Kratek opis
Za oči galerije je najbolj znano sliko umetnika Dominik Weber delo Portrait of Two Children (1840), katere original visi v muzeju Augustiner Museum, Freiburg. Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) in Portrait of a Young Woman with Two Children (1854) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 9 del avtorja Dominik Weber v našem katalogu galerija spodaj predstavlja 9 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
Top 10 slik umetnika Dominik Weber v galeriji
Muzeji, ki hranijo originala umetnika Dominik Weber
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Dominik Weber | Slike iz tega seznama |
|---|---|---|---|
| Freiburg | 8 | Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt, Portrait of a Young Woman with Two Children | |
| Karlsruhe | 1 | Two Girls with Dove |
Dominik Weber, ena značilna slika na desetletje
Delo po desetletjih
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Slike umetnika Dominik Weber: odgovori galerije
Katero sliko avtorja Dominik Weber je najbolj znana med vsemi?Razkriti odgovor
Portrait of Two Children (1840), Augustiner Museum, Freiburg. Zatem sledeta Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) in Portrait of a Young Woman with Two Children (1854).
Koliko je bil Dominik Weber let, ko je dokončal Portrait of Two Children?Razkriti odgovor
21 let: delo Portrait of Two Children iz leta 1840, Dominik Weber pa je bil/a rojen/a leta 1819.
Koliko dzieł stworzył Dominik Weber?Razkriti odgovor
Naš katalog vsebuje 9 del avtorja Dominik Weber, datiranih od 1840 do 1869.
Kje so razpostavljena najbolj znana originala umetnika Dominik Weber?Razkriti odgovor
Večini v Augustiner Museum (Freiburg) in Staatliche Kunsthalle Karlsruhe (Karlsruhe). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Kdaj je Dominik Weber ustvaril svoja najbolj znana slika?Razkriti odgovor
V obdobju 1860s: 5 od 9 del na tej strani je bilo izdelovanih takrat, med njimi pa Artist’s Daughter Wearing a Grey Dress.
Kateri so najstarejši in najmlajši znanii dela umetnika Dominik Weber?Razkriti odgovor
Na tej strani je najstarejše delo iz Portrait of Two Children (1840) in najstarejše iz Two Girls with Dove (1869).
Katera originalna dela umetnika Dominik Weber ima v svoji zbirki Augustiner Museum?Razkriti odgovor
Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt in Portrait of a Young Woman with Two Children: v muzeju Augustiner Museum, Freiburg se nahaja 8 del z te strani.
Dominik Weber: umetnik
A Life in the Black Forest
Dominik Weber lived much of his life within the quiet landscapes of Germany. Born on 27 July 1819 in Sankt Peter, his roots were deeply tied to the region. He spent his later years in Freiburg im Breisgau, where he passed away on 7 September 1887. His presence in these towns suggests a life shaped by the steady rhythms of the Black Forest and the local communities that surrounded him.
His work often turned its gaze toward the people who inhabited these spaces. He captured the quiet dignity of daily existence, from the faces of merchants to the simple tasks of rural laborers. There is a sense of familiarity in his subjects, as if he were painting neighbors and family members he saw every day.
The Faces of His World
Weber focused heavily on figurative painting, finding meaning in the individual characters of his era. He had a particular interest in capturing portraits that felt grounded and real. Some of his notable subjects included:
- Artist’s Daughter Wearing a Grey Dress (1860): A tender look at a child within his own family.
- Peasant Girl with Two Goats, Carrying a Bundle of Hay: A depiction of the physical labor common to the countryside.
- Portrait of an Elderly Peasant Woman (1869): A study of age and character.
- Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854): A portrait of a local businessman from Freiburg.
In his self-portraits, such as the one painted around 1860, we see the artist looking back at himself. These works, alongside portraits of his wife and children, suggest that his personal life and his professional output were closely intertwined. He did not seek out grand historical scenes, but rather found his purpose in the people closest to him.
A Legacy of Observation
While much of his work remains part of private collections or specific regional archives, the pieces that survive show a commitment to the figurative tradition. His ability to document the clothing, tools, and expressions of 19th-century German life provides a window into a period of transition. He recorded the way a lady sat in 1840 and how a young woman held her children in 1854, preserving these small, human moments for those who would come after him.





