Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 103 del v našem katalogu avtorja Francis Wheatley
Kratek opis
Za oči galerije je najbolj znano sliko umetnika Francis Wheatley delo The Saithwaite Family (1785), katere original visi v muzeju Metropolitanski muzej umetnosti, New York. The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare in Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave (1792) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 103 del avtorja Francis Wheatley v našem katalogu galerija spodaj predstavlja 100 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
Within the quiet intimacy of a richly decorated interior, The Saithwaite Family by Francis Wheatley captures a private moment of domestic life. Painted about 1785, this oil on canvas work presents a woman, her daughter, and her son gathered amidst opulent furnishings. The scene unfolds with a sense of refined elegance, offering a glimpse into the social world of the Georgian era. It functions as a quintessential example of the…
We are looking at The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare, a work executed by the English painter Francis Wheatley. This piece dates to 1782 and captures a specific moment of social and military significance. It depicts the second Earl reviewing the Aldborough Volunteers at Belan, a scene that places the viewer directly into the historical landscape of the late 18th century.
The mouth of a dark, rocky cave opens like a heavy eyelid, revealing a sudden burst of verdant light. Inside this limestone throat, the air feels thick with the scent of damp stone and the heat of sudden movement. A woman in a luminous white gown struggles against the grip of a man in green. Her body angles toward the left, a pale flame flickering against the deep, earthy browns…
A young woman leans against a cold stone ledge, her presence a soft weight against the dark, blurred shadows of a woodland background. She is captured in a three-quarter length pose, her body angled slightly away while her gaze remains steady and contemplative. The light, descending from the upper left, brushes the curve of her cheek and the pale expanse of her torso, leaving the folds of her heavy jacket…
A Sportsman with His Son is a portrait by the English painter Francis Wheatley, executed in 1779. This work captures a moment of companionship within a rural setting, focusing on the relationship between a man and a young boy.
is a portrait by the British painter Francis Wheatley, executed in about 1775. Also identified as Percival Bentley or by the accession number B1977.14.126, the work captures a man in costume. The subject is presented within a landscape, accompanied by a seated dog.
Mrs. Bentley is a portrait by the British painter Francis Wheatley. Executed in about 1775, the work captures a woman in a moment of poised stillness. She is the singular focus of this composition, a figure of quiet dignity set against a naturalistic backdrop. The brushwork defines the soft contours of her presence, anchoring her within the frame.
The Browne Family is an oil on canvas painting by the English artist Francis Wheatley. Executed in 1778, this work depicts members of the Browne family positioned within a landscape. The composition focuses on the subjects as they engage in leisure activities near a body of water.
The Oliver and Ward Familie, painted by Francis Wheatley in 1778, presents a formal group portrait set within a pastoral landscape. This oil on canvas work captures a multi-generational assembly, centering on the family of a wealthy widow, Mrs. Ward (née Pye). The subjects are arranged in a loose semi-circle, creating a sense of intimacy and presence within an outdoor setting.
The oil on canvas painting titled Spring was executed by the English artist Francis Wheatley. This work is part of the Marion Davies Collection and is currently held by the Los Angeles County Museum of Art. The piece is identified by the accession number M.71.29.1.
Portrait of a Married Couple in a Park1770 · Gemäldegalerie
12
Portrait of The Marquess and Marchioness of Antrim1782 · National Gallery of Ireland
13
Lord Spencer Hamilton (1742-1791)1778 · Kraljeva zbirka
14
A Gentleman and his Dog in a Landscape1780 · Yale Center for British Art
15
Mrs. Barclay and Her Children1776 · Yale Center for British Art
16
Portrait of a Man, called George Basil Woodd1780 · Yale Center for British Art
17
Henry Addington, Later first Viscount Sidmouth1785 · Yale Center for British Art
18
Preparing for Market1795 · Birmingham Museum and Art Gallery
19
Captain Arthur Phillip, ca. 1787, by Francis Wheatley1786 · State Library of New South Wales
20
The Mistletoe Bough1790 · Yale Center for British Art
21
Soldier with Country Women Selling Ribbons, near a Military Camp1788 · Yale Center for British Art
22
Captain Steven1795 · Yale Center for British Art
23
Helena and Count Bertram before the King of France1793
24
Night1799 · Yale Center for British Art
25
Evening1799 · Yale Center for British Art
26
Noon1799 · Yale Center for British Art
27
Morning1799 · Yale Center for British Art
28
The Wilkinson Family1776 · Detroit Institute of Arts
29
Winter1793 · Los Angeles County Museum of Art
30
The Benevolent Cottager
31
The Winter's Tale
32
Sir John Sebright
33
View on the Medway1776 · Yale Center for British Art
34
Family Group1780 · National Gallery of Art
35
Portrait of Mr and Mrs RichardsonNational Gallery of Ireland
36
Mary's DreamNational Gallery of Ireland
37
Child with a DogNational Gallery of Ireland
38
Winter Fuel
39
The Medway at Rochester,Yale Center for British Art
40
Mrs Pearce
41
Portrait Of A Gentleman And His Wife
42
The Comedy Of Errors
43
Love And Charity
44
Portrait Of A BoyScottish National Gallery
45
The Return From The Market
46
Lake windermere
47
The Harvest Waggon
48
The Lord Mayor's Procession By Water To Westminster, London
49
A Woman Spinning In A Farmyard Setting
50
Outside The Cottage Door
51
Returned From Market, Engraved
52
Caroline Ambrose
53
Mr ThraleYale Center for British Art
54
Portrait of a country girl
55
Sir Barnard Turner
56
Return From The Shoot
57
Portrait Of A Milkmaid
58
Sir John Irwin, Kb, Reviewing Troops In DublinNational Portrait Gallery
59
The Return From Market
60
Mother And Child
61
The Encampment At Brighton
62
Seashore At Howth, Ireland
63
Mr. Bailey of Stanstead
64
Man With A Dog
65
Girl With A Dog And Fruit
66
The Village Street
67
Family Group
68
A Scene In 'twelfth Night', Act Iii
69
An Unknown ManYale Center for British Art
70
Girl Holding A Silver Salver
71
Benjamin Bond HopkinsFitzwilliam Museum
72
The Hay Cart
73
Arthur PhillipNational Portrait Gallery
74
The Disaster
75
Country Folk Outside A Rustic Tavern
76
Lady Easy's Steinkirk
77
The Sailor's ReturnNational Maritime Museum
78
Mr. Ironmonger, Solicitor,
79
A Scene From Shakespeare's 'the Tempest'Birmingham Museum and Art Gallery
80
Death Of A Bird
81
The soldier's return
82
John Ambrose
83
Henrietta Ambrose, Actress
84
The Harvest Wagon
85
The Love Letter
86
A Peasant Boy
87
Henry GrattanNational Portrait Gallery
88
An Officer On HorsebackScotney Castle
89
The O’Neill Boys with a Chariot in the Grounds of Shane’s Castle
90
John O'neill
91
Rachel Therisa Of Jijona, Near Alicante, Spain
92
Burial Of A Bird
93
The Sportsman's Refreshment
94
A Family Group In A Landscape
95
The Careless Servant
96
Edward And Priscilla Wakefield With Mrs Wakefield's Sister, Catherine Bell
97
Young Marlow And Miss Hardcastle
98
Arthur Phillip Esq., Captain General and Commander in Chief in & over the territory of New South Wales1789 · National Portrait Gallery
99
The Dublin Volunteers on College Green, 4th November 17791779 · National Gallery of Ireland
100
The Salmon Leap, Leixlip1783 · Yale Center for British Art
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Francis Wheatley | Slike iz tega seznama |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 23 | Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven, A Sportsman with His Son |
 National Gallery of Ireland |
Dublin | 5 | Portrait of The Marquess and Marchioness of Antrim, Portrait of Mr and Mrs Richardson, Mary's Dream |
 National Portrait Gallery |
London | 3 | Sir John Irwin, Kb, Reviewing Troops In Dublin, Arthur Phillip, Henry Grattan |
 Los Angeles County Museum of Art |
Los Angeles | 2 | Spring, Winter |
 Birmingham Museum and Art Gallery |
Birmingham | 2 | Preparing for Market, A Scene From Shakespeare's 'the Tempest' |
 Metropolitanski muzej umetnosti |
New York | 1 | The Saithwaite Family |
 Gemäldegalerie |
Berlin | 1 | Portrait of a Married Couple in a Park |
 Kraljeva zbirka |
London | 1 | Lord Spencer Hamilton (1742-1791) |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
A Sportsman with His Son is a portrait by the English painter Francis Wheatley, executed in 1779. This work captures a moment of companionship within a rural setting, focusing on the relationship between a man and a young boy.
Within the quiet intimacy of a richly decorated interior, The Saithwaite Family by Francis Wheatley captures a private moment of domestic life. Painted about 1785, this oil on canvas work presents a woman, her daughter, and her son gathered amidst opulent furnishings. The scene unfolds with a sense of refined elegance, offering a glimpse into the social world of the Georgian era. It functions as a quintessential example of the…
The mouth of a dark, rocky cave opens like a heavy eyelid, revealing a sudden burst of verdant light. Inside this limestone throat, the air feels thick with the scent of damp stone and the heat of sudden movement. A woman in a luminous white gown struggles against the grip of a man in green. Her body angles toward the left, a pale flame flickering against the deep, earthy browns…
The Saithwaite Family (1785), Metropolitanski muzej umetnosti, New York. Zatem sledeta The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare in Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave (1792).
38 let: delo The Saithwaite Family iz leta 1785, Francis Wheatley pa je bil/a rojen/a leta 1747.
The Saithwaite Family, The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare, Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven, A Sportsman with His Son, Mr. Bentley, Mrs. Bentley, The Browne Family, The Oliver and Ward Familie in Spring. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 103 del avtorja Francis Wheatley, datiranih od 1770 do 1799.
Večini v Yale Center for British Art (New Haven), National Gallery of Ireland (Dublin) in National Portrait Gallery (London). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1790s: 12 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave.
Na tej strani je najstarejše delo iz Portrait of a Married Couple in a Park (1770) in najstarejše iz Night (1799).
Man (17), Landscape (17) in Woman (13), na 100 delih na tej strani.
Oil On Canvas, za 28 od 100 del na tej strani.
Neoclassicism, glede na originala na tej strani.
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven in A Sportsman with His Son: v muzeju Yale Center for British Art, New Haven se nahaja 23 del z te strani.
Francis Wheatley (1747–1801) je bil eden izmed najbolj izstopajočih angleških portretistov in pejzažistov 18. stoletja, ki je s svojimi slikami krojil podobo svojega časa. Njegova dela, polna prikazov podeželskega življenja, družabnih scen in portretov, ki zajamejo dušo epoke, so ostala v spominu kot dragocena pričevanja o pretekli dobi. Rodil se je v Londonu, v Covent Gardnu, kjer je alongside svoje vzburjene umetniške kariere navigiral skozi zapleteno osebno življenje, ob katerem je pustil dediščino, ki se še danes slavi zaradi svoje dostopnosti in neizrecnega šarma.
Wheatleyjevo zgodnje življenje je bilo zaznamovano tako z priložnostmi kot z negotovostjo. Kot sin mojstra krojača je že zgodaj pokazal izjemno talento za risanje, ki ga je razvil v ključnih institucijalah, kot sta bila Šola za risanje Williama Shipleyja in Kraljeva akademija, kjer je pridobil formalno znanje umetniških tehnik. Njegov potencial je bil hitro prepoznan, saj je s svojimi dosežki osvojil več nagrad družbe za umetnost, kar je dokazalo njegovo predanost in veščino. Svojo pot je začel z pomembnimi projekti, kot je dekoriranje priljubljenega londonskega vrtu Vauxhall Gardens ter sodelovanje z Johnom Hamiltonom Mortimerjem pri slikanju stropov v Brocket Hall za Lorda Melbourneja, kar mu je prineslo dragocenega izkušenj pri delu na velikostnih dekorativnih projektih.
Wheatleyjeva pot je bila prežeta z obdobji velikega uspeha in osebne težave. Čepano na Kraljevi akademiji leta 1778 je hitro vzpostavil ugled vrhunskega portretista, vendar so njegova mladostna neobazivnost in razpetost vodili do pretiranega življenja in kopičnih dolgov. Leta 1779 je vслед skandaloza z Elizabeth Gresse, ženo umetnika Johna Alexandra Gresseja, pobegnil v Irsko. Ta izgnanstvo, čeprav ga je prisililo v odtujanje, mu je hkrati ponudilo plodno tla za umetniški razvoj.
Wheatleyjeva umetniška tvorba je bila izjemno raznolika, saj je objemala portretiranje, pejzažno slikarstvo in žanrske scene. Čeprav je za galerijo Boydellove Shakespeare Gallery izdelal številne motive in ilustracije za pesniško izdajo Bellove, njegovo trajno priznanje temelji predvsem na njegovih pejzažih in rustikalnih motivih.
Njegov slog zaznamuje prijetna preprostost in dostopnost. Namesto pretirane okrasnosti se je osredotočal na zajemanje bistva svojih motivov in vzdušja prikazanih scen. Njegovi pejzaži pogosto prikazujejo idilične podeželske okolice, polne ljudi v vsakdanjih dejavnostih, kar odraža naraščajoče zanimanje za pastoralne teme v pozni dobi 18. stoletja.
Francis Wheatley je leta 1790 postal povezanec Kraljeve akademije, leta 1791 pa je postal njen akademičar. Leta 1787 se je poročil za Clarso Mario Leigh, prav tako umetnico. Njegovo del odraža spreminjajoče se družbeno stanje Anglije njegove dobe, saj v svoje platno vključuje tako veličastnost aristokracije kot에도 čar podeželskega življenja. Čepol so ga nekateri sodolavniki lahko okolišali, je njegova dostopna estetika zagotovila njegovo priljubljenost pri širokem občinku. V zgodovini angleške umetnosti 18. stoletja ostaja pomembna figura, ki je uspešno premostila razkorak med formalnim portretiranjem in naraščajočim zanimanjem za pejzažno ter žanrsko slikarstvo.
