Kratek opis
Med vsemi originali, ki jih je pustil Else Wex Cleemann, je najbolj znan Knabenbildnis (1934), ki se nahaja v kolekciji Bavarske državne slikopisne zbirke, München. Naš katalog vsebuje 2 del umetnika Else Wex Cleemann; galerija je ohranila 1 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
10 najboljših slik umetnika Else Wex Cleemann: izbira galerije
Muzeji, ki hranijo originala umetnika Else Wex Cleemann
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Else Wex Cleemann | Slike iz tega seznama |
|---|---|---|---|
| München | 1 | Knabenbildnis |
Else Wex Cleemann leta za letom: originali, ki definira vsako obdobje
1934 je leto vsakega datiranega dela umetnika Else Wex Cleemann v tej izbiri: tukaj so, razvrščena po slavi.
Vprašanja zbirateljev o slikah umetnika Else Wex Cleemann
Za katero delo je Else Wex Cleemann najbolj znan/a?Razkriti odgovor
Knabenbildnis (1934)
Koliko je bil Else Wex Cleemann let, ko je nastalo delo Knabenbildnis?Razkriti odgovor
44 let: delo Knabenbildnis iz leta 1934, Else Wex Cleemann pa je bil/a rojen/a leta 1890.
Koliko slik je pustil Else Wex Cleemann?Razkriti odgovor
Naš katalog vsebuje 2 del avtorja Else Wex Cleemann.
V katerih muzejih so razložena remek dela umetnika Else Wex Cleemann?Razkriti odgovor
Večini v Bavarske državne slikopisne zbirke (München). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Else Wex Cleemann: življenje in delo
Life and Artistic Journey
Born in Ciudad Bolívar, Venezuela, Else Wex Cleemann was a German painter and etcher. After her family moved to Hamburg, she studied at the Kunstgewerbeschule, eventually qualifying as a drawing teacher. Her formal training continued in Berlin at the art school of Arthur Lewin-Funcke, where she studied under Lovis Corinth, and later in Hamburg, where she studied graphics with Fritz Behnke. Following a period in Paris, she became active in the artistic circles of Hamburg and Lübeck.
Her work during the 1920s was characterized by a style influenced by New Objectivity, noted for its luminous color and the sharpness and clarity of external forms. Her subjects included portraits and landscapes, often inspired by travels to Italy, Munich, Norway, Denmark, Holland, and France. In 1933, she married Jan Cleemann.
Exhibitions and Legacy
The career of Else Wex Cleemann was marked by significant historical complexities. In 1937, her oil painting Old Factory (Factory Courtyard) was confiscated by the Kunsthalle zu Kiel as degenerate art. During the same period, her portrait of Hermann Behme was exhibited in the Great German Art Exhibition. Her 1937 self-portrait, Self-Portrait as Eva, reflects the ambivalence of both rejection and success during the National Socialist era.
In the years following the Second World War, she participated in numerous exhibitions, though she lived a more withdrawn life in her later years due to a lack of acceptance for her work. Recently, her work has undergone a positive re-evaluation, with pieces featured in exhibitions such as Spannungsfeld Weimar. Kunst und Gesellschaft 1919-1933 and Kunst in „Dritten Reich“.