck pa je bil/a rojen/a leta 1863.
Greh, Lucifer, Ranjena Amazonka, Sin, Lucifer, Wine, The Sin, The Kiss of the Sphinx, Sisyphus in Glow Worms. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 259 del avtorja Franz Ritter Von Stuck, datiranih od 1879 do 1928.
Večini v Bavarske državne slikopisne zbirke (München), Lenbachhaus (München) in Muzej lepih umetnosti (Budimpešta). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1900s: 31 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Ranjena Amazonka.
Na tej strani je najstarejše delo iz a Lady Monna Vanna (1879) in najstarejše iz Wind and Waves (unfinished) (1928).
Woman (52), Man (23) in Portrait (19), na 100 delih na tej strani.
Oil On Canvas, za 54 od 100 del na tej strani.
Simbolizem, glede na originala na tej strani.
Greh, Gertrud Littmann in Professor Lujo Brentano: v muzeju Bavarske državne slikopisne zbirke, München se nahaja 9 del z te strani.
