Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 131 del v našem katalogu avtorja Ernest Hébert
Kratek opis
Za oči galerije je najbolj znano sliko umetnika Ernest Hébert delo LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, katere original visi v muzeju Musée National Ernest Hébert, Paris. ROMA SDEGNATA in Peasants at the fountain dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 131 del avtorja Ernest Hébert v našem katalogu galerija spodaj predstavlja 100 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
In this oil on canvas, we find ourselves drawn into a private, silent interval of a young woman's day. She sits upon a stone bench, her form draped in a white blouse and a blue skirt, her presence anchored by the subtle weight of her contemplation. A red headscarf provides the only sharp note of color against the muted, natural tones of the surrounding greenery. Her gaze is cast downward,…
ROMA SDEGNATA is an oil painting executed by the French academic painter Ernest Hébert. The artist produced this work between about 1886 and 1896. This specific piece is currently held in a collection in Rome at the museo di Roma. Two related sketches of the composition are preserved at the Musée Hébert in Paris.
Peasants at the fountain is a genre painting by the French artist Ernest Hébert. The work is categorized as a genre painting, focusing on scenes of everyday life. This specific piece is centered on the theme of life in Italy. The composition captures a group of individuals gathered around a water source, a subject matter that aligns with the artist's interest in rural customs and social settings.
The Subject and Composition A young man occupies the center of this oil portrait, presented in a bust-length view. He is positioned slightly off-center, his torso turned partially away while his gaze meets the viewer directly. The subject possesses dark eyes, well-defined eyebrows, and full lips. His hair is rendered with fine, dark, textured strokes that suggest volume and curls. He wears dark clothing, primarily deep blacks, which merge into…
The Virgin of Deliverance is a religious oil on wood executed by Ernest Hébert in 1872. This specific work functions as a variant of a larger-scale altarpiece produced by the artist. The original composition was created for the Salon of 1872 and was subsequently installed in the church of La Tronche the following year.
A somber monochrome scene unfolds within a dark, cavernous setting, defined by deep blacks and sharp highlights. A central female figure stands in the foreground, her face and shoulder caught in a dramatic light that suggests an unseen source above. At her feet lies a recumbent figure, creating a composition of tension and mourning. The environment is composed of textured, organic shapes, suggesting the earthen walls of a cave or…
In the quietude of PETITE EVE AU PAVOT, the French artist Ernest Hébert presents us with a delicate encounter. We find ourselves facing a portrait of a young woman, her presence filling the space with a soft, contemplative energy. The title suggests she is Eve, a figure whose very name carries the weight of ancient stories, yet here she appears caught in a moment of pure, unblemished grace. There is…
The composition centers on a bust-length portrait of a young woman, positioned within an oval frame. Her gaze is directed toward the viewer, characterized by a steady and slightly melancholic expression. She is draped in a headscarf featuring intricate patterns of red, blue, and green. The fabric folds are rendered with soft, flowing lines that define the contours of her face and the weight of the textile. Her skin tones…
In the quiet, heavy atmosphere of the 19th century, Ernest Hébert captures a moment of profound human struggle in his work titled LA MALARIA. The scene unfolds upon a small boat, or barque, drifting through a landscape that feels thick with tension. A family of Italian peasants occupies the vessel, their lives suspended in the precarious space between the water and the shore. They are not merely traveling; they are…
is an oil on canvas painting by the French academic artist Ernest Hébert. Executed in 1846, the work belongs to the genre art classification. It represents a mid-19th-century approach to the Orientalist style, focusing on a specific scene of movement and music.
Music1850
12
Going to the Well1850 · Walters Art Museum
13
The hay harvesters of San Germano1857 · Musée d'Orsay
14
Adela1859
15
Pensive young Neapolitan1857
16
Self-Portrait With Red Tie1870 · Musée Hébert
17
La lavandière à Capri1874
18
The music (Agathe Calmel)1882 · Petit Palais
19
At the well1879 · Walters Art Museum
20
Ophelia1887 · Kraljeva zbirka
21
Marie-Thérèse de Ségur, countess of Guerne (1859-1933)1898 · Carnavalet Museum
22
Lily Schneider, Countess of Ganay1905 · Musée d'Orsay
23
Morning star1900
24
Souvenir d'Italie1908 · Musée Des Beaux Arts
25
Virgin And Child
26
VILLA MEDICIS, BASSIN A BALUSTRADEMusée National Ernest Hébert
27
The Mal'aria1848 · Musée d'Orsay
28
The Kiss of Judas1853 · Musée d'Orsay
29
Study for 'Les Filles d'Alvito'1855 · British Museum
30
Returning from the well1860 · Walters Art Museum
31
Young girls of IschiaMusée d'Orsay
32
PORTRAIT DE MADAME JANVIER D'ATTAINVILLELouvre
33
Portrait of Catherine du Bouchage
34
Marie-clotilde Therese Louise
35
Addolorata
36
The Virgin In Paradise
37
Bibiana (Ne m'oubliez pas)
38
Sainte Geneviève
39
Le Christ
40
Tête du ChristMuseum Catharijneconvent
41
Portrait du Général de BeyliéMusée de Grenoble
42
PORTRAIT DE MARIA PUCCIMusée National Ernest Hébert
43
LA VIERGE AU PARADISMusée National Ernest Hébert
44
BibianaMusée National Ernest Hébert
45
Sainte MargueriteMusée National Ernest Hébert
46
ROME, LE BOTTEGHE OSCUREMusée National Ernest Hébert
47
PORTRAIT DE GABRIELLE D'UCKERMANN, MME ERNEST HEBERTMusée National Ernest Hébert
48
LES FILLES D'ALVITOMusée National Ernest Hébert
49
Tête de Jeanne d'Arc
50
PORTRAIT DE MME HOLLANDER NEE VICTORINE WERTHEIMMusée National Ernest Hébert
51
Le Tasse en prison visité par Expilly
52
TETE D'ITALIENNE DE PROFILMusée National Ernest Hébert
53
Tête de Vierge
54
JOUEUSE DE HARPEMusée National Ernest Hébert
55
SAINTE AGNESMusée National Ernest Hébert
56
PAYSANNE PENSIVEMusée National Ernest Hébert
57
TERRACINAMusée National Ernest Hébert
58
PORTRAIT DE ROSEMONDE GERARD, MME EDMOND ROSTANDMusée National Ernest Hébert
59
LES CERVAROLLES (ETATS ROMAINS)
60
MUSE EN DALMATIQUE JOUANT DE LA HARPEMusée National Ernest Hébert
61
OPHELIEMusée National Ernest Hébert
62
LE PETIT BRIGANDMusée National Ernest Hébert
63
LE MARCHAND D'IMAGESMusée National Ernest Hébert
64
Marcelle NéeMusée National Ernest Hébert
65
FEMME SONGEUSE DANS UN SOUS BOISMusée National Ernest Hébert
66
MADAME HEBERT, MERE DE L'ARTISTEMusée Hébert
67
Madame de Villegruy Baronne de VillegruyMusée National Ernest Hébert
68
ADELAIDE SONGEUSEMusée National Ernest Hébert
69
PAYSANNE ASSISE SONGEUSEMusée National Ernest Hébert
70
INTERIEUR DU COLISEEMusée National Ernest Hébert
71
ANTONIETTAMusée National Ernest Hébert
72
PORTRAIT D'AGNES DE POURTALES, MARQUISE DE LOYS CHANDIEUMusée National Ernest Hébert
73
PORTRAIT DE LA COMTESSE EUGENE PASTRE, NEE CELINE DE BEAULAINCOURTMusée National Ernest Hébert
74
CRESCENZA A LA FENETRE DE LA PRISONMusée National Ernest Hébert
75
PASTORELLAMusée National Ernest Hébert
76
PORTRAIT D'ISABELLE PUCCIMusée National Ernest Hébert
77
LA MARQUISE DE MODENE , NEE JEANNE MARIE CLEMENTINE THOMAS DE BOJANO (1862 1937)
78
PAYSAN DE SARACINESCOMusée National Ernest Hébert
79
Sainte AgnèsMusée National Magnin
80
Madame Maximilien Wey
81
SAINTE AMELIEMusée National Ernest Hébert
82
REVERIE AU CREPUSCULEMusée National Ernest Hébert
83
Pasqua MariaMusée National Ernest Hébert
84
JOUEUSE DE MANDOLINEMusée National Ernest Hébert
85
ROSA NERA A LA FONTAINEMusée National Ernest Hébert
86
JOSEPH CHARLES PAUL, PRINCE NAPOLEON (1822 1891)
87
MONA LUCCIAMusée Hébert
88
BARONNE ELEONORE D'UCKERMANN, BELLE SOUR DE L'ARTISTEMusée National Ernest Hébert
89
FAMILLE PAYSANNEMusée National Ernest Hébert
90
PORTRAIT DE CATHERINE DU BOUCHAGE, PLUS TARD MME DANIEL OLLIVIERMusée National Ernest Hébert
91
ANGE A L'EPEEMusée National Ernest Hébert
92
Comtesse de Pourtalès, née Mélanie Renouard de BussièresMusée National Ernest Hébert
93
JEUNE CHASSERESSEMusée National Ernest Hébert
94
PETIT SAVOYARD MONTREUR DE MARMOTTE APPELE ACTUELLEMENT PETIT SAVOYARD ET SON SINGEMusée National Ernest Hébert
95
Madame Hochon (née Louise Lefuel)
96
Female bathers
97
Et Toujours! Et Jamais!1863
98
PORTO D'ANZIOMusée National Ernest Hébert
99
Italian market scene
100
The Washerwoman
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Ernest Hébert | Slike iz tega seznama |
|---|---|---|---|
 Musée National Ernest Hébert |
Paris | 69 | LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, ROMA SDEGNATA, Peasants at the fountain |
 Musée d'Orsay |
Pariz | 11 | Self-portrait at 17 when he arrived in Paris, The Virgin of Deliverance, Oriental dance |
 Walters Art Museum |
Baltimore | 3 | Going to the Well, At the well, Returning from the well |
 Musée Hébert |
Paris | 3 | Self-Portrait With Red Tie, MADAME HEBERT, MERE DE L'ARTISTE, MONA LUCCIA |
 Art Institute of Chicago |
Chicago | 1 | On Guard |
 Musée Condé |
Chantilly | 1 | LA MALARIA |
 Petit Palais |
Pariz | 1 | The music (Agathe Calmel) |
 Kraljeva zbirka |
London | 1 | Ophelia |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The Subject and Composition A young man occupies the center of this oil portrait, presented in a bust-length view. He is positioned slightly off-center, his torso turned partially away while his gaze meets the viewer directly. The subject possesses dark eyes, well-defined eyebrows, and full lips. His hair is rendered with fine, dark, textured strokes that suggest volume and curls. He wears dark clothing, primarily deep blacks, which merge into…
is an oil on canvas painting by the French academic artist Ernest Hébert. Executed in 1846, the work belongs to the genre art classification. It represents a mid-19th-century approach to the Orientalist style, focusing on a specific scene of movement and music.
The title suggests an allegorical reading, linking the rhythmic patterns of nature to a sense of auditory harmony. The soft focus and idealized features of the woman evoke a dreamlike state, moving away from strict realism toward a more poetic interpretation of the landscape. This approach emphasizes a sense of quietude and the seamless integration of the individual into the wild, growing world.
A somber monochrome scene unfolds within a dark, cavernous setting, defined by deep blacks and sharp highlights. A central female figure stands in the foreground, her face and shoulder caught in a dramatic light that suggests an unseen source above. At her feet lies a recumbent figure, creating a composition of tension and mourning. The environment is composed of textured, organic shapes, suggesting the earthen walls of a cave or…
The Virgin of Deliverance is a religious oil on wood executed by Ernest Hébert in 1872. This specific work functions as a variant of a larger-scale altarpiece produced by the artist. The original composition was created for the Salon of 1872 and was subsequently installed in the church of La Tronche the following year.
LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, Musée National Ernest Hébert, Paris. Zatem sledeta ROMA SDEGNATA in Peasants at the fountain.
LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, ROMA SDEGNATA, Peasants at the fountain, Self-portrait at 17 when he arrived in Paris, The Virgin of Deliverance, On Guard, PETITE EVE AU PAVOT, LA SULAMITE, DIT AUSSI LA FILLE DU LIBAN OU LA FLEUR DU LIBAN, LA MALARIA in Oriental dance. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 131 del avtorja Ernest Hébert, datiranih od 1833 do 1908.
Večini v Musée National Ernest Hébert (Paris), Musée d'Orsay (Pariz) in Walters Art Museum (Baltimore). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1850s: 7 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Music.
Na tej strani je najstarejše delo iz Self-portrait at 17 when he arrived in Paris (1833) in najstarejše iz Souvenir d'Italie (1908).
Woman (17), Portrait (15) in 19th century (7), na 100 delih na tej strani.
Oil On Canvas, za 14 od 100 del na tej strani.
Romanticism, glede na originala na tej strani.
LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, ROMA SDEGNATA in Peasants at the fountain: v muzeju Musée National Ernest Hébert, Paris se nahaja 50 del z te strani.
Antoine Auguste Ernest Hébert (1817–1908), ime, ki je morda manj znano kot imena mnogih njegovih sodobnikov iz 19. stoletja, vendar predstavlja pomembno osebnost v francoski akademski slikarstvu. Rod in vzgojen v Grenoblu, v družini, globoko vprizani v pravno tradicijo, se je Hébertova umetniška pot začela ne le skozi formalno izobraževanje, temveč z samozagono strastjo, ki jo je spodbudilo mentorstvo klesalcov in zgodovinskih slikarjev. Ta nekonvencionalen začetek je oblikoval njegov prepoznaven slog – slog, ki ga zaznamujejo natančni detajli, globoko razumevanje svetlobe in senc ter neporažen romantični občutek.
Hébertovo zgodnje življenje v Grenoblu je v njem vzbudilo globoko spoštovanje do naravnega sveta, kar je postalo osrednja tema njegove umetniške tvorbe. Ko se je v age osimnastih preselil v Pariz, se je potopil v živahno umetniško sceno in študiral pri Davidu d'Angersu ter Paulu Delarocheju – mojstjih, ki so ga spoznali s klasičnimi tehnikami in zgodovinsko narativnostjo. Vendar pa je šele čas v Rimu, ki mu ga je podelila prestižna nagrada Prix de Rome leta 1839, zares kristaliziral njegovo umetniško vizijo. Stipendija mu je omogočila dolgotrajno obdobje študija v Villa Medici, kar mu je omogočilo vpijač v veličastnost italijanskih pejzažev in kulture – izkušnje, ki so močno vplivale na njegova kasnejša dela.
Njegovo najslavnejše delo, “La Mal'aria” (1848–49), ki je zdaj shranjeno v Musée d’Orsay, najbolje ponazarja ta italijanski vpliv. Slikovina prikazuje ganljiv prizor kmejske družine, ki beži pred izbruhom malarije ob kanalih Venecije – temo, ki je globoko odmevala z fascinacijo romantizma nad trpljenjem in sublimnostjo. Vendar Hébert ne prikazuje le dramatičnega dogodka; s presenetljivo realistično natančnostjo izrenderira vsak detajl – zaplano oblačila, izlužnjena obraza, valovito vodo. Ta predanost akademski natančnosti, izpiljeni med rimskimi študijami, je prisotna skozi celotno njegovo delo.
Njegova italijanska serija pa se je razvijala daleč 넘어 le v barvne pejzaže. Hébert je želel ujeti bistvo italijanskega življenja – njegove ljudi, običaje in vzdušje. Slikal je prizore pastirjev, ki varujejo svoje skrbljene, ribarjev, ki vržejo svoje mreže, in družin, ki se zbirajo na sončnih piazza. Ta dela niso le prikazi pokrajine; prežarejena je z občutkom melanholije in nostalgije, kar odraža Hébertove lastne opazacije izginjajočih tradicij podeželske Italije.
Kljub času v tujini je Hébert ostal trdno zakoreninjen v Parizu, kjer je postal pomembna figura na prestižnih izložbah Salon. Njegove slike so dosledno pridobivale kritično priznanje, kar mu je zagotovilo številne naročila in ga uveljavilo kot enega vodilnih akademskih slikarjev svoje dobe. Dvakrat je bil celo imenovan direktor francijske akademije v Rimu, kar je dokaz njegove visoke stopnje ugleda v umetniški skupnosti.
Poleg pejzažev se je Hébert izkazal tudi v portretiranju, pri čemer je ujel podobnosti pomembnih oseb iz pariške družbe. Njegovi portreti so značilni po svoji eleganci in psihološki globini, saj razkrivajo ne le zunanji videz, temveč tudi notranji karakter njegovih modelov. Ta dela dokazują izjemno sposobnost prenosa osebnosti skozi subtilne geste in izraz.
Hébertova dediščina sega dlje od njegovih posameznih slik. V Parizu je ustanovil Musée Hébert, danes znan kot Nacionalni muzej Ernest Hébert, ki v svoji obsežni zbirki hrani njegova dela skupaj z izstopajočim ansamblom zgodovinskih sob, ki ponujajo vpogled v pariško življenje 19. stoletja. Muzej služi kot pomembna vir za raziskovalce in ljubitelje umetnosti ter zagotavlja, da so Hébertovi umetniški prispevki ohranjeni in proslavljeni.
Njegovo del se še vedno študira in cenijo zaradi njegove tehnične mojstrstva, evokativnih slik in ganljivega prikaza človeškega stanja. Ernest Hébert ostaja prepričljiv primer umetnika, ki je uspešno združil akademsko rigoroznost z romantično občutljivostjo ter za seboj pustil bogato in trajno umetniško dediščino, ki odraža tako lepoto kot melanholijo Francije 19. stoletja.
