Portret Domenico Corvi

8 najbolj znanih slik umetnika Domenico Corvi, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 8 del v našem katalogu avtorja Domenico Corvi

Kratek opis

Med vsemi originali, ki jih je pustil Domenico Corvi, je najbolj znan The Glorification of Andrea Doria (1750), ki se nahaja v kolekciji Minneapolis Institute of Art, Minneapolis. Takoj za njima sta Camillus and the Schoolmaster of Falerii (1764) in Allegory of Painting (1764). Naš katalog vsebuje 8 del umetnika Domenico Corvi; galerija je ohranila 8 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1721 – 1803, Viterbo Največ del: Kapitolinski muzeji

10 najboljših slik umetnika Domenico Corvi: izbira galerije

Muzeji, ki hranijo originala umetnika Domenico Corvi

6 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Domenico Corvi Slike iz tega seznama
Kapitolinski muzeji, RimKapitolinski muzeji Rim 2 Camillus and the Schoolmaster of Falerii, The Vestal Tuccia
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 1 The Glorification of Andrea Doria
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 1 Allegory of Painting
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 David Allan, 1744 - 1796. Artist
Accademia di San Luca, RimAccademia di San Luca Rim 1 Self-portrait
Muzej fine arts, BostonMuzej fine arts Boston 1 Virgin and Child

Domenico Corvi desetletje za desetletjem: originali, ki definira vsako od njih

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Vprašanja zbirateljev o slikah umetnika Domenico Corvi

Za katero delo je Domenico Corvi najbolj znan/a?Razkriti odgovor

The Glorification of Andrea Doria (1750), Minneapolis Institute of Art, Minneapolis. Zatem sledeta Camillus and the Schoolmaster of Falerii (1764) in Allegory of Painting (1764).

Koliko je bil Domenico Corvi let, ko je nastalo delo The Glorification of Andrea Doria?Razkriti odgovor

29 let: delo The Glorification of Andrea Doria iz leta 1750, Domenico Corvi pa je bil/a rojen/a leta 1721.

Koliko slik je pustil Domenico Corvi?Razkriti odgovor

Naš katalog vsebuje 8 del avtorja Domenico Corvi, datiranih od 1750 do 1803.

V katerih muzejih so razložena remek dela umetnika Domenico Corvi?Razkriti odgovor

Večini v Kapitolinski muzeji (Rim), Minneapolis Institute of Art (Minneapolis) in Walters Art Museum (Baltimore). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerih letih je Domenico Corvi naslikal svoja najbolj znana dela?Razkriti odgovor

V obdobju 1760s: 2 od 8 del na tej strani je bilo izdelovanih takrat, med njimi pa Camillus and the Schoolmaster of Falerii.

Kakšna sta prva in zadnja znana originala umetnika Domenico Corvi?Razkriti odgovor

Na tej strani je najstarejše delo iz The Glorification of Andrea Doria (1750) in najstarejše iz Self-portrait (1803).

Katera dela umetnika Domenico Corvi so razstavljena v muzeju Kapitolinski muzeji?Razkriti odgovor

Camillus and the Schoolmaster of Falerii in The Vestal Tuccia: v muzeju Kapitolinski muzeji, Rim se nahaja 2 del z te strani.

Domenico Corvi: življenje in delo

The Life and Career of Domenico Corvi

Domenico Corvi was an Italian painter active during the close of the 18th century. Born in Viterbo, he moved to Rome to work under Francesco Mancini. His early career involved works in Viterbo and Palestrina, as well as the decoration of churches in and around Rome. In 1750, he won first prize at the Accademia di San Luca, later becoming a full member in 1756. During this time, he returned to his native Viterbo to participate in decorating the church of the Gonfalone, contributing roundels of the apostles Saints Simon and Jude and a scene of the Beheading of Saint John the Baptist.

Corvi's professional journey included significant commissions for various patrons. His works include:

  • A series of canvases in Vedana, including an altarpiece of Saint Michael Archangel for the church of Trinità dei Monti.
  • Scenes for the Palazzo Barberini in Rome, depicting the Life of the Blessed Margherita Colonna and subjects from Venetian history.
  • A painting in Turin, San Domenico, titled Victor Amadeus I, Duke of Savoy, Expelling the Plague with the Lamp of the Madonna delle Grazie in 1630.
  • The painting The Miracle of Saint Joseph Calasanz Resuscitating a Child, located in the Wadsworth Atheneum.
  • Works for the Borghese family, such as an altarpiece of Saint Leo IV Extinguishing the Fire in the Borgo and a ceiling with the Sacrifice of Iphigenia.

Later Works and Official Roles

In his later years, Corvi engaged in church decoration throughout Italy, spanning from Ravenna to Pisa, and from Venice to Spoleto. His ecclesiastical commissions included large canvases for the Cathedral of St. Ursus in Solothurn, Switzerland, featuring The Last Supper, the Coronation of the Virgin, the Incredulity of Saint Thomas, and the Pentecost.

Corvi held several official positions within the Accademia di San Luca. From 1757, he served as the director of the Scuola del Nudo at Campodoglio. His pupils included Giuseppe Cades, Francesco Alberi, and Vincenzo Camuccini. He died in Rome.