Portret Ferdinand Kobell

39 najbolj znanih slik umetnika Ferdinand Kobell, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 39 del v našem katalogu avtorja Ferdinand Kobell

Kratek opis

Med vsemi originali, ki jih je pustil Ferdinand Kobell, je najbolj znan Evening Landscape (1771), ki se nahaja v kolekciji Augustiner Museum, Freiburg. Takoj za njima sta Wide Valley Landscape (1785) in Landscape with Shepherds and Cattle by a River (1783). Naš katalog vsebuje 39 del umetnika Ferdinand Kobell; galerija je ohranila 39 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1740 – 1799, Mannheim Največ del: Bavarske državne slikopisne zbirke

10 najboljših slik umetnika Ferdinand Kobell: izbira galerije

Izbor umetnika Ferdinand Kobell se nadaljuje, od 11 do 39

11Landscape with Hut and Draw Well (1771) avtorja Ferdinand KobellLandscape with Hut and Draw Well1771 · Augustiner Museum 12Ideal Landscape with Herd of Cattle (1777) avtorja Ferdinand KobellIdeal Landscape with Herd of Cattle1777 · Bavarske državne slikopisne zbirke 13Landscape with Rider and Flock of Sheep (1781) avtorja Ferdinand KobellLandscape with Rider and Flock of Sheep1781 · Bavarske državne slikopisne zbirke 14Landscape with Rider on a Path between Two Lakes (1780) avtorja Ferdinand KobellLandscape with Rider on a Path between Two Lakes1780 · Bavarske državne slikopisne zbirke 15Forest Edge with Cattle by the Lake (1784) avtorja Ferdinand KobellForest Edge with Cattle by the Lake1784 · Bavarske državne slikopisne zbirke 16View from Aschaffenburg of Schloss Schönbusch (Aschaffenburg Cycle) (1785) avtorja Ferdinand KobellView from Aschaffenburg of Schloss Schönbusch (Aschaffenburg Cycle)1785 · Bavarske državne slikopisne zbirke 17Shepherd with Herd (Midday) (1780) avtorja Ferdinand KobellShepherd with Herd (Midday)1780 · Bavarske državne slikopisne zbirke 18Evening Landscape (1777) avtorja Ferdinand KobellEvening Landscape1777 · Bavarske državne slikopisne zbirke 19River Landscape with Shepherds and Their Herd (1784) avtorja Ferdinand KobellRiver Landscape with Shepherds and Their Herd1784 · Bavarske državne slikopisne zbirke 20River Landscape in Stormy Mood with Horses (1784) avtorja Ferdinand KobellRiver Landscape in Stormy Mood with Horses1784 · Bavarske državne slikopisne zbirke 21River Landscape (The Morning) (1780) avtorja Ferdinand KobellRiver Landscape (The Morning)1780 · Bavarske državne slikopisne zbirke 22Landscape with Sunset (1781) avtorja Ferdinand KobellLandscape with Sunset1781 · Bavarske državne slikopisne zbirke 23Landscape with Rider on a Path with Oaks (1780) avtorja Ferdinand KobellLandscape with Rider on a Path with Oaks1780 · Bavarske državne slikopisne zbirke 24Landscape with Shepherd and Cattle on a Path under Trees (1785) avtorja Ferdinand KobellLandscape with Shepherd and Cattle on a Path under Trees1785 · Bavarske državne slikopisne zbirke 25The Aschaffenburg Schloss from the Northwest (Aschaffenburg Cycle) (1785) avtorja Ferdinand KobellThe Aschaffenburg Schloss from the Northwest (Aschaffenburg Cycle)1785 · Bavarske državne slikopisne zbirke 26Winter Landscape with Two Riders (1777) avtorja Ferdinand KobellWinter Landscape with Two Riders1777 · Staatliche Kunsthalle Karlsruhe 27Mountain landscape with waterfall (1779) avtorja Ferdinand KobellMountain landscape with waterfall1779 · Staatliche Kunsthalle Karlsruhe 28View of Aschaffenburg from the East (Aschaffenburg Cycle) (1787) avtorja Ferdinand KobellView of Aschaffenburg from the East (Aschaffenburg Cycle)1787 · Bavarske državne slikopisne zbirke 29View from Schloss Aschaffenburg on the City towards the Northeast (Aschaffenburg Cycle) (1786) avtorja Ferdinand KobellView from Schloss Aschaffenburg on the City towards the Northeast (Aschaffenburg Cycle)1786 · Bavarske državne slikopisne zbirke 30View from Schloss Aschaffenburg looking down the Main towards the Kapuzinerkloster (Aschaffenburger Zyklus) (1786) avtorja Ferdinand KobellView from Schloss Aschaffenburg looking down the Main towards the Kapuzinerkloster (Aschaffenburger Zyklus)1786 · Bavarske državne slikopisne zbirke 31View from Aschaffenburg towards Goldbach (Aschaffenburg Cycle) (1789) avtorja Ferdinand KobellView from Aschaffenburg towards Goldbach (Aschaffenburg Cycle)1789 · Bavarske državne slikopisne zbirke 32View from the Aschaffenburg Schloss on Marstall and Mainbrücke (Aschaffenburg Cycle) (1786) avtorja Ferdinand KobellView from the Aschaffenburg Schloss on Marstall and Mainbrücke (Aschaffenburg Cycle)1786 · Bavarske državne slikopisne zbirke 33Upper Lake and Schloss Schönbusch near Aschaffenburg (Aschaffenburg Cycle) (1786) avtorja Ferdinand KobellUpper Lake and Schloss Schönbusch near Aschaffenburg (Aschaffenburg Cycle)1786 · Bavarske državne slikopisne zbirke 34The Main Bridge near Aschaffenburg (Aschaffenburg Cycle) (1786) avtorja Ferdinand KobellThe Main Bridge near Aschaffenburg (Aschaffenburg Cycle)1786 · Bavarske državne slikopisne zbirke 35River Landscape avtorja Ferdinand KobellRiver LandscapeBavarske državne slikopisne zbirke 36Landscape avtorja Ferdinand KobellLandscape 37Rhineland Landscape avtorja Ferdinand KobellRhineland LandscapeBavarske državne slikopisne zbirke 38Moonlight Landscape with Fishermen at the Campfire avtorja Ferdinand KobellMoonlight Landscape with Fishermen at the CampfireStaatliche Kunsthalle Karlsruhe 39Landscape with Travelers avtorja Ferdinand KobellLandscape with TravelersHarvard Art Museums

Muzeji, ki hranijo originala umetnika Ferdinand Kobell

5 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Ferdinand Kobell Slike iz tega seznama
Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 30 Wide Valley Landscape, Landscape with Shepherds and Cattle by a River, Rider in a Ford (The Evening)
Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 3 Winter Landscape with Two Riders, Mountain landscape with waterfall, Moonlight Landscape with Fishermen at the Campfire
Augustiner Museum, FreiburgAugustiner Museum Freiburg 2 Evening Landscape, Landscape with Hut and Draw Well
Lenbachhaus, MünchenLenbachhaus München 1 River Landscape in Moonlight
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 Landscape with Travelers

Ferdinand Kobell desetletje za desetletjem: originali, ki definira vsako od njih

Delo po desetletjih

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Vprašanja zbirateljev o slikah umetnika Ferdinand Kobell

Za katero delo je Ferdinand Kobell najbolj znan/a?Razkriti odgovor

Evening Landscape (1771), Augustiner Museum, Freiburg. Zatem sledeta Wide Valley Landscape (1785) in Landscape with Shepherds and Cattle by a River (1783).

Koliko je bil Ferdinand Kobell let, ko je nastalo delo Evening Landscape?Razkriti odgovor

31 let: delo Evening Landscape iz leta 1771, Ferdinand Kobell pa je bil/a rojen/a leta 1740.

Katera je deset najbolj znanih slik umetnika Ferdinand Kobell?Razkriti odgovor

Evening Landscape, Wide Valley Landscape, Landscape with Shepherds and Cattle by a River, Rider in a Ford (The Evening), Cows with shephed in a landscape, River Landscape in Moonlight, Wooded Hilly Landscape, Large Landscape with Mountain Stream, Mountain landscape with between rock walls in Road between rock walls. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko slik je pustil Ferdinand Kobell?Razkriti odgovor

Naš katalog vsebuje 39 del avtorja Ferdinand Kobell, datiranih od 1765 do 1789.

V katerih muzejih so razložena remek dela umetnika Ferdinand Kobell?Razkriti odgovor

Večini v Bavarske državne slikopisne zbirke (München), Staatliche Kunsthalle Karlsruhe (Karlsruhe) in Augustiner Museum (Freiburg). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerih letih je Ferdinand Kobell naslikal svoja najbolj znana dela?Razkriti odgovor

V obdobju 1780s: 22 od 39 del na tej strani je bilo izdelovanih takrat, med njimi pa Wide Valley Landscape.

Kakšna sta prva in zadnja znana originala umetnika Ferdinand Kobell?Razkriti odgovor

Na tej strani je najstarejše delo iz Cows with shephed in a landscape (1765) in najstarejše iz View from Aschaffenburg towards Goldbach (Aschaffenburg Cycle) (1789).

Katera dela umetnika Ferdinand Kobell so razstavljena v muzeju Bavarske državne slikopisne zbirke?Razkriti odgovor

Wide Valley Landscape, Landscape with Shepherds and Cattle by a River in Rider in a Ford (The Evening): v muzeju Bavarske državne slikopisne zbirke, München se nahaja 30 del z te strani.

Ferdinand Kobell: življenje in delo

The Master of Line and Light: The Life of Ferdinand Kobell

In the twilight of the eighteenth century, a period defined by profound political shifts and the burgeoning spirit of European refinement, the name Ferdinand Kobell emerged as a vital force in the realms of German painting and copper engraving. Born on June 7, 1740, in the vibrant city of Mannheim, Kobell’s journey was one of transition—from the structured world of legal studies to the delicate, precise artistry of the engraver's needle. Though he initially pursued a path in law at Heidelberg, becoming a secretary to the court in 1760, the call of the visual arts proved irresistible. This pivot from the rigidity of jurisprudence to the fluid expression of art would eventually lead him to become a celebrated court painter and a pivotal figure in the artistic landscape of Mannheim and Munich.

Kobell’s early life was steeped in the industrious atmosphere of Mannheim, where his family roots traced back to Hesse. His upbringing provided a foundation of stability that allowed him to pursue a scholarship to the prestigious Mannheim Drawing Academy. It was here that his technical prowess began to crystallable, particularly in the intricate medium of copper engraving. His talent soon caught the attention of the ruling elite, leading to his appointment as a court painter in 1766. This professional ascent was not merely a matter of local recognition; it was fueled by an insatiable desire for broader horizons. A transformative eighteen-month study trip to Paris allowed him to engage with the great Johann Georg Wille, an encounter that undoubtedly refined his mastery of line and light, infusing his work with a sophisticated European elegance.

A Legacy Etched in Copper and Canvas

While Kobell’s oil paintings found homes in distinguished German galleries from Karlsruhe to Augsburg, it is through his masterful etchings that his true artistic soul is most vibrantly felt. His work as an engraver possesses a technical precision that transcends simple reproduction, capturing the atmospheric nuances of the landscapes he so loved. Heavily influenced by the Dutch master Nicolaes Pieterszoon Berchem, Kobell specialized in landscapes that breathed with life and movement. His etchings often evoke a sense of pastoral tranquility or dramatic natural beauty, achieved through a meticulous command of shadow and texture.

The breadth of his contribution to the printmaking tradition is staggering, with approximately 300 etchings surviving to tell his story. These works were not merely ephemeral sketches but significant artistic statements, later published in collections such as the Œuvres complètes de Ferdinand Kobell. His ability to translate the vastness of nature into the intimate scale of a print allowed him to influence a generation of artists, including his son, the renowned landscape and battle painter Wilhelm von Kobell. Through his needle, Ferdinand Kobell bridged the gap between the classical traditions of the past and the burgeoning romantic sensibilities of the future.

Historical Significance and Final Acts

The later years of Kobell’s life were marked by the same movement and adaptation that characterized his career. In 1794, as Elector Charles Theodore moved his court from Mannheim to Munich, Kobell followed, bringing his expertise to a new cultural epicenter. His dedication to the preservation and promotion of art was evidenced by his appointment as Director of the Palatinate Painting Gallery. This role placed him at the heart of German art administration, where he helped shape the collections that would define the era.

Though his life was tragically cut short in Munich on February 1, 1799, before he could officially reclaim his post in Mannheim, his impact remained indelible. He left behind a legacy defined by:

  • Technical Mastery: A profound command of copper engraving that elevated the medium within German art circles.
  • Artistic Lineage: The mentorship and inspiration provided to his son, Wilhelm von Kobell, ensuring the continuation of his stylistic influence.
  • Cultural Stewardship: His leadership in the Palatinate Painting Gallery, which helped safeguard significant works of European art.

Ferdinand Kobell remains a quintessential figure of the late Enlightenment, an artist whose work captures the precise moment when the structured elegance of the Rococo began to yield to the emotive depth of the coming Romantic age.