Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 64 del v našem katalogu avtorja Francesco Del Cossa
Kratek opis
Allegory of May: Triumph of Apollo (detail) (1476) je slika avtorja Francesco Del Cossa, ki pritegne največ pogledov; original se nahaja v muzeju Palazzo Schifanoia, Ferrara. Nato se pogled smeri k Griffoni Polyptych: St Vincent Ferrer (1473) in Griffoni Polyptych: St Peter and St John the Baptist (1473). Med 64 dela umetnika Francesco Del Cossa v našem katalogu so ta 61 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
To stand before this monumental fresco detail is to step directly into the vibrant, complex heart of the Quattrocento Renaissance. The Allegory of May: Triumph of Apollo, attributed to Francesco del Cossa, is not merely a depiction of an event; it is a profound meditation on cycles—the cycle of life, the triumph over darkness, and the eternal return of divine grace. The sheer scale, measuring an impressive 216 by 320…
To stand before the Griffoni Polyptych: St Vincent Ferrer is to step directly into the luminous heart of the Italian Renaissance. Created by the masterful hand of Francesco del Cossa in 1473, this monumental work transcends mere decoration; it is a profound meditation on faith, knowledge, and divine grace. The composition immediately commands attention, drawing the viewer into an architectural space where earthly grandeur meets celestial mystery. At its core…
Francesco del Cossa’s “Griffoni Polyptych: St Peter and St John the Baptist,” painted in 1473, is more than just a religious depiction; it's a meticulously crafted tableau brimming with symbolism and reflecting the complex political and spiritual landscape of Renaissance Ferrara. This monumental work, measuring 112 x 55 cm, offers a captivating glimpse into the artistic prowess of a master painter whose career tragically ended far too early. The polyptych…
To gaze upon this detail from the Allegory of March: Triumph of Minerva is to step directly into the bustling, energetic heart of an artistic workshop during the Italian Renaissance. It is not merely a depiction of art; it is a profound meditation on the very act of creation itself. The scene unfolds with a palpable sense of industry, capturing painters in various stages of their laborious craft—mixing pigments, scaling…
To gaze upon this detail from the Allegory of March: Triumph of Minerva is to step directly into the luminous, thoughtful atmosphere of the Italian Renaissance. The scene unfolds with a profound sense of contemplation, centered around a magnificent male figure whose very posture speaks of classical ideals and divine purpose. Rendered in rich, muted tones—deep purples, earthy reds, and warm browns—the composition draws the eye along a stately vertical…
In Angel of annunciation kneeling in landscape, Francesco del Cossa presents a religious scene likely representing the Annunciation. The composition centers on a winged figure positioned in the lower center, kneeling within a landscape and facing toward the right. Large, prominent wings extend upward and backward from the angel, anchoring the figure within the spatial arrangement. The angel is draped in voluminous robes characterized by heavy, rhythmic folds that emphasize…
The Annunciation, a work by Francesco del Cossa, unfolds through a complex composition that spans a main panel and a predella. This religious work, dated about 1470, captures a profound moment rooted in Christian Theology and Biblical Narrative. Within the sacred space, the Archangel Gabriel appears to the Virgin Mary, marking the divine encounter that changes everything. The scene is not a solitary event but part of a larger unfolding…
The artwork titled Saint Catherine and Saint Clare is a religious portrait created by the artist Francesco del Cossa. This work dates to about 1470. The composition focuses on the depiction of two female saints, presented within a vertical and narrow format. The subject matter centers on these two figures, which are rendered with a focus on their sanctity and individual presence.
Saint Florian is a painting by the Italian Renaissance artist Francesco del Cossa. This specific work was created around 1473/1474. It originated as the upper left panel of the Griffoni Polyptych, a larger multi-part altarpiece. The commission was requested by Floriano Griffoni for a family chapel located within the Basilica of San Petronio in Bologna.
The fresco fragment known as Allegory of April: Triumph of Venus (detail) captures a specific moment of movement within a larger cycle. Created by the artist Francesco del Cossa, this work emerged in 1476. It resides within the walls of the Palazzo Schifanoia in Ferrara, Italy. The scene focuses on the intimate presence of pairs of lovers.
The Justice of Trajan and the widow1500
12
Annunciation and Nativity (Altarpiece of Observation)1470 · Gemäldegalerie Alte Meister
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Allegory of March: Triumph of Minerva1476 · Palazzo Schifanoia
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Allegory of March: Triumph of Minerva1476 · Palazzo Schifanoia
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Allegory of May: Triumph of Apollo1476 · Palazzo Schifanoia
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Allegory of March: Triumph of Minerva (detail) (13)1476 · Palazzo Schifanoia
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Griffoni Polyptych: The Crucifixion1473 · National Gallery of Art
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Allegory of May: Triumph of Apollo (detail)1476 · Palazzo Schifanoia
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April. Fresco in Palazzo Schifanoia (detail) - Triumph of Venus1470
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April. Fresco in Palazzo Schifanoia (detail) - Triumph of Venus1470
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Allegory of March – Triumph of Minerva and Sign of Aries. Frescos in Palazzo Schifanoia (detail)1470
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Allegory of March – Triumph of Minerva and Sign of Aries. Frescos in Palazzo Schifanoia (detail)1470
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Allegory of May: Triumph of Apollo (detail)1476 · Palazzo Schifanoia
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Allegory of March: Triumph of Minerva (detail) (16)1476 · Palazzo Schifanoia
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Allegory of March: Triumph of Minerva (detail) (12)1476 · Palazzo Schifanoia
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Triumph of Minerva (detail of the right side)1476 · Palazzo Schifanoia
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Allegory of April Triumph of Venus (detail)1476 · Palazzo Schifanoia
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Allegory of March: Triumph of Minerva (detail) (10)1476 · Palazzo Schifanoia
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Allegory of April: Triumph of Venus (detail from the Bull)1476 · Palazzo Schifanoia
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Allegory of March: Triumph of Minerva (detail) (15)1476 · Palazzo Schifanoia
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Allegory of April: Triumph of Venus (detail)1476 · Palazzo Schifanoia
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Saint Lucy1474
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Allegory of April: Triumph of Venus1476 · Palazzo Schifanoia
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Allegory of April: Triumph of Venus1476 · Palazzo Schifanoia
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Portrait of a Man1472 · Thyssen-Bornemisza Museum
36
The Meeting of Solomon and the Queen of Sheba; Cherub Holding Cornucopias of Cherries (recto and verso)Muzej fine arts
37
Profile Portrait of a Boy
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Schifanoia - View of the Salone dei Mesi
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Portrait of a ManThyssen-Bornemisza Museum
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Allegorija aprila (podrobnost)1476 · Palazzo Schifanoia
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Schifanoia - March - Triumph of Minerva
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Schifanoia - April and May - Triumph of Venus (right view)
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Schifanoia - April and May - Allegory of April (detail)2
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Schifanoia - April and May - Triumph of Venus (detail)
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Schifanoia - April and May - Allegory of April (detail)
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Schifanoia - March - Triumph of Minerva (detail)
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Schifanoia - April and May - Triumph of Venus (detail)2
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Scenes from the Life of Saint Vincent Ferrer
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griffoni - St Peter and St John the Baptist (details)
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Griffoni Polyptych: Saint Florian (detail)National Gallery of Art
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Griffoni Polyptych: The Crucifixion (detail)National Gallery of Art
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Griffoni Polyptych: The Crucifixion (detail)National Gallery of Art
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Madonna with the Child and Saints1474 · Pinacoteca Nazionale
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St Peter1473 · Pinacoteca di Brera
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St Florian (Griffoni Polyptych)National Gallery of Art
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The Annunciation1470 · Gemäldegalerie Alte Meister
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Griffoni Polyptych: St Lucy1473 · National Gallery of Art
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Virgin and Child with An AngelNarodni muzej umetnosti Katalonije
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griffoni - St John the BaptistPinacoteca di Brera
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griffoni - St Vincent FerrerNational Gallery
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Schifanoia - April and May - Triumph of VenusPalazzo Schifanoia
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga Francesco Del Cossa | Slike iz tega seznama |
|---|---|---|---|
 Palazzo Schifanoia |
Ferrara | 22 | Allegory of May: Triumph of Apollo (detail), Allegory of March: Triumph of Minerva (detail) (14), Allegory of March: Triumph of Minerva (detail) (11) |
 National Gallery of Art |
Washington | 6 | Griffoni Polyptych: The Crucifixion, Griffoni Polyptych: Saint Florian (detail), Griffoni Polyptych: The Crucifixion (detail) |
 Pinacoteca di Brera |
Milano | 3 | Griffoni Polyptych: St Peter and St John the Baptist, St Peter, griffoni - St John the Baptist |
 National Gallery |
London | 2 | Griffoni Polyptych: St Vincent Ferrer, griffoni - St Vincent Ferrer |
 Narodni muzej umetnosti Katalonije |
Barcelona | 2 | Saint Catherine and Saint Clare, Virgin and Child with An Angel |
 Thyssen-Bornemisza Museum |
Madrid | 2 | Portrait of a Man, Portrait of a Man |
 Bonnefanten Museum |
Maastricht | 1 | The Annunciation |
 Gemäldegalerie Alte Meister |
Dresden | 1 | Annunciation and Nativity (Altarpiece of Observation) |
Dolga kariera 17 let, od 1460 do 1476: najbolj znani originali umetnika Francesco Del Cossa, prikazani letopisno.
Izberite leto in oglej originale.
In Angel of annunciation kneeling in landscape, Francesco del Cossa presents a religious scene likely representing the Annunciation. The composition centers on a winged figure positioned in the lower center, kneeling within a landscape and facing toward the right. Large, prominent wings extend upward and backward from the angel, anchoring the figure within the spatial arrangement. The angel is draped in voluminous robes characterized by heavy, rhythmic folds that emphasize…
The artwork titled Saint Catherine and Saint Clare is a religious portrait created by the artist Francesco del Cossa. This work dates to about 1470. The composition focuses on the depiction of two female saints, presented within a vertical and narrow format. The subject matter centers on these two figures, which are rendered with a focus on their sanctity and individual presence.
Več od 1470
#12 Annunciation and Nativity (Altarpiece of Observation)
#19 April. Fresco in Palazzo Schifanoia (detail) - Triumph of Venus
#20 April. Fresco in Palazzo Schifanoia (detail) - Triumph of Venus
#21 Allegory of March – Triumph of Minerva and Sign of Aries. Frescos in Palazzo Schifanoia (detail)
#22 Allegory of March – Triumph of Minerva and Sign of Aries. Frescos in Palazzo Schifanoia (detail)
#56 The Annunciation
Within the hallowed halls of the Museo Thyssen-Bornemisza in Madrid resides a painting that transcends mere representation, offering instead a glimpse into the soul of 15th-century Italy – Francesco del Cossa's "Portrait of a Man." Completed around 1472, this oil on panel work is more than just a likeness; it’s a carefully constructed tableau of status, contemplation, and the burgeoning humanist ideals that defined the era. The painting immediately draws…
To stand before the Griffoni Polyptych: St Vincent Ferrer is to step directly into the luminous heart of the Italian Renaissance. Created by the masterful hand of Francesco del Cossa in 1473, this monumental work transcends mere decoration; it is a profound meditation on faith, knowledge, and divine grace. The composition immediately commands attention, drawing the viewer into an architectural space where earthly grandeur meets celestial mystery. At its core…
Več od 1473
Saint Florian is a painting by the Italian Renaissance artist Francesco del Cossa. This specific work was created around 1473/1474. It originated as the upper left panel of the Griffoni Polyptych, a larger multi-part altarpiece. The commission was requested by Floriano Griffoni for a family chapel located within the Basilica of San Petronio in Bologna.
Več od 1474
To stand before this monumental fresco detail is to step directly into the vibrant, complex heart of the Quattrocento Renaissance. The Allegory of May: Triumph of Apollo, attributed to Francesco del Cossa, is not merely a depiction of an event; it is a profound meditation on cycles—the cycle of life, the triumph over darkness, and the eternal return of divine grace. The sheer scale, measuring an impressive 216 by 320…
Več od 1476
#4 Allegory of March: Triumph of Minerva (detail) (14)
#5 Allegory of March: Triumph of Minerva (detail) (11)
#10 Allegory of April: Triumph of Venus (detail)
#13 Allegory of March: Triumph of Minerva
#14 Allegory of March: Triumph of Minerva
#15 Allegory of May: Triumph of Apollo
#16 Allegory of March: Triumph of Minerva (detail) (13)
Allegory of May: Triumph of Apollo (detail) (1476), Palazzo Schifanoia, Ferrara. Zatem sledeta Griffoni Polyptych: St Vincent Ferrer (1473) in Griffoni Polyptych: St Peter and St John the Baptist (1473).
40 let: delo Allegory of May: Triumph of Apollo (detail) iz leta 1476, Francesco Del Cossa pa je bil/a rojen/a leta 1436.
Allegory of May: Triumph of Apollo (detail), Griffoni Polyptych: St Vincent Ferrer, Griffoni Polyptych: St Peter and St John the Baptist, Allegory of March: Triumph of Minerva (detail) (14), Allegory of March: Triumph of Minerva (detail) (11), Angel of annunciation kneeling in landscape, The Annunciation, Saint Catherine and Saint Clare, Saint Florian in Allegory of April: Triumph of Venus (detail). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 64 del avtorja Francesco Del Cossa, datiranih od 1460 do 1476.
Večini v Palazzo Schifanoia (Ferrara), National Gallery of Art (Washington) in Pinacoteca di Brera (Milano). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1476: 21 od 61 del na tej strani je bilo izdelovanih takrat, med njimi pa Allegory of May: Triumph of Apollo (detail).
Na tej strani je najstarejše delo iz Angel of annunciation kneeling in landscape (1460) in najstarejše iz Allegory of May: Triumph of Apollo (detail) (1476).
Allegory (9), People (9) in Mythology (8), na 61 delih na tej strani.
Fresco, za 23 od 61 del na tej strani.
Renaissance in Early renaissance, glede na originala na tej strani.
Allegory of May: Triumph of Apollo (detail), Allegory of March: Triumph of Minerva (detail) (14) in Allegory of March: Triumph of Minerva (detail) (11): v muzeju Palazzo Schifanoia, Ferrara se nahaja 22 del z te strani.
Francesco del Cossa (ok. 1436 – 1477) je bil ključni italijanski slikar renesanse, navezan na ferraresco šolo. Rodil se je v Italiji, v mestu Ferrara, in ostaja fascinantna osebnost, katere življenje in kariera sta deloma zavita v skrivnost zgodovinskih podrobnosti. Kljub temu njegovi umetniški prispevki, še posebej njegove freske, stojijo kot neidemonični spomeniki njegove veščine in inovativnega pristopa znotraj takrat vzrastajočega renesančnega sloga.
Del Cossa je bil sin kamnoseca, Cristofana del Cosse, ki je deloval tudi kot umetnik. O Francescojevem zgodnjem umetniškem izobraževanju ne vemo veliko, vendar se verjame, da je okoli leta 1456 pomagal očetu pri slikanju dekoracij za kapelo епископove palače v Ferrari. Ta zgodnji stik z umetnostjo je nedvomno oblikoval njegov začetni razvoj. Zdi se, da je v svojih dvajsetih ali tridesetih letih potoval izven Ferrare, kjer je pridobival nove izkušnje in morda naletel na nove umetniške vlive.
Del Cossa je predvsem slaven zaradi svojih freskovskih ciklov, najbolj opazno tistih, ki krasijo Palazzo Schifanoia, poletno palačo tik pod mestnimi vrati Ferrare. V sodelovanju s Cosimo Turo je prispeval k zapletenim alegoričnim dekoracijam, ki prikazujejo znamenja zodijaka in mesece v letu. Med specifične freske, ki se pripisujejo del Cossi, spadajo »Alegorija maja – Apollojev triumf«, ki je izstopajoča zaradi pretresljivega prikaza množice nagih dojenčkov, urejenih v vizualno očarljivo formacijo, ter »Alegorija aprila«, ki vsebuje zgodnjo predstavitev Trej Gracij, še preden se je pojavila Botticellijeva znamenita različica. Te freske dokazujejo njegovo mojstvo perspektive, podrobnosti in pripovedovalne moči.
Poleg Palazzo Schifanoia je del Cossa ustvaril še druga pomembna dela:
Del Cossin slog odraža mešanico vlivov, značilnih za ferraresco renesanso. Čeprav je bil zakoreninjen v zgodnji gotiki, njegovo delo kaže vse večjo povezanost s klasičnimi obliko in humanističnimi ideali. Njegova pozornost do podrobnosti, zlasti pri prikazovanju tkanin in tekstur, razkriva izjemno opazovalno veščino. V njegovem natančnem prikazovanju detajlov se lahko zazna tudi vpliv zgodnjemega nizozemske slikarstva. Njegovo kratek, a vpečljiv obdobje v Bologni pod zaščito družine Bentivoglio je še izpililo njegov slog, kar je vodilo do nekaterih njegovih najbolj slavnih portretov.
Del Cossino dediščino tvorijo njegovi prispevki k umetnosti ferraške renesanse in njegova edinstvena umetniška vizija. Čeprav je bila njegova kariera relativno kratka, je za seboj pustil celove doseganje del, ki prikazujejo dinamiko in inovativnost tistega obdobja. Njegove freske v Palazzo Schifanoia so neprecenljivi dokumenti dvorovskega življenja in umetniškega pokoni v 15. stoletju. Njegovi prikazi klasičnih tem, kot so Trej Gracije, dokazujejo zgodnjo vključenost v humanistične ideale. Del Cossina nedavna prepoznavnost v romanu Ali Smith »How to Be Both« in njegova povezanost z iskanjem zakladov v Google Earth sta še dodatno prinesla pozornost na to pogosto spregledano renesansno mojstra.
