Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 114 del v našem katalogu avtorja Daniel Macnee
Kratek opis
Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860) (1859) je slika avtorja Daniel Macnee, ki pritegne največ pogledov; original se nahaja v muzeju Royal Faculty of Procurators, Glasgow. Nato se pogled smeri k David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock (1856) in Archibald McNeill, Principal Clerk of Session (1858–1870) (1860). Med 114 dela umetnika Daniel Macnee v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
Alexander Morrison sits in a stillness that suggests the heavy silence of a courtroom. He is a man defined by the gravity of his position, the Dean of Faculty, captured in a moment of repose that feels more like a pause in thought than a moment of rest. His legs are crossed, a posture of quiet authority, while his suit and tie anchor him to the formal expectations of his…
James Richardson of Ralston, Paisley
12
A Portrait Study of a Gentleman Standing in an InteriorScottish National Gallery
13
Lady Macnee and Her Daughter (Portrait of the Artist's Daughter and Granddaughter)1863 · Royal Scottish Academy of Art - Architecture
14
John Wilson (1800–1849), Singer and Composer of Songs1830 · Scottish National Portrait Gallery
15
The Hot Blast1840
16
Queen Victoria (1819–1901)1845
17
Mrs Agnes W. Whyte of Newbury1840
18
Agnes Smith Greig1840 · The Stirling Smith Art Gallery - Museum
19
Horatio McCulloch (1805–1867), RSA1842
20
John Ramsay McCulloch1840
21
Reverend Thomas Chalmers (1780–1847), Preacher and Social Reformer1843 · Scottish National Portrait Gallery
22
The Bracelet1851 · Royal Scottish Academy of Art - Architecture
23
Reverend Dr Ralph Wardlaw (1779–1853)1851
24
Douglas William Jerrold1853 · National Portrait Gallery
25
Mrs Thomas McGuffie (1842–1908)1850
26
Louisa Balfour, Mrs James Mackenzie of Craigpark1850 · Scottish National Gallery
27
Henry Marshall (1775–1851), Physician and Military Hygienist1850 · Scottish National Portrait Gallery
28
Andrew Ure (1778–1857), MD, FRS1849
29
James Watson (1787–1871), MD, President of the Faculty of Physicians and Surgeons of Glasgow (1838–1841, 1849–1852 1857–1860)1851
30
Charles Mackay (1787–1857), Actor1854 · Scottish National Portrait Gallery
31
Reverend Henry Cooke (1788–1868), DD1856
32
The Children of William Neish1862
33
Study for 'A Lady in Grey'1859 · Scottish National Gallery
34
John Erskine, Manager of William Dunn's Machine Works, John Street, Glasgow1859
35
Horatio McCulloch (1805–1867), Landscape Painter1859 · Scottish National Portrait Gallery
36
Mrs Catherine Glen Stronach of Lindsaylands1867
37
Alexander Stronach of Lindsaylands1867
38
Portrait of a Bearded Gentleman1865
39
Professor Robert Buchanan (1785–1873)1866
40
Reverend Thomas Barclay (1792–1873)1870
41
William Gibb, JP1871
42
Hugh Cowan1870 · Ayr Town Hall
43
Lady Macnee1870
44
Portrait of an Old Lady1864
45
Peter Denny (1821–1895)1868 · National Maritime Museum
46
Reverend James Begg (1808–1883), Free Church Minister1869 · Scottish National Portrait Gallery
47
Charles Mackay, LLD, FSA (unfinished)1870
48
Robert Home (c.1794–1867), Town Clerk1865 · Berwick-upon-tweed Town Hall
49
Alexander Dunlop Anderson, MD, President of the Faculty of Physicians and Surgeons of Glasgow (1852–1855)1870
50
Mrs Peter Simpson1870 · County Buildings
51
Sir James Bain (1817–1898)1870 · Scottish National Gallery
52
Robert Carruthers (1799–1878)1871
53
My Little Dolly1866 · The Stirling Smith Art Gallery - Museum
54
John Hutton Balfour (1808–1884)1878
55
Professor Andrew Buchanan (1839–1876), Regius Professor of the Theory of Physics1872 · The Hunterian Museum and Art Gallery
56
Professor Allen Thomson (1809–1884), Professor of Anatomy at the University of Glasgow1878
57
Bailie James Moir (1806–1880)1877
58
Robert Dalglish (1808–1880), MP1874
59
Sir James Bain (1818–1898), Lord Provost of Glasgow (1874–1877)1878
60
Sam Bough (1822–1878)1878
61
John Carrick (1819–1890), Glasgow City Architect1877
62
John Ramsay McCullochNational Portrait Gallery
63
Charles Randolph (1809–1878), Engineer, Shipbuilder1879
64
John Boyd Baxter (1796–1882), Procurator Fiscal of Farfarshire1881
65
Arthur Perigal (1816–1884), Landscape Painter1881 · Scottish National Portrait Gallery
66
John Gibson Fleming (1809–1879), President of the Faculty of Physicians and Surgeons of Glasgow (1865–1868, 1870–1872)1880
67
Burns and his Highland MaryScottish National Gallery
68
A Portrait Study of a Gentleman Seated in an InteriorScottish National Gallery
69
Professor W. Mackenzie
70
Samuel Hunter (1769–1839), Editor of the 'Glasgow Herald'
71
The Sisters1868
72
Portrait of a Girl
73
Sir William Jackson (1805–1876), Bt, Member of Parliament for North Derbyshire
74
James White, Esq., of Overtoun
75
Burns and 'Highland Mary'
76
Reverend Dr William Anderson (1799–1873)
77
William Murray of Monkland, FRSE
78
William Mathieson
79
John Aitchison (1769–1859)
80
Clarkson Stanfield (1793–1867), HRSA, RARoyal Scottish Academy of Art - Architecture
81
Thomas Coats (1809–1883)
82
James Donaldson, Builder
83
John Elder (1824–1869)
84
Portrait Study of a Gentleman Standing in an InteriorScottish National Gallery
85
George BailleRoyal Faculty of Procurators
86
The Letter
87
David Roberts (1796–1864), HRSA, RARoyal Scottish Academy of Art - Architecture
88
Portrait Study of a Gentleman Seated in an InteriorScottish National Gallery
89
Dugald Moore
90
Mrs George Kerr
91
Anderson Kirkwood, LLDRoyal Faculty of Procurators
92
John Dykes, Provost (1860–1869)
93
Portrait Study of a Gentleman Standing in an InteriorScottish National Gallery
94
William Johnstone of Glenorchard (1806–1864)
95
Colonel John Ferrier Hamilton of Cairnhill (1786–1871)County Buildings
96
Sir John WhiteheadNew York Historical Society
97
Robert Perry (1783–1848), President of the Faculty of Physicians and Surgeons of Glasgow (1843–1845)
98
Peter Coats (1808–1890)
99
Portrait Study of Three Ladies and a Boy in Highland Dress in an InteriorScottish National Gallery
100
J. Francis Williams (1785–1846), RSARoyal Scottish Academy of Art - Architecture
#1 Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860)
#2 David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock
#3 Archibald McNeill, Principal Clerk of Session (1858–1870)
#5 A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman)
#9 Professor Allen Thomson (1809–1884), FRCSEd (1832)
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Daniel Macnee | Slike iz tega seznama |
|---|---|---|---|
 Scottish National Gallery |
Edinburgh | 17 | Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman), A Portrait Study of a Gentleman Standing in an Interior |
 Scottish National Portrait Gallery |
Edinburgh | 11 | Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, Rev. James Taylor, 1813 - 1892. Minister and author, John Wilson (1800–1849), Singer and Composer of Songs |
 Royal Scottish Academy of Art - Architecture |
Edinburgh | 6 | Lady Macnee and Her Daughter (Portrait of the Artist's Daughter and Granddaughter), The Bracelet, Clarkson Stanfield (1793–1867), HRSA, RA |
 Royal Faculty of Procurators |
Glasgow | 3 | Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860), George Baille, Anderson Kirkwood, LLD |
 The Stirling Smith Art Gallery - Museum |
Stirling | 3 | Agnes Smith Greig, My Little Dolly |
 National Portrait Gallery |
London | 2 | Douglas William Jerrold, John Ramsay McCulloch |
 County Buildings |
Ayr | 2 | Mrs Peter Simpson, Colonel John Ferrier Hamilton of Cairnhill (1786–1871) |
 Scottish Courts And Tribunals Service |
Edinburgh | 1 | Archibald McNeill, Principal Clerk of Session (1858–1870) |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Alexander Morrison sits in a stillness that suggests the heavy silence of a courtroom. He is a man defined by the gravity of his position, the Dean of Faculty, captured in a moment of repose that feels more like a pause in thought than a moment of rest. His legs are crossed, a posture of quiet authority, while his suit and tie anchor him to the formal expectations of his…
Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860) (1859), Royal Faculty of Procurators, Glasgow. Zatem sledeta David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock (1856) in Archibald McNeill, Principal Clerk of Session (1858–1870) (1860).
53 let: delo Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860) iz leta 1859, Daniel Macnee pa je bil/a rojen/a leta 1806.
Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860), David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock, Archibald McNeill, Principal Clerk of Session (1858–1870), Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman), Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, Sir James Matheson (1796–1878), Rev. James Taylor, 1813 - 1892. Minister and author, Professor Allen Thomson (1809–1884), FRCSEd (1832) in Adam Sim of Coulter Mains (1805–1868). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 114 del avtorja Daniel Macnee, datiranih od 1830 do 1881.
Večini v Scottish National Gallery (Edinburgh), Scottish National Portrait Gallery (Edinburgh) in Royal Scottish Academy of Art - Architecture (Edinburgh). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1870s: 22 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist.
Na tej strani je najstarejše delo iz John Wilson (1800–1849), Singer and Composer of Songs (1830) in najstarejše iz John Boyd Baxter (1796–1882), Procurator Fiscal of Farfarshire (1881).
Portraiture (7), 19th century (7) in Victorian era (6), na 100 delih na tej strani.
Oil, za 2 od 100 del na tej strani.
Academic realism, glede na originala na tej strani.
Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman) in A Portrait Study of a Gentleman Standing in an Interior: v muzeju Scottish National Gallery, Edinburgh se nahaja 12 del z te strani.
Daniel Macnee (1806 – 1882) predstavlja ključno figuro v zgodovini škotske umetnosti, prepoznavano predvsem zaradi njegovih evokativnih prikazov Visokih gor in prispevka k ustanovitvi Kralične škotske akademije. Born v vplavni londonski družini, je Macnee svojo umetniško pot začel v okolju velikega privilège, vendar je njegovo zanimanje hitro našlo svoj cilj v zajemanju divje lepote in duha Škotske – fascinacije, ki bo temeljično oblikovala njegovo celotno življenje in delo.
Njegova pot do umetničnega vrhunca se je začela z odlično izobrazbo na Eton College in študijem na Christ's Hospital, kjer je izostril svoje umetnične veščine, preden se je odločil za izpostavljeno vojaško, pomorsko kariero. Te formative izkušnje so mu vdelo disciplino in sposobnost globokega opazovanja, lastnosti, ki so se kasneje izkazale za neprecenljive v njegovem slikarstvu. Njegova umetniška senzibilnost je bila globoko oblikovana od pokona škotskih naravnih pejzažev, zlasti v nacionalnem parku Cairngorms, kjer je preživljal dolge obdobja. Z natančnostjo je študiral topografske risbe in skice, pri čemer se je trudil, da bi zav Zedavnostno prikazal dramatične razglede in subtilne tonske prehodnosti, ki so značilni za te gorske regije.
Macneejeva predanost umetniški odličnosti se je izrazila v njegovi izpostavljenosti v Kralični škotski akademiji leta 1837, prestižni časti, ki je utrdila njegov položaj vodilnega glasa v škotski umetniški skupnosti. Kot predsednik od leta 1869 do svoje smrti je zagovarjal inovacije in teşnil podporno okolje za ambiciozne umetnike, s čimer je utrnit svoj položaj v zgodovini.
Morda njegovo najbolj slavno del je portret „Gospa v sivi barvi“ (1859), ki predstavlja portret njegove hčerke, pozneje gospa Wiseman. Delo, izvedeno z izjemnim realizmom in občutljivostjo, izvaja Macnejevo mojstvo v obvladovanju tonskih gradacij – tehnike, ki jo je spretno uporabil za prenos vzdušja in teksture. Njegova utemeljena paleta odraža prevladujoče umetnostne trende obdobja, hkrati pa zajema tiho dostojnost njegove osebe.
Poleg portretiranja je Macnee ustvaril številna pejzaže, ki prikazujejo njegovo izjemno razumevanje svetlobe in barv. Njegova platna prikazujejo dramatične gorske range, ki so kopali v zlatem sončnem svetu, kar vlaja opazljiv občutek veličastnosti in miru. Ta učinek je dosegel skozi natančno opazovanje in skrbno črtanje čopkov, kar loči njegovo delo od bolj splošnih prikazov Visokih gor. Njegov slog je črpal navdih iz luminizma – gibanja, ki poudarja atmosferske učinke in subtilne tonske razlike – pri čemer je uspešno prilagodil tehnike, ki so jih pionirili umetniki, kot sta George Caleb Bingham in Frederic Church. Njegova neomajna predanost zajemanju esence subjektov je zagotovila, da njegova slika ostajajo nesmične izrazi škotske narave in portretne umetnosti.
Prispevek Daniela Macneeja k škotski umetnosti sega dlje od posameznih izvršnosti; igral je ključno vlogo pri ustanovitvi Kralične škotske akademije, kjer je spodbudil umetniški dialog in promoviral odličnost v škotskem vizualnem umetnostnem okolju. Njegova dela še danes resonirajo z gledalci in služijo kot opomniki na minulio dobo, ki jo je zaznačal romantični idealizem in neomrnjena naklonjenost vznesenemu lepotnemu pojasnu narave. Macnejeva dediščina ne leži v njegovih umetniških dosežkih, temveč tudi v trajanem vplivu, ki ga je imel na naslednje generacije škotskih umetnikov.
