Portret Edward Smith

13 najbolj znanih slik umetnika Edward Smith, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 13 del v našem katalogu avtorja Edward Smith

Kratek opis

Med vsemi originali, ki jih je pustil Edward Smith, je najbolj znan Market House, Dursley, Gloucestershire (1879), ki se nahaja v kolekciji Gloucester Life Museum, Gloucester. Takoj za njima sta An Angling Party (The Willyams Family at Carnanton ) (1773) in Edward Rushton (1795–1851) (1840). Naš katalog vsebuje 13 del umetnika Edward Smith; galerija je ohranila 13 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

Največ del: Museum of Gloucester

10 najboljših slik umetnika Edward Smith: izbira galerije

Izbor umetnika Edward Smith se nadaljuje, od 11 do 13

Muzeji, ki hranijo originala umetnika Edward Smith

4 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Edward Smith Slike iz tega seznama
Museum of Gloucester, GloucesterMuseum of Gloucester Gloucester 8 Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire, The Quay and Docks, Gloucester, 1878
Gloucester Life Museum, GloucesterGloucester Life Museum Gloucester 2 Market House, Dursley, Gloucestershire, The Quay and Docks, Gloucester, 1890
Wimpole HallWimpole Hall 1 An Angling Party (The Willyams Family at Carnanton )
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 1 Edward Rushton (1795–1851)

Edward Smith desetletje za desetletjem: originali, ki definira vsako od njih

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Vprašanja zbirateljev o slikah umetnika Edward Smith

Za katero delo je Edward Smith najbolj znan/a?Razkriti odgovor

Market House, Dursley, Gloucestershire (1879), Gloucester Life Museum, Gloucester. Zatem sledeta An Angling Party (The Willyams Family at Carnanton ) (1773) in Edward Rushton (1795–1851) (1840).

Katera je deset najbolj znanih slik umetnika Edward Smith?Razkriti odgovor

Market House, Dursley, Gloucestershire, An Angling Party (The Willyams Family at Carnanton ), Edward Rushton (1795–1851), Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire, The Quay and Docks, Gloucester, 1878, The Quay and Docks, Gloucester, 1890, Llanthony Bridge, Gloucester, Southgate Street, Gloucester in Captain James Pendergrass (1767–1851), RN. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko slik je pustil Edward Smith?Razkriti odgovor

Naš katalog vsebuje 13 del avtorja Edward Smith, datiranih od 1773 do 1880.

V katerih muzejih so razložena remek dela umetnika Edward Smith?Razkriti odgovor

Večini v Museum of Gloucester (Gloucester), Gloucester Life Museum (Gloucester) in Wimpole Hall. Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerih letih je Edward Smith naslikal svoja najbolj znana dela?Razkriti odgovor

V obdobju 1870s: 4 od 13 del na tej strani je bilo izdelovanih takrat, med njimi pa Market House, Dursley, Gloucestershire.

Kakšna sta prva in zadnja znana originala umetnika Edward Smith?Razkriti odgovor

Na tej strani je najstarejše delo iz An Angling Party (The Willyams Family at Carnanton ) (1773) in najstarejše iz River Scene with Anglers, the Leadon, Gloucestershire (1880).

Katera dela umetnika Edward Smith so razstavljena v muzeju Museum of Gloucester?Razkriti odgovor

Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire in The Quay and Docks, Gloucester, 1878: v muzeju Museum of Gloucester, Gloucester se nahaja 8 del z te strani.

Edward Smith: življenje in delo

The Visionary Landscapes of Edward Smith

Edward Smith (1850 – 1912) stands as a singular figure in Victorian British art, recognized primarily for his monumental canvases depicting mythological scenes—particularly the biblical Flood—and expansive landscapes imbued with an almost unsettling grandeur. While overshadowed by contemporaries like Turner and Constable during his lifetime, Smith’s distinctive style has garnered renewed appreciation in recent decades, cementing his place as a pivotal artist of the era and influencing subsequent generations of painters. His work transcends mere representation; it strives to convey profound emotional resonance and philosophical contemplation, reflecting the anxieties and aspirations of a society grappling with scientific advancements alongside spiritual yearning.

Born in Hanley, Staffordshire, Smith’s upbringing amidst a family of potters instilled an appreciation for craftsmanship and detail—traits that would become hallmarks of his artistic practice. His father's involvement in the American Civil War shaped his worldview, fostering a fascination with history and storytelling. Despite facing personal hardships including familial discord and debilitating illness, Smith persevered in pursuing his artistic ambitions. He honed his skills at the British School in Etruria before embarking on a self-directed artistic journey, absorbing inspiration from Romantic painters like Turner and Friedrich, particularly their masterful manipulation of light and atmosphere.

A Mastery of Atmosphere and Narrative

Smith’s artistic evolution was marked by an engagement with Symbolist aesthetics, evident in his use of muted palettes and evocative imagery that demonstrated an intellectual curiosity extending far beyond mere visual technique. His ability to blend naturalist observation with symbolic commentary allowed him to create works that felt both grounded in reality and elevated by myth. This is perhaps most strikingly realized in his depictions of the English countryside, where he captured the serene essence of rural life through scenes such as At Elmore, Gloucester. In these works, a sense of peace pervades the atmosphere, often punctuated by the delicate presence of birds flying overhead, adding to the harmony of the composition.

Beyond the tranquil, however, lies the dramatic power of his larger-scale compositions. His magnum opus, “The Flood,” exemplifies his grand artistic vision. Measuring over 10 feet by 20 feet, this monumental piece showcases his capacity for depicting apocalyptic landscapes with a sense of awe and terror. Whether he was painting the bustling town square of Market House, Dursley or the quiet river scenes of the Leadon, Smith possessed a unique ability to imbue every subject with a sense of historical weight and atmospheric depth.

Legacy and Historical Significance

The legacy of Edward Smith resides not only in the physical canvases he left behind but in the way his work continues to provoke thought regarding our relationship with the natural world. His paintings often serve as a striking blend of naturalist observation and symbolic commentary, reflecting deep-seated anxieties about environmental degradation and the passage of time. Today, his contributions to British art history are preserved in significant collections, including:

  • The Museum of Gloucester: Housing cherished works like At Elmore, Gloucester, which offer a window into late 19th-century rural life.
  • Louisiana State University Art Collection: Where his evocative depictions of birds and landscapes continue to inspire scholars and art enthusiasts alike.
  • Public Exhibitions: Showcasing his distinctive vision and the enduring power of his mythological and landscape narratives.

Through his meticulous attention to detail and his ability to capture the ephemeral qualities of light and shadow, Edward Smith remains a vital voice in the history of Victorian painting, reminding us of the profound connection between the landscapes we inhabit and the myths we carry within us.